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LEWITT, SOL - Four Basic Kinds of Lines & Colour

"This publication is a facsimile edition of Sol LeWitt’s iconic Four Basic Kinds of Lines & Colour. Originally published in 1977, the publication stands as an enduring example of LeWitt’s rigorous process-driven practice, which utilized simple conceptual parameters to generate complex and formally-diverse visual works. Four Basic Kinds of Lines & Colour is a composite of two earlier publications—Four Basic Kinds of Straight Lines (1969) and Four Basic Colours and Their Combinations (1971). Each left-hand page offers a black and white study of four types of lines (vertical, horizontal, right-facing diagonal, left-facing diagonal) executed in all possible combinations, while right-hand pages present a combinatory system of lines in four colors (yellow, black, red, blue). The book opens with a two-page key overviewing all permutations that follow. It is no secret that as a founder of American Conceptualism and one of its early theoreticians, LeWitt valued the idea and logical formulations of an artwork over the art-object. However, while one might suspect that such an adherence would prevent the creation of an aesthetically pleasing work, LeWitt’s efforts here and beyond prove otherwise. Sol LeWitt was an American artist who worked across a variety of media, including drawing, painting, photography, and sculpture. His early formulations around conceptualism helped to define a generation of artists who prioritized ideas and concepts rather than subjective decision-making in the creation of an artwork. These ideas are most clearly noted in his “Paragraphs on Conceptual Art” (1967) and “Sentences on Conceptual Art” (1969) and he is perhaps best-known for pioneering the wall drawing, a work derived from a series of formal operations applied directly to the wall. Throughout his life, LeWitt produced artists’ books and was a co-founder of Printed Matter in 1976. 8 x 8 inches 36 pages Paperback Color Edition of 3500 August 2019 Co-published with Printed Matter" - Primary Information.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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