180-gram vinyl. Gatefold sleeve. Includes CD. 2015 remastered reissue. Includes lengthy interview with Laraaji. "Laraajis glistening 1980 debut Ambient 3: Day of Radiance has from the beginning been considered an outlier. Though widely celebrated at that the time of its original release (as the third installment in Brian Enos emerging ambient music series), the album also brought with it an aura of mystification. Where did it fit in? An uncharted synthesis of resonating zither textures, interlocking hammered rhythms, and 3-D sound treatments (courtesy of Eno), Day of Radiance seemed to push open many doors at once, ambient music being only one of them. Though there are certainly aspects of the album that find sonic common ground with other Eno-related "ambient" projects (on the tracks "Meditation #1" and "Meditation #2" in particular), the album is not easily boxed into a singular genre. Day of Radiance also mines the ethereal spiritualism of late-70s new age music (of which Laraaji is considered a pioneer), the harmonic and rhythmic repetitions of American minimalists Terry Riley and Steve Reich, and traditional global sounds from India and Java (particularly gamelan music). And while Laraaji never explicitly embraced the "Fourth World" theories of fellow visionary and Eno collaborator Jon Hassell, Day of Radiance echoes a kindred exploratory exoticism. In the late 70s Brian Eno had relocated to New York City from London and had begun a period of fertile intersections with musicians in his adopted home. Laraaji recounts how he and Eno first crossed paths: "I was playing [zither] in Washington Square Park and I usually play with my eyes closed because I get into meditative trance states that way, and opening my eyes and collecting my little financial reward from that evening, there was a note, on notebook paper -- it looked like it had been ripped from somebodys expensive notebook -- there was a note that says Dear sir, kindly excuse this impromptu piece of message, I was wondering if you would be interested in talking about participating in a recording project I am doing, signed: Brian Eno." The album was completed in two sessions; the first one produced the faster, pulsing "Dance" compositions (on the A-side) and the second session yielded something closer to Enos own ambient constructs -- slow zither washes and waves with more pronounced sound enhancements (on the B-side). While the album is deceptively simple in its construction, closer listening reveals its extraordinary depth of field and its polymath influences." - Glitterbeat.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.