SAINT-PELVYN, JOHN - A Clerical Error In Shasta County Shouldnt Have To Ruin A Saturday Night

For years, the only way to hear the music of John Saint-Pelvyn was to search him out in one of Minneapoliss notorious underground venues, or unearth one of his long out-of-print cassette releases. Finally, this double 10-inch record, a co-release between Seeland and Electro Motive Records, brings his idiosyncratic and very personal music out into the open air. Primarily a guitarist, the root of his playing is akin to traditional stride, but rich with quivering whammy bar wobble and shimmering feedback. He often plays the tailfin strings of his archtop like one would play harmonics, or retunes seamlessly mid-stream to create a shifting temperament across the length of a piece. An affinity for the likes of John Fahey, Loren Mazzacane-Connors and Sandy Bull can be heard, but the comparisons quickly fall away as one takes in his ambidextrous musical sensibility. He will sing otherworldly vocal duets with the Theremin, while simultaneously accompanying himself fingerpicking, or will throw modulated feedback tones across otherwise inviting harmonic landscapes based on blues and folk motifs, overshadowing them with clouds of squelch that loom like an approaching post-noise squall, but ultimately swell and punctuate more like the tone clusters of Henry Cowell or the lyrical saxophone of Frank Lowe. Despite Saint-Pelvyns penchant for playing multiple instruments simultaneously, he is accompanied here by notable guests including Naomi Joy of Mother Of Fire, and Ka Baird of Spires That In The Sunset Rise. At its heart though, A Clerical Error is a solo album. With the death of a close childhood friend as its inspiration and backdrop, the album fixes on an unshakable desire to re-imagine the very nature of fate. Saint-Pelvyn explains: If Ive learned anything from music, its that there are experiences in this world that are neither real nor imaginary. Im always searching for those places, and sometimes I get just about half way there. Cryptic perhaps, but when he is wandering the stage singing into the f-holes of his electric arch top, bringing forth arpeggios of feedback, or waving the neck of his guitar in the vicinity of a howling Theremin, indeed, he seems to be playing the very air itself. - Seeland.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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