If this band from Vicenza found a place in Italian rock history, it is mainly because of their  debut [self-titled] mini-LP... duly presented here at the beginning of the tracklist. I hope the frontman Sergio Volpato will forgive me if I say that, despite the quality of the following releases, their mythical status (small as it may be) is owed to that first piece of vinyl originally released by LM Records and coproduced by Discotape, a record store in Marostica. An enigmatic cover, a made-up name inspired by the original Plastic Host (a sort of subtle attack against Catholic religion), 23 minutes of music, a sequence of four songs opened by Canzone Dada (Dada Song), a real anthem, with striking lyrics adapted from a 1923 text by Tristan Tzara. Even if the just mentioned 12 represents the core of the present CD, the rest of the program appears pretty interesting as well. Panorama was recorded just a bit later for the Rockgarage Compilation Vol. 4 (the last of a series of [various artists] records produced by a Venetian fanzine) and re-released in 1987 on Evviva Evviva, an EP which started a new more pop-oriented era. The other 12 tracks never found their way to vinyl, while they made it on cassette tape, some of them sold with fanzines. The whole of the 17 songs represents the complete studio works from the first period, when the band was more in tune with the post-punk attitude. We had the chance of adding a few alternate takes, but we chose only the best versions. Thirty-one years ago, while reviewing Plasticost, I used a quite uncommon term for me: originality. I want to confirm that today because, beyond some inevitable influences from abroad, this material still shows some really peculiar aspects: unconventional sound textures, a theatrical vocal approach and a weird, ironic and creative spirit that within live performances were combined in some sort of sound and visual extravaganza. Something very unusual, considering how much the new wave circuit of the period was generally austere. Rock meets Dada? Of course! Otherwise why such an explicit title?" - Federico Guglielmi, July 2014.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.