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Time-Lag

ELEPHANT MICAH - Plays The Songs Of Bible Birds

Well let Joe himself shed a little light here: touring the East Coast in 2003, someone asked, youre from Indiana - have you ever heard of the Bible Bird man? I hadnt, so I did some research. His video had already been stolen from the library at Earlham College, but I stole it back and returned it. I began to imagine what the musical equivalent of his evangelical bird act might sound like. I wrote a song about the Bird Man, thinking of releasing it as a re-issue of a central Indiana country-gospel group that had never existed - the Bible Birds. Then I thought maybe I would do an Elephant Micah album of covers originally written by this (non-existent) Bible Birds band. In the end of course the concept kind of dissipated and it just became an Elephant Micah album. I recruited Beth Remis from Static Films (and more recently Pillars And Tongues) to help arrange/sing harmonies for the songs, and generally bring them up to pseudo-gospel snuff. We played the songs around the upper midwest once with Ben Racher on a portable pump organ and Jason Henn on upright bass. All of us got together in Indianapolis in 2006 and recorded this. I drove everyone crazy with my insistence on weird recording methods. I think i was kind of trying to approximate the timbres of the hymn sing broadcast on Salem, Indianas WSLM. Who knows? I was critical of the results and didnt finalize them for several years. Here it is finally, a kind of prequel companion to the Hindu Windmills (Time-Lag 035) album. -- Joe OConnell 2010. So there you have it. An overlooked chapter from this wonderful artist finally seeing the light of day, and a perfect companion piece to the highly praised Hindu Windmills album. Both albums are clearly united by their warm, lo-fi intimacy, sparse production, and stunning song-craft. Strikingly simple & beautiful stuff... Packaged in a lovely three color screen printed heavy stock tri-fold art paper cover, with offset printed lyric insert. Limited edition of 500 copies. -Time-Lag.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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