With Through the Smoke, Vocokesh expand upon the ominous acid soundtracks that saturated The Tenth Corner. Combining the swirling guitars of Pink Floyd and the Kraut-inspired mayhem of Ash Ra Tempel with the early analog electronic surrealism of Tangerine Dream and Popol Vuh, Vocokesh continue to place pressure on the boundaries of sound, incessantly exploring cryptic soundscapes via their oftentimes unsettling brand of electronics-drenched, drugged-out rock.-Ç On this outing, however, the soundscapes come mixed with some more prog-like elements and even a touch of-Ç psych/garage riffing. Vibe #6 stirs slowly with heady bass pulses, swooshing synths and subtle guitar lines, but quickly stumbles headlong into all-out mania as Franeckis guitar pyrotechnics spiral forth like alien tendrils, reverberations of a gong tolling the first wave of what is to be a long, dark trip.-Ç But a sidestep into garage-psych of Vocokesh Theme Song provides a nice respite, as the band exhumes the spirit of Electric Prunes-like fuzz and vibrato. The sojourn is short-lived, as Vocokesh continue on, taking the listener on their impressionistic journey woven from total sound exploration. Vocokesh manage to skillfully hybridize the best of the early 70s avant-garde into their cinematic improvisations. Florian Fricke, David Gilmour, Manuel Göttsching, Edgar Froese, Moebius & Roedelius and Fripp & Eno are all exhumed, but Vocokesh re-image the references into something far more extreme than the aforementioned ever imagined.-Ç Eerie and sonically provocative, Through the Smoke is one intense mind-moving hallucination. - Strange Attractors Audio House.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.