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Klanggalerie

TURKOZ & ZIM NGQAWANA AND FRIENDS, SAADET - RememberMe

"Saadet Türköz was born in 1961 in Istanbul into a family of nomads from Kasachstan. In 1981 she came to Switzerland where she was soon in contact with the free jazz and impro scene. From 1991 to 1992 Saadet attended a course in musical improvisation at Werkstatt für Improvisierte Musik (WIM) with Peter K. Frey in Zurich. Ever since, she has been working with jazz musicians from both Switzerland and all over the globe, for example she recorded with Elliott Sharp, Koch-Schütz-Studer, Okay Temiz, Elisabeth Harnik, William Parker and many others. She also works in film, theatre and dance. Zim Ngqwana was born in Port Elisabeth, South Africa, in 1959. He studied with Archie Sheep and Yusef Lateef. In the 1990s he worked with Hugh Masekela and Abdullah Ibrahim. He combines traditional South African music with jazz and founded the Zimology Institue for young musicians near Johannesburg. Carlo Mombelli and Kyle Shepherd are both from South Africa and worked with greats such as Luis Moholo-Moholo and Miriam Makeba. Finally, Justin Badenhorst has made his mark at home in New York and internationally, recording and performing worldwide with bassist Carlo Mombelli & the Prisoners of Strange, and Marcus Wyatt's language 12 project. Remember Me was recorded in South Africa and is the group's first ever collaboration." - Klanggalerie.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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