Recently we touched base with the New Zealand ex-pat guitarist Dean Roberts. Hes living in Berlin these days, teaching, playing and staying out late. When asked if there were any interesting, unheralded players we should know about he immediately mentioned Julia Reidy. Julia is also a guitarist currently based in Berlin, but the city from which shes apart is Sydney, NSW. While there she was embroiled in the Australian improv scene, and played with the likes of Jon Rose et al. She was focused exclusively on electric guitar back in those days. Since relocating to Europe she has split her concentrations between electric and acoustic, playing in two duos -- Tennis of All Kinds (with bassist Adam Pultz Melbye) and PALES (with percussionist Samuel Hall) -- among other settings. On All Is Ablaze Ms. Reidy plays both an acoustic 12 string and an electric, both of which sound unusually raw and exciting in her hands. Each side of the record consists of a single piece, the A is All Is Ablaze, the flip, Thatched Steel & Rain. In his notes, Dean writes about the beautiful contrasts of the musics textures, drawing apt comparisons to everyone from Robbie Basho to Tom Cora. As these namechecks might suggest, Julias first LP embraces a nearly unknowable field of sonic detailing. Her technique can sound precise and smudgy at almost the same moment. The intent of her journey seeming to shift with her breathing patterns. There is an organic depth and weight to the music here, displaying an exceptionally wide breadth of influence, knowledge, chops and imagination. We would like to thank Mr. Roberts for introducing us to the music of Julia Reidy. You will soon be doing the same. Edition of 300 - Byron Coley.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.