"Room40 presents Kevin Richard Martin (The Bug)'s Sirens, his solo debut. "When I was 22 I managed to acquire Techno Animal's Demonoid 12"; I can still recall the intensities of sound that marked the first moments of listening to it. The sense of bass as a tactile surface, that rolling groove and the howling sine waves and dub sirens that scorched with a type of sonic burning sensation that to this day makes my hairs stand on end. A year later I heard Ice's Bad Blood, from there I discovered The Bug, a band called God, a sound movement called isolationism and much more; all of these projects had one nexus point. In 2015, Kevin and I book-ended a series of concerts at Berghain for CTM festival. For his performance, Kevin debuted a new work I'd heard very little about called Sirens. I remember two things distinctly about the performance. The first: he opened the set with a blazing passage of bass and dub sirens that transported me back to those initial moments of encountering his work. The second was the feeling of absolute, crushing bass. Not before, or since, have I felt a sense of sound pressure like this. Unlike his other work with The Bug, the consistent bass carrying in the space was literally breathtaking and there were moments when it seemed difficult to see clearly as my eye sockets were vibrating in a way I'd never experienced. Sirens, which documents the intensities surrounding the delivery and early days of his first child, carries in it a sense of deep affect. The album, unlike the live work, traces out a dynamic sound world that is both tender and caustic. Within each piece, microcosms of sensation unfold, Kevin deftly maneuvers us through the tumultuous journey. Sirenssomehow creates a sense of time that is without anchor and foggy in a way that is profoundly unique. Martin has remained a point of constant inspiration for me over several decades now; to have the opportunity to share his first ever solo recording brings me the utmost pride. His new work Sirens is a life journey transposed into sound that is truly personal, but effortlessly universal. It is the start of a new chapter, one that I know will only strengthen his place as one of the critical voices in contemporary electronic music." - Lawrence English, March 2019. Mastered by Stefan Betke at Scape Mastering.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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