In 2008, KEVIN MORBY moved into CASSIE RAMONEs small apartment in Clinton Hill, Brooklyn, for a few months. Morby, who plays bass in WOODS, and Ramone, who sings and plays guitar in VIVIAN GIRLS, wanted to start a band. They both missed the sweaty loft shows they used to play before their bands moved on to larger venues and longer tours. JUSTIN SULLIVAN, who had played with Ramone in BOSSY, began practicing with them on drums, and THE BABIES debuted as a three-piece in March 2009 at Dead Herring, their friends loft in Brooklyn. They played a few times before asking NATHAN STARK, formerly of BENT OUTTA SHAPE, to join on bass, and the full lineups first shows were that summer. The Babies wrote music and played shows in fits and spurts, whenever they all happened to be in town for a week. They recorded their self-titled debut album with JARVIS TAVENIERE at Rear House Studios, which doubles as Morbys home; his vocals were done in his own bedroom. (Taveniere, Morbys bandmate in Woods, has also recorded Real Estate, Vivian Girls and Woods.) The debut follows 7-inch singles on Make a Mess and Wild World. The Babies songs are roughed-up jewels cut from the same cloth as Hazlewood and Sinatra, The Velvet Underground and Nico, Pisces and Linda Bruner, and other dream marriages. Limited to 200 copies on cassette. -Shrimper
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.