"Includes download code; edition of 500. This split release unites two female underground acts, both of whom have recently become pivotal parts of the contemporary electronic musical landscape in Japan. Hot on the heels of the acclaimed Paredo EP compilation (TAL 012EP), which was been released in May 2019 (and also includes contributions from Lena Willikens and Miki Yui), the Super Mild split album is the second outing by Kopy and Tentenko on TAL. Their newest works punctuate their highly individual approaches to contemporary experimental dance music. Tentenko is a Tokyo-based electronic music producer. Her career began in 2013 when she joined the mainstream idol group BiS. Immediately after her departure from BiS in 2014 she commenced work on her solo project under her artist name Tentenko. Since then she has radically reinvented her music away from glossy J-pop towards weird and industrial rooted dancefloor. Tentenko first made a name for herself on the alternative Japanese music scene with a steady flow of live performances as well as collaborations with members of the legendary Japanese noise band Hijokaidan. For a few years now, Kopy has been an unpredictable and charismatic part of the vital electronic music scene of Osaka. She has quickly garnered a reputation for creating her live sets exclusively with borrowed electronic equipment. Her name Kopy very much originates from this "concept". Apart from a few performances at Düsseldorf's famous nightspot Salon Des Amateurs, she has been invited by Lena Willikens to her showcase at the Meakusma Festival in 2018. Her sinister dancefloor mystique is heavily steeped in the free-spirited noise and rhythm cultures of her hometown." - Tal .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.