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History Always Favours The Winners

CARETAKER, THE - Everywhere At The End Of Time - Stage 5

"The penultimate release in the series, Stage 5 of The Caretaker's Everywhere At The End of Time charts severe levels of musical/mental deterioration and sensory detachment through four extended, smudged and hallucinatory side-long pieces. Nearing the end, Stage 5 sees our protagonist enter a near-permanent state of confusion and horror. Mirroring the endemic deterioration of dementia's latter phases, one is pulled through the most extreme entanglements in the series so far; repetition and ruptures, barely maintaining a connection to waking life and a sense of self. In the most classic sense, one becomes witness to an abandonment and dissolution of ego, as the mulch of bygone 78s totally loses itself in a way that connotes misfiring synapses failing to properly relay information at advanced levels of the disease. It feels as though one's skull is being scraped out, uncovering hellish layers of accreted sensation and mulched imagery, occasionally recognizing calmer patterns, only for them to fray into the ether before it's possible to parse and dwell on them. At this point it's also perhaps worth pointing out the uncannily profound synchronicity between the timelines of Everywhere At The End of Time and Brexit, which both started in 2016 and are due to wrap up in spring 2019. It should be no stretch of the imagination to read into their parallel progression from nostalgia and historic/collective amnesia, to progressive dementia and complete obliteration of (the) sense(s). Mastered and cut by Lupo, artwork by Ivan Seal." - History Always Favours The Winners.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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