"Souffle Continu presents Camizole + Lard Free, unreleased 1978 recordings from both groups performing as a collaborative. The ranks of Camizole included some of the most essential personalities of the French underground, notably Dominique Grimaud (Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan), and Bernard Filipetti (Art & Technique). Their idea of music, if we look further than the pair Dominique Grimaud and Bernard Filipetti, and a style of music influenced by Klaus Schulze, is inspired by the liberty of free jazz. This is nonetheless modified by a cathartic approach close to the esthetic preoccupations of Julian Beck and Judith Malina's Living Theatre. The result is a musical happening, where the important thing is to improvise in the urgency of the moment in front of a not-always receptive public. Before exploring constructed repetitive forms which would be perfected by Urban Sax, Lard Free were more in the domain of noise improvisation, or even a kind of jazz rock similar to that of Soft Machine, as can be heard on a late retrospective album, from which the track "À chacun son Boulez" emerged. There was logically great complicity between Camizole and Lard Free, which would lead to the two groups finally merging. This was the case for four concerts in May before the two groups disbanded in order to finally get to grips with the free rock in the style of Faust that they liked so much. As an ode to anarchy, a record now bears witness to those communal experiences. Edition of 500 with obi strip." -
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.