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Fördämning Arkiv

SPORTEN ÄR DÖD - s/t

"Inspired by bands like Swell Maps, Raincoats, Buzzcocks, Liliput and The Undertones, the trio of Ulla Åkerström, Eva Herngren and Åsa Wassberg formed Sporten Är Död in Kungälv outside of Gothenburg in Sweden 1980. In April 1981 the band entered a studio to record the 8-song demo which turned out to be the only studio-recording the band ever did. About a 100 copies were made and the cassette is now one of the white whales of the early 80's Swedish punk. 'Der Weltcup' was featured on the Swedish compilation LP Svenska Tonårsgrupper Vol.3 (released on Konkurens Rekårdz in 1981) and the band performed live a bit, mostly in and around Gothenburg but also in Linköping, before disbanding in 1982. In the mid 00's 'Der Weltcup' and some of the other tracks started to circulate among the filesharing communities and Mutant Sounds-styled blogs, and 'Der Weltcup' became a floor filler at certain indie clubs in town for a while. While some of their influences might be somewhat present, there's a certain stripped-down approach to the music that is letting the melodies and lyrics (which, by the way, deals with everything from candy bars and a distaste for athletics to John Peel) speak for themselves. A lost gem of brilliant, youthful DIY pop.

Fördämning Arkiv now presents the demo cassette on vinyl in it's entirety for the first time with a live recording made at the legendaric venue Sprängkullen in May 1982 on the flipside, everything carefully transfered and mastered by Linus Andersson at Elementstudion in Gothenburg. The live recording shows the shortlived band on its peak, passionately blasting through a bunch of new tracks like the mind-blowingly good 'Gatan (den nya)' and 'Liemannen' alongside a few numbers from the cassette.

Pressed in 300 copies in a matte sleeve with layout and design by Elin Finnsdotter Engström. Included is a 12-page booklet with lots of unseen photos and liner notes by Ulla Åkerström and Peter Kagerland." - Fördämning Arkiv.

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  • Regular price $32.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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