Edition of 300. "Nozomu Matsumoto is an artist and curator behind EBM(T), Tokyo -- representing work by Robin Mackay, TCF, Sam Kidel, etc. Climatotherapy is his first physical release following a number of self-published digital works and mixes for online publications. Climatotherapyis Nozomu's soundtrack for a health forecast given by Amazon's Text-to-Speech interface Polly, and is perhaps the most disturbing, as well as the most evocative release on The Death Of Rave label to date; creating a widescreen, hi-definition world where you're never quite sure what's real. Climatotherapy features Polly narrating a non-linear text intersecting issues of morality in Artificial Intelligence with the artist's experience of meteoropathic sickness, and its symptoms related to barometric fluctuations and psychic-atmospheric disturbance. Nozomu imagines that Polly curates our mental and moral energy into health by high-definition MIDI orchestration. Polly's prognostications come framed by a hyperreal tapestry of idyllic ambient, cinematic strings, and R&B folk tropes, conveying Nozomu's ideas with clinically emotive clarity. The effect is uncannily calculated, using additional human vocals and music to limn in HD detail an up-to-the minute and personal perspective on themes of AI and morality which could be called key to Japan's hauntology. A strikingly singular work, the 15-minute Climathotherapy effectively resonates with the novel musical sci-fi of James Ferraro, Elysia Crampton, and TCF, as well as The Death of Rave's own editions such as Mark Leckey's GreenScreenRefrigerator (LECKEY 001LP) and Sam Kidel's Disruptive Muzak (RAVE 014LP, 2016). It's a properly unique record of its times." - The Death of Rave. Master and cut by Matt Colton at Alchemy. Includes 12x12" insert transcript designed by Mark Fell. One-sided white label with sticker.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.