2018 repress. "Colin Potter has been a central figure in the UKs DIY and post-industrial underground since the late 70s. His ICR label, founded in 1981, blurred the lines between post-punk experimentation, crude pop, Krautrock-inspired drone work and contemporary electronica, with releases by everyone from DIY legends The Instant Automatons through Chris & Cosey of Throbbing Gristle, experimental composer Trevor Wishart, drone soundists Andrew Chalk and Darren Tate and Bryn Joness Muslimgauze. He has also been a key collaborator with both Current 93 and Nurse With Wound, working in the studio with both groups since the late 90s as well as serving as a member of Nurse With Wounds current live line-up. From the late 90s to the late 00s Potters IC Studio, based in a Victorian Water Tower outside Preston, was a lightning rod for musicians working beneath the radar and a focal point for the nacsent UK drone scene" --David Keenan, Red Bull Music Academy Daily, March 31, 2015. Rank Sonata encloses sounds of organic techno, somnambulistic dub, and dream-ambient. The nearly-20-minute track "A Wider Pale of Shale" sounds absolutely timeless, with an interplay between ambient and beat-driven passages that could play all night long. With "You," Potter brilliantly weaves abstract sounds into an unexpected multi-layered dub track. The deep, slow reverb-rhythm of "Knit Where?" gives the record a touch of darkness and melancholy. Rank Sonata is a brilliant piece of music full of technical sophistication and innovation." - Hallow Ground.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.