{"title":"label (Q)","description":"","products":[{"product_id":"doyle-arthur-electroacoustic-ensemble-live-at-analog-shock-club","title":"DOYLE, ARTHUR ELECTRO-ACOUSTIC ENSEMBLE - Live at Analog Shock Club","description":"\u003cp\u003e\"Arthur Doyle- tenor sax, voice, flute, recorder\/Leslie Q- bass, guitar\/Ed Wilcox- drums, percussion\/Vinnie Paternostro- Roland 505\/Tim Poland- Clavinova\/Dave Cross- turntable, Ibanez DM 1100 sampler. Rec. at Analog Shock Club, Rochester, NY, Jan. 26, 2002. Incredible and not to be missed complete live set (some excerpts issued on Side B of the Conspiracy Nation\" LP), shot on two cameras and in the end mixed together to create a very psychedelic effect (along with others \"effect\" such as slow motion, distorted images, ect...). A rare chance to see such an amazing Ensemble live (which unfortunatly by now, have never played outside to US)and capture them in full glory !!! See Mr. Doyle blowing his down-and-dirty sax, \"singing\" other space \"songs\" , playing his flute.... or Mr. Wilcox furious drums playing... what a pleasure!!!\" - QBICO. Numbered edition of 90.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"VHS","offer_id":51854375303,"sku":"435-QBICO","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3626299-1337894849-3525_jpeg.jpg?v=1571717198"},{"product_id":"ngozi-paul-the-ghetto","title":"NGOZI, PAUL - The Ghetto","description":"\u003cp\u003ePaul Ngozi (Nogozi\" means danger) with his band gave a popular voice to what later was called \"Zamrock,\" a cool fusion of older African rhythms and 70s rockish underground modes -- never too polished, but with a tightness that might have made Anglo groups up in London sit up and take notice. The guitars are razor-sharp here, which sounds great next to the harder rhythms at the bottom, and the albums mix of English and Zambian lyrics. Paul Ngozi recorded at least 10 albums -- another one which is famous among collectors is Chrissy Zebby Tembo \u0026amp; Ngozi Family. You will love this one if you liked The Witch and Amanaz. Great album, great artwork, a masterpiece from Zambia.\" - QDK Media.\u003c\/p\u003e","brand":"QDK Media","offers":[{"title":"CD","offer_id":51859991367,"sku":"13151-QDK MEDIA","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3271331-1340135427-8548_jpeg.jpg?v=1571717254"},{"product_id":"maclise-angus-astral-collapse","title":"MACLISE, ANGUS - Astral Collapse","description":"\u003cp\u003eVolume number three in Quakebaskets ANGUS MACLISE series. This time the focus is solely on Angus and his compositions, some of which are the last he ever recorded. Explorations in tape music, noise and the extreme gradations of music, that include shimmering organ waves, circuit shredding on an Arp synthesizer, and a piece for hand drum and prepared tape.\u003c\/p\u003e","brand":"Quakebasket","offers":[{"title":"LP","offer_id":51863044679,"sku":"2524-QUAKEBASKET","price":22.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":47078062063835,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-635147-1142677008_jpeg.jpg?v=1571717331"},{"product_id":"cooper-mike-tu-fuego","title":"COOPER, MIKE - Tu Fuego","description":"\u003cp\u003e\"Jeff Henderson - alto sax; Mike Cooper- lap steel, electronics; Tom Callwood- bass; Anthony Donaldson- drums. Rec. February 2005 live @ Happy, Wellington, New Zealand. Fascinating and one-of-a-kind country western free mUZic.\" - QBICO.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51864951303,"sku":"3547-QBICO","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1043260-1187425758_jpeg.jpg?v=1601494947"},{"product_id":"beausoleil-bobby-lucifer-rising-sessions","title":"BEAUSOLEIL, BOBBY - Lucifer Rising Sessions","description":"\u003cp\u003eThe only available Beausoleil stuff available at this point, as the Arcanum CDs have been deleted. Early sessions for the soundtrack of Kenneth Anger cult movie of the same name. On side A wed hear the only available rec. of The Magick Powerhouse of Oz live at San Franciscos Straight Theater in late 1967 (BeauSoleil, earlier in the same year, also played at the Invisible Circus, a 72-hour environmental community happening which was sponsored by Emmett Grogan \u0026amp; the Diggers...). on side B, wed hear a completely different version, thanks to The Freedom Orchestra, rec. 10 years later live at Tracy State Prison (using_Ç  the box ring as stage). An alumnus of the Manson circle serving time at Tracy, the talented guitarist Steve Grogan played on this session (also all other musicians of the Orchestra were inmates). Legendary recordings, available for the first time ever on vinyl.\" - QBICO.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"Picture Disc LP","offer_id":51865161223,"sku":"3716-QBICO","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1043041-1454208417-2364_jpeg.jpg?v=1571717419"},{"product_id":"lauhkeat-lampaat-the-most-pollo","title":"LAUHKEAT LAMPAAT - The Most Pollo","description":"\u003cp\u003e\"LL = Antti Tolvi, Jaakko Tolvi + special guest Lau Nau on side A. Rec. March 2006 in Kiila, Finland. Focus on sound, very delicate and alien improvisations... see you in the weird forest with never heard before little birds\/little creatures...\" - Qbico.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51867831367,"sku":"4087-QBICO","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-684908-1320432871_jpeg.jpg?v=1571717443"},{"product_id":"muruga-the-global-village-ceremonial-band-s-t","title":"MURUGA \u0026 THE GLOBAL VILLAGE CEREMONIAL BAND - s\/t","description":"\u003cp\u003e\"New rocket by Muruga, after the Free Funk LP! This healing session opens and closes with two funk\/jazz tracks, rec. by Muruga in trio \u0026amp; 4et with Ken Kozara on muted trumpet and Richard Smith on bass; Belita Woods, from P-Funk, is added on the last track of the album, May The Funk Be With You. The middle of the record is mostly perc. heavy and trance\/ethnic oriented. Ascension had been written by the late master Baba Olatunji and had been rec. live @ The Spirit Drum Fest. w\/special guest Badal Roy (who rec. w\/Miles Davis, Ornette, Don Cherry, ect...) and Sikiru Adepoju (who rec. w\/Mickey Hart, Olatunji, ect..). Nelson Ledges is a drums trio rec. live as well @ The Rhythm Fest in Ohio. Out of Nothing is a very special duo piece rec. w\/Prem Das: here Muruga uses a unique Nada drum, while Prem Das (long years of apprenticeship in Mexico with a Huichol shaman and was also a colleague of Timothy Leary \u0026amp; Ralph Metzner) uses a water drum for a quite hypnotic effect ! Open your heart and let your body move... to the rhythm, to the groove!\" - QBICO.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51870149127,"sku":"4713-QBICO","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/OC00NjExLmpwZWc.jpg?v=1685742564"},{"product_id":"doyle-arthur-electroacoustic-ensemble-patriotic-act","title":"DOYLE, ARTHUR ELECTRO-ACOUSTIC ENSEMBLE - Patriotic Act","description":"\u003cp\u003e\"Brick red vinyl, three cut corners, artwork by Keith Haring. Rec. March 19, 2004 live @ the No Fun Fest, NY. Arthur Doyle - kinetic sax, village voice; Vinnie Paternostro - Roland 505; Dave Cross - turntables; Nuuj - electronics; Leslie Q - guitar; Ed Wilcox - drums. Urban jazz\"- QBICO.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51871092551,"sku":"4966-QBICO","price":23.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1380755-1263193606_jpeg.jpg?v=1571717495"},{"product_id":"smegma-perry-robinson-live-at-no-fun-fest","title":"SMEGMA \u0026 PERRY ROBINSON - Live At No Fun Fest","description":"\u003cp\u003e\"Clear orange vinyl with white and red effects. Artwork by Ju Suk Reet Meate. \"I used to buy and collect Smegma rockets when younger, so Im really happy to release an LP by this really far out band, especially since they played with my friend Perry, who is one of the most versatile musicians I had ever met! Smegma is a kind of cult mob in the US experimental underground, based in Portland, Oregon, they started back in the early 70s and got connections with the Los Angeles Free Music Society (Tom Recchion, Joe Potts, Le Forte Four, Airways, Doo-Dooettes, Ace Farren Ford and even The Residents); they also got an amazing label called Pigface... here they played some jazz for the year 3018.\" - Qbico.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51872019335,"sku":"5157-QBICO","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-946021-1175899245_jpeg.jpg?v=1571717515"},{"product_id":"v-a-qbico-uniteiv-aarhus","title":"V\/A - Qbico U-nite-IV, Aarhus","description":"\u003cp\u003eFeatures the Global Experience Orchestra (Daniel Carter, Vin Paternostro, Marc Gade, Pernaus Salon, Qbico \u0026amp; Ed Wilcox on one side, Family Underground on the other. Record 2 features 2 trios of Carter\/Paternostro\/Wilcox. Live in Denmark, 2006.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"Double LP","offer_id":51873884679,"sku":"5715-QBICO","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/MC5qcGVn_0c95dd45-af51-4d34-a90e-053c4954fcf3.jpg?v=1751491438"},{"product_id":"meehan-sean-and-toshimaru-nakamura-from-tour","title":"MEEHAN, SEAN AND TOSHIMARU NAKAMURA - From Tour","description":"\u003cp\u003e\"Live recording from a series of concerts given in America in 2002. In a letterpress envelope with a jigsaw map piece from a State that the two toured to on the cover.\" - Quakebasket.\u003c\/p\u003e","brand":"Quakebasket","offers":[{"title":"CD","offer_id":51875349575,"sku":"6024-QUAKEBASKET","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-538887-1133045525_jpeg.jpg?v=1571717575"},{"product_id":"schnitzler-conrad-silver","title":"SCHNITZLER, CONRAD - Silver","description":"\u003cp\u003e\"Recorded 1974\/75. Vintage Schnitzler, available here for the first time. This recording from 1974\/75 was part of the legendary colored series of albums: Rot, Grun, Gelb, Schwarz. 180 gram vinyl\". -Qbico\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51916499463,"sku":"8252-QBICO","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1667070-1284877686_jpeg.jpg?v=1571717738"},{"product_id":"ashtray-navigations-running-on-autokinetic","title":"ASHTRAY NAVIGATIONS - Running On Autokinetic","description":"\u003cp\u003eGreen-colored vinyl. \"Recorded in Leeds, June 2007. Originally released as CD-R limited to 100 copies. Classic Ashtray Navigations, two hallucino-kinetic tracks each side.\" - Qbico.\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51917171719,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1723016-1285271705_jpeg.jpg?v=1571717742"},{"product_id":"churinga-canaries-untitled","title":"CHURINGA CANARIES - Untitled","description":"\u003cp\u003ePhil Legard, Alexander Neilson, Tirath Singh Nirmala, and Phil Todd. Recorded in Leeds, December 2005. Originally released as a CD-R limited to 100 copies. Collaborations can be a hell of a gamble. Fortunately, it seems that in the world of the underground music lover, collaborative ventures always seem to turn out to be synergetic exercises that yield amazing results. Churinga Canaries is such an endeavor: a one-off group effort improvised by four of the brightest lights in the UK underground music dog-and-pony show. A rundown of the participants should be more than enough to cause many of you to drool with excitement. Phil Legard (Xenis Emputae Travelling Band), Alex Neilson (Scatter, Richard Youngs collaborator, etc.), Tirath Singh Nirmala (formerly John Clyde-Evans of Hood) and Phil Todd (Ashtray Navigations) assembled in Leeds in chilly December 2005 to bang out some noise and melt the ice right out from under themselves with a warm bowl of sonic porridge. The results are two stunning long-form tracks of joyful jazz-inflected psych-noise in the vein of some of the wilder Ash Nav moments. Neilsons propulsive yet amazingly free drumming serves as the perfect background for the virtual maelstrom conjured up by the other three improvisers. About five minutes into the leading track, Under Heavy Rent, the sound is so dense and chaotic that its almost dizzying. The foursome manage to keep themselves and their sound from breaking apart into a million tiny pieces, but just barely. A Sovtek Swirl starts off subdued, with a recurring thematic element gluing the shards of our dumbstruck minds back together again. By the time the disc is finished however, youll be left panting in a useless heap on the floor. This is powerful stuff, not to be taken lightly. Dont say I didnt warn you!\" - Byron Hayes (from July 2006 Review of the CD-R by Foxy Digitalis)\u003c\/p\u003e","brand":"QBICO","offers":[{"title":"LP","offer_id":51917176711,"sku":"8364-QBICO","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1723043-1304076077_jpeg_7f022f82-a6ef-4988-9863-0fd2156769c3.jpg?v=1571717742"},{"product_id":"drunk-elk-senecas-last-breath","title":"DRUNK ELK - Senecas Last Breath","description":"\u003cp\u003eThe vinyl debut from these residents of Hobart, Tasmania (also known as the Australia of Australia), who channel earnestness, naivety and lyrical inspiration from the weirdest loner folk. Theyre obsessed with Joy Division, and because of an inescapable Xpressway filter, sound less Manchester and more like a Jefferies brother Peter and Graeme would rather people not find out about, and so have forced him to live in the attic deprived of voice lessons, friends and food. So you gotcher heavily melodic ode to the Roman stoic philosopher on one side, and your quieter, more seductive affair on the flip, a pledge of devotion to another mans wife. Why not? - Quemada.\\r\\n\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"7\"","offer_id":51934618695,"sku":"11565-QUEMADA","price":5.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3378931-1328059303_jpeg.jpg?v=1571717957"},{"product_id":"garbage-the-flowers-the-stoned-rehearsal","title":"GARBAGE \u0026 THE FLOWERS, THE - Stoned Rehearsal","description":"\u003cp\u003e\"The Garbage and the Flowers have been around since the early nineties and have released some of the most beautifully delicate sounds ever pressed to vinyl. They just havent done it all that often. From their 1992 single on Twisted Village to their double LP on the Now Sound from 1997 to their Skulltones single in 2010, G\u0026amp;TF have casually offered us glimpses into their genius. Stoned Rehearsal is exactly what the name implies. Recorded in 2007 to an audience that consisted solely of two Rainforest Dingoes and a Tibetan terrier, Stoned Rehearsal finds our heroes and heroine relaxed and loose. And for those of us who live in another hemisphere, it gives us the best representation of the live G\u0026amp;TF live experience we_¢‚Ǩ‚Ѣre likely to get. Stoned Rehearsal was originally released on cassette by the band but was barely heard out of Australia. Even if you found a copy, you may be one of those unfortunate souls with a tape that the band forgot to dub (gee, wonder how that happened). It is now presented to you lovingly re-mastered and on god's preferred medium\". - Quemada.\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"LP","offer_id":51938809671,"sku":"12217-QUEMADA","price":37.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3244187-1322082518_jpeg.jpg?v=1571718002"},{"product_id":"screaming-dead-children-of-the-boneyard-stones","title":"SCREAMING DEAD - Children of the Boneyard Stones","description":"\u003cp\u003eSix really cool tracks from the quite rare 1982 demo cassette by this lesser-known Cheltenham UK horror\/goth punk outfit, with a great sense of melody and a rebellious political stance where classic 70s punk meets the developing hardcore sound. Original artwork from the cassette release, limited pressing of 400 copies. - Queer Pills.\u003c\/p\u003e","brand":"Queer Pills","offers":[{"title":"7\"","offer_id":51938988231,"sku":"12274-QUEER PILLS","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3166870-1319063061_jpeg.jpg?v=1571718004"},{"product_id":"mole-house-hey-come-my-way","title":"MOLE HOUSE - Hey Come My Way","description":"\u003cp\u003eCant be more excited to bring you debut from Mole House. Get to know em now. The band is made up of members of Mad Nanna and White Woods (Night People, Bellplay) and sounds like an even mixing of those two bands. A bit more jangle and hook than your typical date with Mad Nanna, but a bit sloppier than a make-out session with White Woods. Prime bummer pop through and through. - Quemada.\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"7\"","offer_id":51939331591,"sku":"12406-QUEMADA","price":7.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3395574-1328742855_jpeg.jpg?v=1571718008"},{"product_id":"mad-nanna-i-hit-a-wall","title":"MAD NANNA - I Hit A Wall","description":"\u003cp\u003eWe have here the new 7inch single from Mad Nanna. Mad Nanna have quietly built up an impressive discography in a relatively short span with releases on Goaty, Eggy, Wormwood Grasshopper, and their own amazing Alberts Basement. The A side is an anthem for the ages (by Nanna standards). It lurches and stumbles, makes strides,waltzes and wobbles but manages to stay in a relatively straight line. The B side charges headlong through the muck and rides an early 90s Port Chalmers groove. Artwork is by one Antony Riddell, a Melbourne fixture, artist, author, member of the Weave Movement Theatre and one of the the mad geniuses responsible for the under-appreciated Volvox. - Quemada.\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"7\"","offer_id":51939348103,"sku":"12407-QUEMADA","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3333123-1326166904_jpeg.jpg?v=1571718008"},{"product_id":"lakes-crossed-with-leaves","title":"LAKES - Crossed With Leaves","description":"\u003cp\u003eLakes is the solo outlet for Sean Bailey-¢‚Ǩ‚Ѣs not so cheery take on the world. Sean has been a constant in the Melbourne musical landscape for quite a while. In addition to running the Inverted Crux label he has played is such diverse group settings including, but not limited to, Paeces, Wasted Truth, Tax, and The (Australian) Vivian Girls. Lakes is Sean-¢‚Ǩ‚Ѣs bleak punk, dark folk creature. There is no mistaking the Lakes signature sound, but those who have been following Lakes development over the course of 12 releases can attest that Sean has methodically built on to the gothic Lakes skeleton heard on the earliest releases to where we last heard from him on last year-¢‚Ǩ‚Ѣs Winter-¢‚Ǩ‚Ѣs Blade LP where the Lakes monster was given quite a bit of muscle in large part to a tweak in the recording process. This single picks up where Winter-¢‚Ǩ‚Ѣs Blade left off with perhaps with an extra level of heavy and gloom applied to the structure. - Quemada\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"7\"","offer_id":51941255815,"sku":"13289-QUEMADA","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3519951-1333693089_jpeg.jpg?v=1571718052"},{"product_id":"satanic-rockers-eviction","title":"SATANIC ROCKERS - Eviction","description":"\u003cp\u003eQuemada Records is very thrilled to release the debut single from Melbourne sociopaths, the Satanic Rockers, who take our beloved warm blanket DIY and douse in heavy, vile satanic goop. Imagine Paul Leary taking over lead duties for the Instant Automatons or if Mad Nanna showed a bit more Sabbath muscle . Your daughters are not safe. Full length before too long on Alberts Basement\/Sunshine and Grease\/Black Petal\/Own Time. - Quemada\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"7\"","offer_id":51941255943,"sku":"13290-QUEMADA","price":6.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3901994-1348622185-6729_jpeg.jpg?v=1571718052"},{"product_id":"kitchens-floor-live-in-brisbane","title":"KITCHENS FLOOR - Live in Brisbane","description":"\u003cp\u003eQuemada Records is happy to announce the release of Kitchen's Floor _¢‚Ǩ_ìLive in Brisbane_¢‚Ǩ¬ù LP, the long awaited vinyl version of their _¢‚Ǩ_ìToo Dead To Notice_¢‚Ǩ¬ù tape only release from the late Brendon Annesleys Negative Guest List Records. The record captures the band live in Brisbane (duh) in 2010 between the _¢‚Ǩ_ìLoneliness is a Dirty Mattress_¢‚Ǩ¬ù (Bedroon Suck\/RIP Society) and _¢‚Ǩ_ìLook Forward to Nothing_¢‚Ǩ¬ù (Silbreeze) LPs and at a moment when the band was teetering on oblivion. This performance could easily have been the bands last and in fact was Julia Norris last stand behind the drum kit. The band was also without a bassist which left Kitchens Floor stripped down to main man Matt Kennedy, who had switched to acoustic guitar this evening, and Julia accompanied on a couple tunes by Andrew Mclellans (Cured Pink) stupor inducing organ. By all account the show shouldve been a disaster and maybe it was, but who the hell cares when the disaster sounds this perfect. And let us not forget: these are those moments when ROCK really happens, no matter what murk it must travel to get to your ears. - Quemada\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"LP","offer_id":51941286919,"sku":"13294-QUEMADA","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3857313-1347104108-5147_jpeg.jpg?v=1571718052"},{"product_id":"sacred-product-wastex","title":"SACRED PRODUCT - Wastex","description":"\u003cp\u003eWe are thrilled to release -¢‚Ǩ-ìWastex-¢‚Ǩ¬ù a new EP from Sacred Product in the unfairly maligned double 7-¢‚Ǩ¬ù format. Sacred Product is the solo workings of Lynton Denovan whom you may know was the main instigator of the Satanic Rockers (that -¢‚Ǩ-ìwas-¢‚Ǩ¬ù was hard to type). The Rockers released a mind melting single right here on Quemada as well as a mind melding long player last year on Black Greasy Basemen. What should the Satanic Rockers fan expect from Sacred Product. Nefarious joy and impious happiness, of course! Gloomy doom pop, guitar jams with swell maps moves, a mass transit travelogue haunted by the Instant Automatons, and some crispy Satanic grooves. - Quemada.\u003c\/p\u003e","brand":"Quemada","offers":[{"title":"Double 7\"","offer_id":51948941191,"sku":"15384-QUEMADA","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5434626-1393266816-1770_jpeg.jpg?v=1571718163"},{"product_id":"roachclip-calmer-in-this-town","title":"ROACHCLIP - Calmer in this Town","description":"Quemada is happy to announce the release of a new single from Detroits Roachclip.-the long awaited follow up to their excellent first LP, Discovery Park of last year. On this seven inch the clip have retreated back into the murky garage from whence they were conceived and deliver two sides of primo paranoid psych rock. Imagine Kim Fowley and Bill Direen working out their bad vibes over an old Tascam in a mid-western basement. The flip pours on some sugar, albeit thick and syrupy-just like we like it. - Quemada.\\r\\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/153440611\u0026amp;color=ff5500\"\u003e\u003c\/iframe\u003e","brand":"Quemada","offers":[{"title":"7\"","offer_id":52000774663,"sku":"16072-QUEMADA","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6505039-1420983017-5065_jpeg.jpg?v=1571718195"},{"product_id":"habibiyya-the-if-man-but-knew-1","title":"HABIBIYYA, THE - If Man But Knew+","description":"\"(Habibiyya were a ) buncha british rockers from the end of the 60s (some were in Mighty Baby) ... seems like they flipped out on sufic islam + cut a beautiful slice of eastern-influenced dronefloat for Island recs right at the start of the 70s ... well, i picked up the rec for 25p in a charity shop many moons ago, and its a real head-turner, lost classic, but not so many seem to know about it ... ANYWAYS, im only posting this because ive just found out that one of the guys in the band has made it available again on swish-looking CDR . I reckon a lot of you out there would really go for this, if you enjoy NNCK, jewelled antler, sunburned hand, sun city girls, hell even vibracathedral. Someone shd give this one the full reissue treatment some day, but until then, its nice that you can get yr hands on it if you want.\" - Neil Campbell. \"Habibiyyas sole album stands as one of the earliest and most beautiful pieces of world music ever recorded in Britain. The musicians involved (including three members of UK underground legends Mighty Baby) had been profoundly affected, both musically and spiritually, by visiting Morocco in 1971, and became adherents of the Sufi faith. Upon their return to London they made If Man But Knew, featuring exotic instruments such as koto, shakuhachi and mandola alongside guitar, organ and drums, conjuring a hypnotic, otherworldly ambience in the process.\" Picked these up a year or two ago but were listing them for the first time.. Very nice full color printed artwork and CDRs, all signed by Ian Whiteman. Includes 3 unreleased tracks from the original recording session. Highly recommended!","brand":"Qasida","offers":[{"title":"CDR","offer_id":7402711089215,"sku":"","price":16.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/A-1186142-1387465156-2449_jpeg.jpg?v=1571718499"},{"product_id":"palmer-clive-the-land-of-no-return","title":"PALMER, CLIVE - The Land Of No Return","description":"\u003cp\u003eRecorded in 2004\/5. Clive Palmers new record is now released. With his new band from Cornwall, Clive gets us closer to his own world where folk becomes brilliantly strange and bizarre. The album is titled The Land Of No Return and includes new songs, a few new versions of old stuff and new recordings of COBs tunes. The record also includes a new version of Big City Blues, one of the songs that Clive recorded with the Incredible String Band when he was a former of this legendary group. - Quadrant.\u003c\/p\u003e","brand":"Quadrant","offers":[{"title":"CD","offer_id":13354243326015,"sku":"20591-QUADRANT","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4577441-1464353854-1508_jpeg.jpg?v=1571718525"},{"product_id":"woo-paradise-in-pimlico-quindi-records-italy-lp","title":"WOO - Paradise In Pimlico","description":"\u003cp\u003e\"After their celestial Arcturian Corridor opened proceedings on Quindi, London-based brothers Clive and Mark Ives are back with a new record. When Woo first began recording at home in the early '70s, Clive and Mark were the embodiment of furtive genius. Since re-emerging in 2013, they've released scores of albums, collaborated with Seahawks, and have now struck up a productive relationship with Quindi. On Paradise In Pimlico, you're hearing a very different sound to the one gently creaked out on early classics like Into The Heart Of Love (1990). This is fulsome, contemporary production rich in detail and artful sound design, but crucially, Clive and Mark's gorgeously melodic approach remains open and inquisitive, even with the sheen and shimmer of modern studio techniques. Woo sound more confident than ever in their composition, too. The crystalline, fragile tones of \"Cadenza D'Innocenza\" glide through key changes that spell out an engrossing narrative, while the cascading melodies on \"Moment To Moment\" pirouette across the space between notes with masterful poise. \"Paradise In Pimlico\" is an illustrious suite of orchestral composition played out with the lightest touch, framed by the slightest of synthesized fauna and topped off with tender sax and flute. Album closer \"In Case Love Fails\" takes on a subtly cinematic urgency with its undercurrents of walking bass and the strike of the string section (synthetic or otherwise). There's space for markedly new approaches, too. The rhythm section on \"The Motorik Mirror\" clunks and pops with a tactile, high-definition quality which teeters between electronic sculpture and clockwork, organic machination. The deft, lightly-brushed drums coursing through \"Even More Notes\" see Clive and Mark step into a different mood, celebrating the beat as another fluid, tonally-rich texture in the mix and adding a smoky, jazzy hue to the Woo repertoire. It's far from a drum-focused exercise though. At every turn, you're confronted with aching beauty and timbral surprises. If there's one constant throughout Paradise In Pimlico, it's the omnipresent chimes. These twinkling drops of light scattered throughout are something of a hallmark of Woo, ensuring the lilting, lullaby-like magic of their music persists whichever direction they head in. Includes download code.\" - Quindi.\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":42467347923163,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/QUI005LP_CU.jpg?v=1644688189"},{"product_id":"testbild-bed-stilt","title":"TESTBILD! - Bed Stilt","description":"\u003cp\u003e\"Matching breezy, Bossa nova-tinged sophistication with softly spiralling psychedelia, Testbild! arrive in the Quindi lounge as though they've always been there. On their 12th album, Bed Stilt, the Swedish collective cast their attention back to the earlier days of their 25-year trip through sweetly mysterious pop-not-pop rendered in warm tones and shot through with surrealism. The project was spearheaded by Petter Herbertsson in his hometown of Malmö in the late '90s, although the story on their website credits the inspiration and source material to a chance meeting and unpublished manuscript from a retiring scientist. The collective's evolution since then is a tangled web of facts and fiction spun by a revolving cast of collaborators including Siri af Burén, Katja Ekman, Rikard Heberling, Douglas Holmquist, Mattias Nihlén, and Petter Samuelsson. Along the way, their music has touched on chamber pop, post-punk and modern jazz with the elaborate harmonies and catchy songwriting charm of the Canterbury scene. The tracks which make up Bed Stilt were in fact track recorded in Malmö back in the mid-'00s, lying in wait for the right opportunity to be brought to light with some delicate overdubs and finishing flourishes in the here and now. Tomas Bodén -- better known as Civilistjavel -- lent some additional synth work as well as mastering the record. Musically, Testbild! stay true to their idiosyncratic approach on Bed Stilt with six immaculately rendered sojourns through lilting harmonies and brushed rhythms, feeling nostalgic but beguiling in equal measure. The finger-picking delicacy and languid harmonica of \"Streams\" strike a pastoral mood neatly countered by the elegant slide into dislocated ambience for the track's final stretch. By contrast, \"And Her Eyes Are Red\" surges with a big beat urgency which plays beautifully with the mellow jazziness of the chord sequences, boldly toying with song structure to dart down curious tangents without losing the immediate impulse of a great pop record. Somewhere in this tension between clarity and chaos we can understand the addictive charm of Testbild! -- a band steeped in the considerable craft of making accomplished and unconventional music so very easy to sink into.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":46373085872347,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI014LP_CU.jpg?v=1735240484"},{"product_id":"barnes-tim-numena","title":"BARNES, TIM - Numena","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 560px; height: 435px;\" src=\"https:\/\/bandcamp.com\/VideoEmbed?track=3655299453\u0026amp;bgcol=ffffff\u0026amp;linkcol=0687f5\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eNumena\u003c\/i\u003e is the second volume of music capturing percussionist \u003cb\u003eTim Barnes\u003c\/b\u003e in a variety of collaborative settings recorded in extraordinary circumstances over the past few years. Tim is a storied drummer, engineer and producer whose CV encompasses collaborations with a who's who of late 20th and early 21st century music. He has recorded, performed and collaborated with countless artists, including \u003cb\u003eTony Conrad\u003c\/b\u003e, \u003cb\u003eFaust\u003c\/b\u003e, \u003cb\u003eAlan Licht\u003c\/b\u003e, \u003cb\u003eJim O'Rourke\u003c\/b\u003e, \u003cb\u003eP.G. Six\u003c\/b\u003e, \u003cb\u003eSilver Jews\u003c\/b\u003e, \u003cb\u003eSonic Youth\u003c\/b\u003e, \u003cb\u003eStereolab\u003c\/b\u003e, \u003cb\u003eThe Tower Recordings\u003c\/b\u003e, \u003cb\u003eKen Vandermark\u003c\/b\u003e, \u003cb\u003eWilco\u003c\/b\u003e, \u003cb\u003eJohn Zorn\u003c\/b\u003e and many others. Through 2014, he was the proprietor of the boutique Quakebasket label, which documented a variety of projects at the forward edge of improvised and experimental music, including Tim's duo with \u003cb\u003eGlenn Kotche\u003c\/b\u003e, \u003cb\u003eOn Fillmore\u003c\/b\u003e. Now, Quakebasket has been revived to issue \u003ci\u003eNoumena\u003c\/i\u003e and its companion album, \u003ci\u003eLost Words\u003c\/i\u003e. In 2021, Tim was diagnosed with early onset Alzheimer's at the age of 54, and he and his family went public with this immediately. The response from Tim's network of friends and musical peers was overwhelming, and beginning in late 2021, collaborative recordings were undertaken, coordinated and assembled by Tim's longtime friend \u003cb\u003eKen (Bundy) Brown\u003c\/b\u003e, with whom Tim had worked in the past as a member of the group \u003cb\u003ePullman\u003c\/b\u003e, early pioneers of the new Americana movement in the indie scene of the late '90s. The recordings for \u003ci\u003eNoumena\u003c\/i\u003e feature the playing of \u003cb\u003eJoshua Abrams\u003c\/b\u003e, \u003cb\u003eOren Ambarchi\u003c\/b\u003e, \u003cb\u003eKen Brown\u003c\/b\u003e, \u003cb\u003eJohn Dieterich\u003c\/b\u003e, \u003cb\u003eDarin Gray\u003c\/b\u003e, Glenn Kotche, \u003cb\u003eRobert Carlos Lange\u003c\/b\u003e, \u003cb\u003eRo(b)\/\/ert Lundberg\u003c\/b\u003e, \u003cb\u003eDouglas McCombs\u003c\/b\u003e, \u003cb\u003eMatt Mehlan\u003c\/b\u003e, \u003cb\u003eRob Mazurek\u003c\/b\u003e, \u003cb\u003eTara Jane O'Neil\u003c\/b\u003e, Jim O'Rourke, \u003cb\u003eChad Taylor\u003c\/b\u003e, \u003cb\u003eThollem\u003c\/b\u003e, \u003cb\u003eBritt Walford\u003c\/b\u003e and \u003cb\u003eMike Watt\u003c\/b\u003e. As with \u003ci\u003eLost Words\u003c\/i\u003e, \u003ci\u003eNoumena\u003c\/i\u003e cuts a dramatic swath through a sweep of music styles, all of which are deepened by Tim's versatile, intensely stimulated percussive feel.\"\u003c\/p\u003e","brand":"Quakebasket","offers":[{"title":"LP","offer_id":47194588053723,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QB030LP_CU.jpg?v=1752075755"},{"product_id":"barnes-tim-lost-words","title":"BARNES, TIM - Lost Words","description":"\u003cp\u003e\"\u003cb\u003eTim Barnes\u003c\/b\u003e is a storied drummer, engineer and producer whose CV encompasses collaborations with a serious who's-who of late 20th and early 21st century music. Most well known as one of the two drummers (alongside \u003cb\u003eGlenn Kotche\u003c\/b\u003e) on \u003cb\u003eJim O'Rourke\u003c\/b\u003e's seminal late '90s and early 2000s recordings, Tim has recorded, performed and collaborated with \u003cb\u003eTony Conrad\u003c\/b\u003e, \u003cb\u003eFaust\u003c\/b\u003e, \u003cb\u003eAlan Licht\u003c\/b\u003e, \u003cb\u003eP.G. Six\u003c\/b\u003e, \u003cb\u003eSilver Jews\u003c\/b\u003e, \u003cb\u003eSonic Youth\u003c\/b\u003e, \u003cb\u003eStereolab\u003c\/b\u003e, \u003cb\u003eThe Tower Recordings\u003c\/b\u003e, \u003cb\u003eKen Vandermark\u003c\/b\u003e, \u003cb\u003eWilco\u003c\/b\u003e, \u003cb\u003eJohn Zorn\u003c\/b\u003e, and countless other artists working at the forward edge of improvised and experimental music. For many years he was the proprietor of the boutique Quakebasket label, which documented much of this music, as well as reissuing seminal works by \u003cb\u003eAngus MacLise\u003c\/b\u003e, the original drummer for the \u003cb\u003eVelvet Underground\u003c\/b\u003e. Now, the Quakebasket imprint has been revived to issue music Tim has recorded over the last several years with collaborators from throughout his music career. In 2021, Tim was diagnosed with early onset Alzheimer's at the age of 54, and he and his family went public with this immediately. The response from Tim's network of friends and musical peers was overwhelming, but the lingering shutdown meant only remote and long-distance interactions were possible. Beginning in late 2021, a large body of recordings coordinated and assembled by Tim's longtime friend \u003cb\u003eKen (Bundy) Brown\u003c\/b\u003e, with whom Tim had worked in the past as a member of the group \u003cb\u003ePullman\u003c\/b\u003e, early pioneers of the new Americana movement in the indie scene of the late '90s. \u003ci\u003eLost Words\u003c\/i\u003e features the playing of \u003cb\u003eJoshua Abrams\u003c\/b\u003e, \u003cb\u003eKen Brown\u003c\/b\u003e, \u003cb\u003eDavid Daneill\u003c\/b\u003e, \u003cb\u003eDarin Gray\u003c\/b\u003e, \u003cb\u003eDavid Grubbs\u003c\/b\u003e, Glenn Kotche, \u003cb\u003eTara Jane O'Neil\u003c\/b\u003e, Jim O'Rourke, Ken Vandermark and \u003cb\u003eBritt Walford\u003c\/b\u003e. Alongside its companion album, \u003ci\u003eNoumena\u003c\/i\u003e, \u003ci\u003eLost Words\u003c\/i\u003e represents the culmination of years of work and demonstrates Tim's infectious energy and depth as a percussionist across a broad sweep of styles.\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2631302130\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Quakebasket","offers":[{"title":"LP","offer_id":47194606338267,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QB029LP_CU.jpg?v=1752076107"},{"product_id":"cabaret-du-ciel-the-breath-of-infinity","title":"CABARET DU CIEL - The Breath of Infinity","description":"\u003cp\u003e\"Following the stellar trip through Woo 's Arcturian Corridor (2020), Quindi Records continues to explore intimate, inviting sounds with an experimental bent by facilitating the return of overlooked Italian duo, Cabaret du Ciel . Initially formed in 1986, Cabaret du Ciel's debut album Skies In The Mirror was a low-key and extremely rare cassette release of spellbinding electro-acoustic ambient music created by Gian Luigi Morosin and Andrea Desiderà . A reissue on Hybride Sentimento in 2018 brought renewed attention to the startling music contained within this unique project. The Breath Of Infinity is an album comprised of new works recorded over the past year, either as new pieces or reworked from old ideas with the assistance of Giorgio Ricci . Morosin and Desiderà's natural instincts as multi-instrumentalists shine through across the record as they did on Skies In The Mirror , although these tracks were in fact composed as raw live takes using electronic workstations (with a little additional fretless bass provided by a close friend Giampaolo Diacci on \"Different Suns\" and \"Climatic Variations\"). There is a crisp, digital timbre to the worlds Cabaret du Ciel shape out on The Breath Of Infinity -- utopian pastures with an air of optimism similarly expressed in the first waves of ambient electronica. Folk traditions exert a guiding influence on the sparkling, ethereal melodies, and full-frequency harmonization, but this is music enamored with timeless plateaus rather than hackneyed interpretations of the past, present or future. It's also an album of variety. \"Different Suns\" tumbles with a pastoral, elemental earthiness thanks to the interwoven rhythmic murmuring of percussion and live bass, while \"Lakota\" pivots in sharply rendered bio-mechanical formations. There's a widescreen bombast to \"Theatre Azure\" which calls to mind mid-90s US electronica, while \"Meredith\" reclines in a blissful bath of plush '80s FM synthesis. \"Sunset Parade March\" has a distinct sense of propulsion thanks to its overdriven, broken techno rhythm and \"Highlands\" skips with an infectious energy despite not using any formal kind of percussion, but even in these more kinetic moments a preference for mellow musicality maintains the dreamlike mood. Consider The Breath Of Infinity like an archipelago, where each track functions as its own distinct island of ideas while being intrinsically interconnected to the others. In a similar fashion to acts such as Ultramarine , Cabaret du Ciel emphasize the musicality in their electronic music, shaping out an evocative, imaginative environment to idly glide through or attentively explore.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908243894491,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI002LP_PROD.jpg?v=1782413150"},{"product_id":"dead-bandit-from-the-basement","title":"DEAD BANDIT - From The Basement","description":"\u003cp\u003e\"Quindi Records continues to yield intriguing prospects as the label reach the third edition, moving from Woo 's astral ruminations via Cabaret Du Ciel 's sonorous meditations on to the dusty, dusky mantras of Dead Bandit . Maintaining the ambiguous creative practices of the label's previous releases, From The Basement reaches to the Earth for the malleable grit of post-rock while making the most of the broader sonic outlooks afforded by kosmische and electronic effects processes. Dead Bandit are Chicagoan songwriter Ellis Swan and Canadian multi-instrumentalist James Schimpl . Swan has previously released solo works including the stunning, inward-looking album I'll Be Around , a lo-fi Southern gothic dragging the husk of country ballads through battered signal chains. In Dead Bandit, Swan and Schimpl's artistic vision casts its gaze outwards on a vast expanse, where the distortion has space to stretch its legs and the drums pound out into open space. There's a common tonality at work here, the duos guitars telling a thousand hard-bitten tales where Swan's voice falls silent. It's no surprise to learn Swan and Schimpl's reference points include Neil Young 's Dead Man soundtrack, SF noise rockers Chrome and the imperial work of the late, great Mark Sandman of Morphine . You can sense Jim Jarmusch 's America just lingering behind the road-weary thrum of \"These Clouds\" and detect the shadow of Tom Waits lurking in the raunchy lurch of \"FF M\". The pointedly titled \"Sedated\" calls to mind the slow-core movement and its rejection of rock n' roll's fixation on speed. Instead, tonality and atmosphere are key across From The Basement , although the ambient lull of \"I See Her There\" is the exception rather than the rule. Dead Bandit's desert sound has vibrancy and immediacy to match its moodiness, from the sultry swagger of opening track \"Mud\" to the bold and borderline bombastic \"When I Looked Around\". Like the previous Quindi releases, this record is inherently experimental in nature, but not at the expense of its warmth and instant appeal. From The Basement , an inquisitive pair with primitive tools look out and imagine a colossal plain as the canvas on which to paint their picture Includes download code and special insert drawing.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908243927259,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI003LP_PROD.jpg?v=1782413151"},{"product_id":"swan-ellis-3am","title":"SWAN, ELLIS - 3am","description":"\u003cp\u003e\"Drawing the night in around his private, unnerving vigil, Ellis Swan returns to Quindi Records with an album of cracked beauty and haunted balladry. The Chicago-based singer-songwriter debuted on the label last year with a collaborative project called Dead Bandit , a vividly produced instrumental set in thrall to the badlands and a laconic, languid Americana. Under his own name, Swan records intimate, poetic songs in a stark fashion, so fragile they might disintegrate in between your fingers were you to pick them up. He draws the microphone close to pick up every whisper and drags the music through layer upon layer of tape fuzz, leaving room for atmospheric impressions which loom out of the walls like the ghosts of past misdeeds. These pieces play on the natural distortion and delirium which occurs at the farthest end of the night -- the hour before dawn might hope to break the veil of darkness. Swan's is a hauntological sound, but like the late Israeli rockabilly icon Charlie Megira his process strikes a spooked tone past revivalism and out of time or place. The only anchor which places Swan anywhere is the subtle presence of Katherine Swan providing lyrics to \"3am\" and lyrics and backing vocals to \"It Could Be Worse\". The impression cast is of one man and his guitar, but there are other textures tucked into the music -- the muffled murmur of a drum machine or a low frequency organ hum, some desolate piano, other treated percussive impulses which might well have been the work of incidental sprites while the four-track was rolling. There are fuller cuts like \"Evening Sun\" and the title track \"3am\" which play with structural dynamics and creep out of the shadows a touch, while passages of plaintive, instrumental unease such as the hypnotic, mantra-like \"Chinatown\" protract the space between songs. \"Swing\" lolls between moments of bottomless silence and a discernible, rickety funk, and \"Puppeteers Tears\" teases out a buried drama. But primarily, it's the light touch of \"Horses Bones\" and tin can tenderness of \"She's My Sweet Summer Storm\" which spell out the spellbinding character of 3am ; a singular creation fusing the best qualities of folk, blues and Americana with a fearlessly experimental sound palette.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908243992795,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI006LP_PROD.jpg?v=1782413152"},{"product_id":"bondo-print-selections","title":"BONDO - Print Selections","description":"\u003cp\u003e\"Bondo is four Los Angeles musicians collaging displaced tempos and fractured melodies. Their sparsely vocalized music conspires to bring into view a practical enlightenment, evoking the sandy contentment of an exhausted marine sunset. The organically mechanical compositions wander with the intention not to be aimless, but to be consumed in process. Bondo comes to Quindi Records to release its first full-length album, Print Selections , and it is saturated in the communal consciousness of the band. The songs call for the individuals to dissolve to make way for the music. The lyrical content of the record tells of a mind made anew, cleared of its data and ego to witness nothing in particular. Bringing the past with them, the band makes clear allusions to their influences -- their tones reminiscent of outfits like Duster , Unwound , Acetone , and Fugazi , but also has heavy nods to more formless genres like the dub melodies of King Tubby and the jazz of Archie Shepp . The music feels like the dusty bed of a scanner, plays like the light leaking from underneath its lid. Includes postcard and download code.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244025563,"sku":null,"price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI007LP_PROD.jpg?v=1782413154"},{"product_id":"monde-ufo-vandalized-statue-to-be-replaced-with-shrine","title":"MONDE UFO - Vandalized Statue To Be Replaced With Shrine","description":"\u003cp\u003e\"Heralding 2023 from way out west, Monde UFO land on Quindi with a distinctive album of dream pop vignettes and outer rim punk exotica. Hailing from the same Californian heat haze as recent Quindi signings Bondo, Monde UFO have manifested in the past four years through a series of DIY releases including their 2021 album 7171 and last year's set of Fugazi covers, 4 Songs . The loose fit project centers around the singing, playing and songwriting of Ray Monde and Kris Chau and features Kern Haug on drums. The resulting sound arrives as a resourceful analog of plush '60s pop captured through the modest means of a truly independent musical endeavor. The sound rendered on Vandalized Statue touches on dubby atmospherics, the lilting breeze of bossa nova and the introverted muse of US indie rock, but the end result is a natural, cohesive whole centered around the songwriting. Imagine the girl from Ipanema sat toking in a comfortable spot in the corner of the dive bar while someone weaves her a tall tale or two, and you might be somewhere in the right direction. The stories in the lyrics unfurl as meandering narratives taking you through everyday exchanges and far-fetched, cosmic scenarios alike. At every turn the cozy musicality gives everything a relatable, homespun charm, even as the mixing desk becomes a mess and the lo-fi FX crash into each other. The album will be fronted by three singles which reflect the wide reach of Monde UFO's sound. \"Visions of Fatima\" is one of the more melancholic pieces on the album, fronted by laconic organ and centering on cracked vocals with an off-key charm that indirectly evokes Jeffrey Lee Pierce . \"Government Employee\" is a sun-kissed trip of low-key lounge surrealism, bizarro storytelling and shuffling exotica splendor which broadly defines the woozy mood of Vandalized Statue . \"Garden Of Agony\" is a more delicate but no less dreamy piece matching electric tremolo with acoustic fingerpicking balladry which hides its considerable depths behind a seemingly simple arrangement. At once intimate and projected into the cosmos, Monde UFO add to the particular path Quindi is taking through hidden corners of independent music with a romantic, restless spirit.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244058331,"sku":null,"price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI008LP_PROD.jpg?v=1782413156"},{"product_id":"american-cream-band-presents","title":"AMERICAN CREAM BAND - Presents","description":"\u003cp\u003e\"At once a spiritually-charged journey and a shit-kicking party record, American Cream Band comes to Quindi covering all the bases. American Cream Band was formed by Twin-Cities musician Nathan Nelson , taking the form of improvised live shows and albums Frankensteined from these sessions into exultant, fully-formed records. The band's previous records have manifested on labels like Moon Glyph and Medium Sound, and now Presents arrives in a freewheeling flash of snappy new wave, skronky sax, call and response sass and some krautrock-minded sonic cosmology. The album came together in December 2021, when Nelson took ten musicians to legendary studio Pachyderm in Cannon Falls, Minnesota. Living together, they laid down some drum-heavy sessions that became the building blocks of the record. \"Taste What We Taste\" is the perfect example of an exuberant groove pounded on skins as a vessel for a joyous get-down, with the singers and players free to freak out on top. Nelson remains at the center of the melee, throwing half-sardonic, half-heartfelt calls out for connection. \"Banana\" celebrates nonsense and holds down the most serious of beats -- a disco-not-disco deadeye dripping in late night sleaze and lysergic potential. On \"Royal Tears,\" the jagged guitar chops call back to Gang Of Four , while the hot n' heavy sax from Cole Pulice baits James Chance and all the other angular New York un-jazz misfits. Amongst his other implied intentions for the recordings, Nelson wanted to channel opposites, not least the distinct male-female energies in his vocal sparring with the girls on assistance duties. It wouldn't be right to call them backing singers as they shoot back at his punchy mantras, bringing a certain fierce femininity that tips its hat to The B-52s ' Cindy Wilson and Kate Pierson , not to mention iconic post-punk bands like Au Pairs , Delta 5 and Bush Tetras . There's space for the dreamier kosmische which has crept into the American Cream oeuvre in the past, as \"Sirens\" opens the album up in a swirling pond of rag tag percussion and molten synths. \"Words Would Handcuff Us\" cools the whole riotous assembly down in unmoored perfection, a strung-out Bossa nova seance dusted with celestial drips from analogue spaceships. Equally treading the line between light and dark, conscious and unconscious, the sacred and profane, Presents is a life-affirming, creep-under-the-skin listening experience -- a joyously transient chapter in the evolution of American Cream Band.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244123867,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI009LP_PROD.jpg?v=1782413158"},{"product_id":"fortunato-durutti-marinetti-eight-waves-in-search-of-an-ocean","title":"FORTUNATO DURUTTI MARINETTI - Eight Waves In Search Of An Ocean","description":"\u003cp\u003e\"With its tenth record from Fortunato Durutti Marinetti , Quindi continues to celebrate songwriting and storytelling framed by curious musicality. In the case of Toronto-based Daniel Colussi , the man behind Eight Waves In Search Of An Ocean , his melancholic poetry cuts through with a clarity which calls to mind all-time greats from Annette Peacock through to Lou Reed and Leonard Cohen . On each record, Colussi has found distinct arrangements of players to set the mood, ranging from gently lilting art and folk rock through to orchestrated balladry, but Eight Waves In Search Of An Ocean widens the palette of Fortunato Durutti Marinetti to create an album in which each song feels like a tale unto itself. The addition of drum machines and synths to the musical palette bring with them the strong connotations of pop while the sax and violin sounds similarly smooth and silky, and one can't help but think of John Martyn 's slide into the digital sound of Sapphire or Kraftwerk 's bittersweet synthetic tenderness. Colussi remains the central focus whatever happens around him, in possession of the kind of unforced charisma which drives a song deep into the listener's heart. It's at once entirely his own style and yet comforting and familiar. The lyrics might sweep you into the singer's inner world, similarly to the experience listening to late '60s Tim Buckley . The artist himself dubs his musical expression as \"poetic jazz rock\" with a sideways glance -- it's not exactly poetry, far from trad jazz and it doesn't really rock, yet the tag feels uncannily like it fits, just like the curious music it's used to describe.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244386011,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI010LP_PROD.jpg?v=1782413160"},{"product_id":"dead-bandit-memory-thirteen","title":"DEAD BANDIT - Memory Thirteen","description":"\u003cp\u003e\"Three years on from the desolate beauty of their debut, Quindi Records presents the second album from Dead Bandit . The ghosts of their past endeavors still haunt their guitars, but on Memory Thirteen the duo's delicately disheveled Southern gothic feels tonally distinct from their prior outing. Dead Bandit is Ellis Swan and James Schimpl -- the former a noted solo singer-songwriter from Chicago with a penchant for eerie, witching hour murder ballads and the latter an accomplished Canadian multi-instrumentalist with a bias towards heartworn, roaming soundscapes. Their instrumental collaboration has an open, lyrical quality which says as much as any spoken line, and on this album they've especially embraced the power of contrast as the listener is guided between scenes, sometimes within the confines of one track. \"Peel Me An Orange\" is especially instructive in this regard, beginning as a blown-out paean to sonic degradation and the acute sense of hopelessness it projects, only to yield to a lilting tape loop of twanging guitar before entirely widening out in an emphatic burst of post-rock optimism. Post-rock isn't noted for its banal cheeriness as a genre, and Dead Bandit aren't about to lay down feel-good drive-time anthems, but the sense of pulling at extremes of energy and introspection show Swan and Schimpl to be testing the emotional limits of their weatherbeaten sound. The cautiously sentimental mood of \"Blowing Kisses\" hints at the hard-won light which can be encountered while pointedly driving into darkness. Sometimes noise is a subtle device -- a looming bed of unease under the forthright pluck of Swan's distinct guitar tone or the cracking round the edges of a beaten-up drum machine. On \"Memory Thirteen\" the distortion on the bass becomes a central figure in its haggard waltz, while \"Staircase\" and \"Perfume\" leave the signal wet until the delay feedback becomes the body of the riff. Either way, the sound is never left untouched as Swan and Schimpl grow more comfortable in their exchange, blurring their respective sonic languages as they expand their shared vocabulary to create an album of depth, difference and devoted distortion.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244418779,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI011LP_PROD.jpg?v=1782413163"},{"product_id":"novy-svet-degenerazione","title":"NOVY SVET - DeGenerazione","description":"\u003cp\u003e\"After having finished recordings for Desde Infiernos De Flores , Nový Svět immediately began putting down new songs for a follow-up album, which they planned to finalize benefitting from time won by releasing Desde Infiernos De Flores in slices over a period of some months. J. Weber 's and Frl. Tost 's return to an earlier life in their hometown Vienna brought a new deck of cards into play and those by then already mixed new pieces, rumored to circle around all things dream and sleep and (waking up in) nightmares, suddenly were regarded as \"too Spanish,\" hence \"inappropriate\" for release. Instead, in late 2007 surprisingly a synth-only album named Todas Las Últimas Cosas (\"All the last things\"), accompanied by a collection of early demos entitled Todas Las Primeras Cosas , was announced by the acclaimed German label Treue Um Treue\/Reue Um Reue.  During the following seven years it took Nový Svět to present their next album Mono , tons of unreleased music was made available on various formats. But none of the tracks abandoned in 2007 showed up. Years after their making those recordings were saved from a disintegrating master and compiled for the album DeGenerazione , which when it showed up online caught the attention of Quindi Records, now making the album available for the first time on the intended LP format, presenting a missing link in the Austrians' discography and the final part of a musical triptych, the so-called Spanish Trilogy , begun with Fin.Finito.Infinito back in Vienna, where it now would also find an end. Although noisy and rhythmic in parts, DeGenerazione closes the passage of Nový Svět's exile on an overall introspective note. It stands as a document of a band at the point of implosion, another dark hole -- in a story full of them - illuminated and evidence that J. Weber's Spanish did not improve a bit. Not even living there. A triumph of the will.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244484315,"sku":null,"price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI013LP_PROD.jpg?v=1782413163"},{"product_id":"baldruin-mosaike-der-imagination","title":"BALDRUIN - Mosaike der Imagination","description":"\u003cp\u003e\"Turning their gaze to the buoyant culture of wyrd, modernist German folk music, Quindi welcome a spectacularly idiosyncratic offering from Johannes Schebler , aka Baldruin . Bewildering narrative twists, high drama and intricate delicacy make Mosaike der Imagination an engrossing listen from the outset, as baroque atmospheres and tumbledown drums intertwine with tactile string plucks and needlepoint synthesis in an authoritative bridging of ancient and hypermodern sonic sensibilities. Schebler's catalogue as Baldruin is extensive, reaching back to the late '00s and covering a lot of ground through cassette albums on respected underground labels like SicSic, A Giant Fern, and Lullabies For Insomniacs. Meanwhile, his work has been recognized as part of a broader movement of experimental electronic music in Germany taking inspiration from folk traditions, as documented on Gespensterland . Beyond his solo work, Schebler also works with Jani Hirvonen as Grykë Pyje (mappa), and both collaborate with Paul Wilson as Yayoba (Not Not Fun) . Christian Schoppik of leading dark folk project Brannten Schnüre joins him as Freundliche Kreisel ( STROOM ). It's a tangled, fascinating and evocative sound world which Mosaike der Imagination offers a compelling window into. No two tracks on the album follow the same pattern or palette, whether gliding through the Giallo synth undulations and post rock tonal arcs of \"Stimme des Wegelagerers\" or spelling out miasmic incantations through flickering flames on \"Aus dem Feuer, aus dem Licht.\" \"Hinein, hinaus, hinüber\" revolves around meditative drum mantras and cascading melodic phrasing, densely layered and evolving with purpose. \"Gemeinsam hindurch\" flicks between swooping strings and pizzicato plucks in a purely romantic expression of orchestration, \"Mit verbundenen Augen\" is a bewildering choral voice study and \"Im Sternstrom\" revels in ecstatic synth arpeggios. Nothing can be predicted except the vibrancy and clarity of Schebler's vision. It's a vision which extends to the front cover artwork for Mosaike der Imagination -- a glorious tapestry created by Finnish artist Jan Anderzén , with a responding design and layout from Schebler adorning the rear sleeve.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244549851,"sku":null,"price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI015LP_PROD.jpg?v=1782413166"},{"product_id":"dead-bandit-dead-bandit","title":"DEAD BANDIT - Dead Bandit","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=486453326\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2322171278\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"Capturing phantom drones behind dusty beats and haunted twangs, Ellis Swan and James Schimpl return for their third album as Dead Bandit . Locked into a musical language unique to their collaboration, the duo once again put listeners out to pasture across broad sonic plains, drums flapping like loose fence panels in the prairie breeze and bass rumbling like distant thunder. True to their previous two records, Swan and Schimpl keep the strung-out guitars at the front of what they do, whether playing a naked, desolate strum or running six strings through disruptive effects processing until they're barely recognizable. But while there are details of disturbance when listening to Dead Bandit's self-titled record up close, the wider impression is a smoother, more direct affair that toys with post-rock complexity and matches it with the emotional weight of melodic simplicity, gentle grooves and conscious arrangements. \"Weeds\" offsets its languid fuzz guitar with shimmering sustained notes before settling into a patient, heavy-hearted composition charged with heartbreak leads pealing out in the middle distance. By comparison, \"Glass\" has a smoky, half-hidden backroom quality. Its brushed whisper of a beat, lingering guitar drones and subtle sub bass come on like a dub wise flip of a sad-eyed country ballad. The mood maintains on \"Half Smoked Cigarette,\" which captures the grey sky sullenness of post-punk and reframes it in the seductive isolation of rural America. While there's a thickness to the sound on these most direct of tracks on the album, there's also fragility inherent to the sound world Dead Bandit have been shaping out over these past few years. There's an even clearer direction mapped out in the vintage drum machine pulse of \"Koyo,\" all the better to carry swirling effects treatments and moody melodic figures. Even in these ominous climes there's space for plaintive, endearing hooks which land as the most direct phrases in Dead Bandit's musical lexicon to date. The fundamental sound across this album holds true, but Dead Bandit are never bound to a singular practice. \"Lucien's Bitters\" strikes up a pronounced drum machine beat which comes on like '90s downtempo, and it feels like a natural vessel for the heavy, shoegaze tinted lament of the guitars. At every turn, Swan and Schimpl prove their affinity for all kinds of approaches, and yet the end product is a deeply cohesive, immediate listen that shows just how clear their creative vision really is.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244582619,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI017LP_PROD.jpg?v=1782413167"},{"product_id":"expose-etc","title":"EXPOSE - ETC","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4204185801\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"In a continued disruption to the airwaves following releases from Bondo and Monde UFO , Quindi returns to the Californian noise rock scene-not-scene to dig on the gnarled riffs of Expose . On their new release, the LA outfit double-down on a unique blend of bloated guitar fuzz and grimy analogue synths, and come out with a curiously cosmic kind of kick-ass. If there was a dreamy, sun-bleached quality to Bondo and Monde UFO, their label mates Expose sound more wrought from sweat-drenched jam sessions under halogen strip lights in grease-stained garages. But the guttural quality of their blown-out guitar tone is matched for vibrancy by the dexterity of their playing, bringing angular free jazz to post hardcore and sludge rock, capped off with the unearthly sonic possibilities of flamboyant synthesis. This dual-layered wall of sound lends extra weight to the likes of shit-kicking \"Speed Dial,\" which thunders like a kosmische juggernaut with amped up leads and a dead-eyed vocal condensed into a visceral minute, all with enough time for a dramatic breakdown, synth eruption and a final thrust. Similarly scooped out of the trash compactor, \"Description\" rides for longer with one foot pressed firmly on the fuzz pedal, letting the electronics squeal around the punked-up rush of the guitars. But Expose are not a one-dimensional band constantly thrashing it out. By contrast, \"The Constant\" hits a crushing emotional note in its more structured push and pull between delicacy and heaviness, hitting bittersweet notes along the way throughout the peaks and troughs of the arrangement. \"Self Terror\" washes languid, discordant guitar strum into swirling FX accompanied by sax from Monde UFO's Ray Monde . Smart as a whip, sharp as a tack and boiling over with an untameable urgency, Expose make their presence felt in brilliant, bruising form on this particularly fierce addition to the Quindi catalogue.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244648155,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI016LP_PROD.jpg?v=1782413167"},{"product_id":"ie-reverse-earth","title":"IE - Reverse Earth","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=118746070\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2893905553\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"Emerging from the Minneapolis underground and heading straight towards the sky, IE arrive on Quindi with a full-length album of sparkling, sophisticated wonder. Touching on kosmische grandeur, Riley -esque cyclical patterns, lounge pop and dubbed out psychedelia, the five-piece allow their songs to unfurl with a natural, hypnotic elegance which can take many different forms. There's a loose, live quality to the recordings IE's members commit to record, which reflects their steady presence gigging in Minneapolis and the surrounding area. Since putting out their first release in 2016, they've glided from drone and synth-led jam band ambience (2018's Pome ) to strung out, stoner-tinted slowcore (on 2023's outstanding Junk Body ). For Reverse Earth they strike a smoky note that wraps itself around your skull across extended run times that evolve with a meditative poise. From the deceptively driving 4\/4 thrum of the opening title track through \"Divination Bag\"'s snaking tryptamine mantras on to \"Simplify\"'s slow and smoldering indie-soul, IE's sound is bathed in a sumptuous warm glow that rounds out the lows and the mids, creating a nocturnal shroud in which their nebulous song structures can feel deliciously endless. Meredith Gill 's drums provide rolling and tumbling undercurrents for the slowly shifting phases of the instrumental players, as Michael Gallope and Travis Workman trade keyboard parts and Workman and Sam Molstad chop and pick at their six-strings. Atop the thrum of her bass, Mariel Oliviera 's vocal adapts to the scenery, from a distant, dreamlike siren song on \"Reverse Earth\" to a spoken word meditation on \"Babel.\" There's space in each track for every instrument to cut through and have its moment, from a spiraling key vamp to a chicken-scratch guitar flex. The gently twisting, head-feeding groove exercises of the first four tracks give way to a slow and powerful march on \"Dark Rome,\" closing the record on a noirish anti-ballad fit to peal out in the closing slot at Twin Peaks ' Roadhouse (circa season three). As much as the tracks teem with composition, musicianship, and production to savor, a sound like IE's has a soporific quality that soaks in unconsciously. It's an evocative portal where the band feel as if they could just play on each piece ad infinitum -- where the time itself seems to dislodge from its moorings.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244811995,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI019LP_PROD.jpg?v=1782413169"},{"product_id":"plants-heal-forest-dwellers","title":"PLANTS HEAL - Forest Dwellers","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=831394989\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1866635053\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\"Seeking out the inspirational intersection between free improvisation, rave and ancient mysticism, Plants Heal deliver an album of kaleidoscopic, organic beatdowns to Quindi. Plants Heal is a collaborative project between Dan Nicholls on synths, Dave De Rose on drums and Lou Zon (aka Louise Boer ) on visuals. The roots of the project are entwined with Dan and Lou's London-based event Free Movements, which began in 2018 to explore how instrumental music could merge with live electronics and DJ sets. From the tentative steps of their first collaborations, Dan and Dave coalesced Plants Heal as a more pronounced project with Lou's live visuals, culminating in a first self-released album in 2021 and since organically fed and watered through continued performances across adventurous festivals and intimate club spaces. The trio opted to pour this energy into two days of studio sessions at Sonic Playground Studios in Athens, maintaining their unplanned approach and letting the music and visuals unfold in the moment. The end result is Forest Dwellers , a sincere document of truly free music that uses the rhythmic structure of dance and trance music as a springboard into heightened consciousness. Throughout the album you can hear hints of the familiar -- dub techno shimmers, trip hop boom-bap, kosmische momentum, snarling bass modulation, new age ambience and even the odd sizzle of disco. But none of these references are explicit, and they weave in and out of less placeable expressions deeply bedded into Dan and Dave's sonic practices. The end result is a swirling tapestry of unspooling groove, wide open and agile enough to shift gears mid-flow -- just as comfortable letting the propulsion melt away as locking into a four-to-the-floor throwdown. Lou's visual practice is an intrinsic part of the project. During performances she improvises with analogue footage from her library run through video mixers and synthesizers, focused on medicinal plants such as yarrow, hawthorn, nettle and thistle. All those plants feature in processed form on the cover of the record, which was designed in collaboration with Lou's brother Arthur Boer . Meanwhile, Lou recorded additional footage in Athens during the recording sessions to feed into the continued cycle of the project's live evolution.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244844763,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI021LP_PROD.jpg?v=1782413173"},{"product_id":"vagou-lauten-der-seele-roudi-taghelle-nacht","title":"VAGOU \u0026 LAUTEN DER SEELE, ROUDI - Taghelle Nacht","description":"\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=489527889\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1423578018\/transparent=true\/\"\u003e\u003c\/iframe\u003e\"Repressed. Across an extensive suite of enchanting miniatures, Matthias Kremsreiter and Christian Schoppik present the hypnagogic vision of Taghelle Nacht . Recording under their respective Roudi Vagou and Läuten der Seele aliases, Kremsreiter and Schoppik combine their distinct but equally accomplished instrumental practices into a new collaboration that weaves swooning samples amongst instrumental passages. They lead listeners through 16 vignettes that revel in the cognitive dissonance and seductive magic of moonlight at midnight. Both artists have past form within the folds of contemporary experimental electronic music in Germany. Kremsreiter's work as alibikonkret has manifested on DIY tape releases created with a methodical, technically-minded approach. Debuting his Roudi Vagou pseudonym on Taghelle Nacht , he pivots to a more playful, instinctively felt method that allows the compositions to flow with a natural cadence. Schoppik has been a key figure in the celebrated dark-ambient-folk scene, not least as part of the group Brannten Schnüre . His work as Läuten der Seele includes the acclaimed \"water trilogy\" of LPs between 2022 and 2024, with a greater emphasis on instrumental, atmospheric production, and a last, stunning collaborative album with Nový Svět's Jota Solo . On Taghelle Nacht the precise ingredients of each piece soften at the edges as tape loops and swathes of reverb seal the joints between spellbinding melodic refrains. At every turn a new scene is painted, distinct from the last and yet all bound up in the pervasive, pale blue light cast over the sleeping landscape Kremsreiter and Schoppik have sculpted. Snatches of song drift by like dreamlike fragments, and achingly tender flourishes fleetingly appear and retreat -- ideas and expressions momentarily caught in the light before retreating into the shadows once more. This is the evocative world of Taghelle Nacht -- an unsettling depiction of the surreal blend of memories and imagination that merge into each other once the sun goes down.\"\u003c\/p\u003e","brand":"Quindi","offers":[{"title":"LP","offer_id":48908244910299,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/QUI022LP_PROD.jpg?v=1782413173"}],"url":"https:\/\/www.fusetronsound.com\/collections\/label-q.oembed?page=2","provider":"fusetron","version":"1.0","type":"link"}