"LP version. Blue vinyl. Lorelle Meets The Obsolete's sixth album was recorded at their home studio in Ensenada, Baja California, it was mixed by Jace Lasek of The Besnard Lakes and mastered by Mikey Young of Eddy Current Suppression Ring and Total Control. It's a short, sharp shock of a record with no unnecessary adornments and no fat on any of its eight songs. Gone are the psychedelic wig-outs found on previous releases, replaced with bass-heavy post-punk grooves inspired by the roots of The Congos, the no wave of Ike Yard, the industrial hip-hop of Dälek, and the dark modular moves of Hiro Kone, all while harnessing the elemental power of Jon Hassell's Vernal Equinox. "The 'in the room' feel is one of the things I've always loved about The Besnard Lakes' records," says guitarist Alberto González. "And Jace brought that to Datura. The only note we gave him was 'we want this album to sound big and aggressive'." It worked -- perhaps unsurprisingly for a record that covers cultural colonialism, imperialism, conflicting opinions, intense emotions, strange dreams, and insomnia. The title refers to the genus of plants often associated with ancient rituals that are also sometimes used as poison or hallucinogens. "We liked the idea of a flower that opens at night," says singer and guitarist Lorena Quintanilla. "A type of Datura grows all over the neighborhood where we live. People try to get rid of them because they are afraid of their dogs eating them, but they always regrow again and again in the same places." A bit like Lorelle themselves, then. We last heard from them at the start of 2020, when they had to crowdfund their way home after being stranded on the road in the US as Covid lockdowns came into force. As life returned to normal, they started playing shows again, firstly in Mexico and then, earlier this year, they finished what they started three years ago and toured the US with SUUNS. Now, finally, they are set to flower once again with Datura, their most direct and dynamic album to date; proof that nature really is healing." - Sonic Cathedral.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
