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LOS ANGELES FREE MUSIC SOCIETY - The Blorp Esette Gazette Vol. 1

This is the Blorp Esette Gazette. Thirteen years have gone by since this project was first imagined, but it is here now, the LAFMS quarterly audio magazine. This is the first issue, filled with many varied sounds from many varied sources. In 1977, Ace Farren Ford, one of the founding members of the Los Angeles Free Music Society released a various artists compilation album on the LAFMS label called Blorp Esette, a vinyl LP. In 1980 he released Blorp Esette Volume 2, a double LP. In 1999 his own label Ace & Duce teamed with the Transparency label to reissue these LPs on CD and added two CDs of previously unreleased contributions. In 2011 the four CD set was remastered by Ju Suk Reet Meate of Smegma and re-released. In 2000 Mr. Ford came up with the concept of an audio magazine which would feature contributions of various members of LAFMS, past and present and would be a way of keeping it active. Now some 13 years later it has become the Blorp Esette Gazette, a quarterly annual audio magazine, the first edition of this to be released this fall on the Ace & Duce/Transparency label. This first volume features contributions by Keith Mitchell (Moniter, Mazzy Star), Moris Tepper (Captain Beefheart), Kraig Grady, David Cotner, Smegma, Electric Bill Robinson, Michael Intriere and Anna Homler, the Tenses, Dennis Duck, Juan Gomez, the Mystery Band, Frank Bedal, Larry Easter (Linn County), and more. With cover art by Ace Farren Ford and Ju Suk Reet Meate. -Transparency.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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