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Phoenix

SPEED, GLUE & SHINKI - Speed, Glue, & Shinki

Following on from the gutsy blues-rock groove of the bands first and probably only genuine studio release, 1971s Eve, Speed, Glue & Shinkis second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi Glue" Kabe, Smith managed to produce an album of two halves, the first being some of the strongest SGS-esque material ever, the second being some fine electronic instrumentals in the Tangerine Dream mode. Following the release of the album, Smith and Hanopol flew back to Manila to become Filipino superstars, while Shinki Chen eschewed the recording of his music in preference to live recordings and Kabe found alternative employment in the highly popular band, Pink Cloud. However, the bands legacy lives on in Tiger, a compendium of the sound of Eve and a taste of where the band might have gone had time, personalities and huge amounts of illicit drugs not exerted their influences. Housed in a unique LP-replica gatefold card wallet in a numbered limited edition of 1,000 copies only." - Phoenix.

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  • Regular price $18.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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