MUENG, WILLIAM HENRY - Ghosting The Garden After The Fire
"Ghosting the garden after the fire" Is composed of bedroom recordings and live shows documented over two years while I lived at the good ship None gallery. For the first year I was there i pretty much stopped listening to music and mostly listened to recordings of rain. The second year I was there I almost exclusively listened to Kate Bush and Death Grips. I remember the making of this work, to be part of a ritualistic focusing, a solace to the bleakness of the "mental health triangle" (that being what that part of town was referred to as by people i knew). Primitive electronic drones and noise, broken drum machines and home made tape loops combined to formimprovised and composed pieces of music. A low-fi escape for people." - William Henry Meung.
"Amazing archival album from Dunedin-based noise musician and ex-member of Ladder is Part of The Pit and Wolfskul. Recorded 2014 None Gallery. Edition of 20 with offset inlays." - Independent Woman
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
