HENNIX, CATHERINE CHRISTER - Central Palace Music from 100 Model Subjects For Hegikan Roku
-¢‚Ǩ-ìCentral Palace Music, performed by Catherine Christer Hennixs just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Important Records. This previously unheard piece was taken from an eight-day festival organized in the spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe, and Hans Isgren on sheng. Central Palace Music is packaged in a deluxe letterpressed sleeve. -¢‚Ǩ-ì-¢‚Ǩ¬ùShe has created a sound that reliably taps into our subconscious and frees us from linear time" --The Quietus. Catherine Christer Hennix (born 1948 in Stockholm) is an artist, poet, composer, and philosopher with a strong interest in logic and formal music theory. In late-1960s Sweden, she was a pioneer of experimenting with mainframe computer-generated composite soundwave forms, and in the 1970s she was a key protagonist of the Downtown School along with La Monte Young and Henry Flynt, with whom she has collaborated on numerous occasions. She pursued studies with master vocalist Pandit Pran Nath and led the just-intonation live electronic ensembles Hilbert Hotel and The Deontic Miracle (featured on this recording). She was a professor of mathematics and computer science and assistant to and coauthor with A. S. Esenin-Volpin, for which she received the Centenary Prize-fellow Award from the Clay Mathematics Institute in 2000. Hennixs interest in drone music and the meditative, trance-like state it induces is apparent in her exploration of similar music in many other cultures and traditions, including, for example, Japanese gagaku music and the 13th-century vocal music of Pérotin and Léonin.-¢‚Ǩ¬ù - Important.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.