JED SPEARE is a crossover artist who has been working in sound, video, and performance for over thirty years. Sound Works 1982-1987 reflects his investigation and uniquely expressive practice of musique concrete-like analogue sound/field recording, editing, combining and mixing during that era. He is the creator of the Smithsonian Folkways LP Cable Car Soundscapes (1982), a project that begins as a sound documentary and ends as a tape composition based on cable car sounds. In the early 80s he recorded with the San Francisco groups, RESEARCH LIBRARY (appearing with and solo on the legendary Red Spot compilation LP; Subterranean Records), ULTRASHEEN (7 ep; Subterranean), and APPLIANCES. This double-CD collects five of Speares long-form compositions for the first time. Splicing together sources into towering movements used for stage and screen, these two hours of music take you to the heart of sound where nothing can own you. Twelve-page booklet features introduction by video artist and writer GEORGE QUASHA, Speares detailed notes on each piece, rare photographs and score reproductions." - Family Vineyard
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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