"In other places, the New German Wave was already over by 1982. In the countryside they were always a bit behind. Particularly in the south-west of Germany, where the quiet university town of Tübingen sits like a Disney version of a German province. The late 1970s were synonymous with a left-leaning alternative scene, and it was in this climate that a bunch of renegades met. Two things united them: antipathy towards their fellow students and a desire for musical renewal. To give (post) punk meaningful direction and to present to the public the already nostalgic (perhaps only retroactively constructed) idea of pop as an agent of permanent cultural revolution, they needed bands whose confrontational performances could stir up and split student gatherings. That's what Attraktiv & Preiswert did, fronted by Ralf van Daale. The Hesselbach Family was founded by Gottfried, Axel, Claude, Frank, and Klaus Hesselbach, with Handke Hesselbach joining later. The name, taken from a TV series about a Hessian family business, placed them somewhere between wishful thinking (Ramones) and reality (the provincial backwaters). Compared to most projects, where everyone was involved in three (one group and two side projects), the Hesselbachs were a band in the old-fashioned sense. Their playing was tight, which was unusual for the New German Wave. Their co-conspirators had brilliant ideas (like Autofick and Zimt), but the Hesselbach Family really had the new possibilities at their fingertips. They had the groove of A Certain Ratio and Medium Medium, as well as the "broken jazz" of James Chance groups, and they shamelessly adopted the manifesto pop of British DIY bands and the Scottish "Postcard sound". They were even quicker than others to integrate "Zitatpop", the further development of the revolution that was underway and still largely not understood in Germany. For a long time, no one realized that it was the legacy of a scene that was small, but highly motivated in terms of content. It represents those who, between 1979 and 1983, wanted to recreate the big and exciting pop world in the sleepy regions around Stuttgart, for fun but with the necessary seriousness. German post-punk was traditionally averse to theory. It is only now, when they sound as they should have done, that you realize that the Hesselbach Family were the Talking Heads in this completely unlikely constellation. Photos and liner notes by Frank Apunkt Schneider. Remastered by Moritz Illner." - Play Loud! Productions .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.