"Armin Lorenz Gerold is a sound artist based in Berlin. His work mostly focuses on links between sound, voice, and intimacy. He works in different mediums -- sound installations, audio plays, and live performances. Since 2017, Gerold has collaborated with Irish filmmaker Doireann O'Malley, composing soundtracks for her Prototypes film series which won the Berlin Art Prize. "It is early September and dozens of days since we last saw each other. Our communication has been a hit and miss operation ever since. Last week you left me hanging at Krumme Lanke, texting back from Kantstrasse." Produced in November 2017 for KW Institute for Contemporary Art's Compound series, Armin Lorenz Gerold's Scaffold Eyes is a 45-minute audio play, first presented as a multi-channel installation and a live reading performance. It is narrated by Gerold alongside London-based art and architecture historian Miriam Stoney and Berlin-based artist and filmmaker Doireann O'Malley. "It is a Tuesday evening in late August. She wanders through various streets linked to a canal that divides the district in two halves. Her thoughts are diffuse and further interrupted by looking at her phone relentlessly." Scaffold Eyes traces the paths of four characters as they wander through the urban landscape of Berlin. You listen in to their meandering thoughts. The lines they walk are never straight, their narrated memories and observations oscillating between the diffuse and the precise. Berlin's cityscape echoes their psychological space, its dimensions distorted. The city's sounds blend into each other. Scaffold is everywhere. In juxtaposing the constant reshaping of this metropole with the transient lives of his characters, Gerold places you into a world seemingly in flux. "It is early September. I enter Kreuzberg 61's town hall through the main entrance passing by a porters' lodge a man is barely visible behind glass. Gently lit from the side by a small table lamp, half his shape disappears..." The compositions seem algorithmic, yet mood-driven and fluid. Gerold combines spoken word with a collage of field recordings, ambient compositions and song sketches. For example, the faux-jazz of "Love Theme of Scaffold Eyes" suggests a film noir theme while resonating with a characters' depiction of construction sites by night. As you follow a character into an uninhabited highway construction site, we listen to his voice shifting gradually into vocoder, glancing at the autobahn superstructures around us, cars streaming by." - The Wormhole.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.