"Mechanosphere is Cam Deas's staggeringly abstract yet poignant second album exploring ideas of rhythmic dissonance and head-spinning proprioceptions for The Death of Rave. Following directly from Cam's cultishly-acclaimed mini-LP Time Exercises (RAVE 022LP, 2018), which was surprisingly deployed in Richie Hawtin's "CLOSE COMBINED - LIVE" mix and hailed as "Holy F#ck-What is This?!?" by Brainwashed, his new album applies rich polychromatic color to his signature rhythmic constructions with a greatly heightened emotive traction and broader appeal while only going deeper on his radical ideas about the fundamentals of sound and composition. Using a computer-controlled modular synth, Cam takes the simple idea of layering pitches in multiple tempi to Nth degrees, resulting in a sensational and warped sense of temporality and gravity-defying physics. Effectively placing pitch on a scale in a similar way to Conlon Nancarrow's player-piano programming or even Ligeti's famous metronome experiment, Cam explores solutions to the problem of grid-locked linearity, or at least perceptions of it, by effectively ripping the rug from under electronic music convention to make his music appear as though in perpetual freefall, or a process of omnidirectional contraction/expansion that never quite resolves - always the same, ever different. In Mechanosphere listeners effectively navigate through the music by a loose means of pattern recognition, picking out accentuated kicks and hits that pierce thru Cam's incredibly dense swells of endless metallic tone. But where his Time Exercises LP was unreservedly abstract and emotive in an alien sense, his follow-up practically sounds as though aliens have developed a form of 3D midi folk-jazz or court music for bacchanals and spiritual reasons. From the vertiginous scale of "Ascension", thru the jaw-dropping hyper stepper "Slip", to the controlled chaos of "Reflect, Deflect", and ultimately the deeply solemn yet discordantly lush finale of shearing metallic pitches in "Solitude", Cam offers an often shocking and ever fascinating grasp of electronic music's potential to relate hard-to-communicate but intuitively felt ideas to the body and emotions. It's a sober but incredibly wondrous sound, and only confirms that Cam's seismic stylistic transition this decade from preeminent, post-Takoma 12-string guitar player to visionary synthesist was certainly worthwhile. RIYL Autechre, Xenakis, Ligeti, Rashad Becker. Art and layout by Tom Kilburn and Cam Deas; Spot gloss digipak. Mastered by Giuseppe Ielasi." - The Death Of Rave .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.