The Tapeworm

TURNER, SIMON FISHER - De Dentro Hacia Afuera

This is a cassette-only limited edition of 250 copies. From child actor to teenage pop idol, from self-confessed extreme sound freak" to acclaimed solo recording artist, the UK-based Simon Turner Fishers career has been nothing if not varied. His early acting credits included film and TV roles from Black Beauty to The Big Sleep (re-made with Robert Mitchum). At the same time, he was fronting various 70s pop acts, and at the age of 17, was signed to Jonathan Kings UK Records, releasing his first solo album in 1969. After that precocious start, Simon followed an often eccentric, sometimes outlandish musical path. He operated on the fringes of punk, performed briefly with The The, became "Musician In Residence" at the ICA in 1980, and released two albums as one-half of a fictional French female duo known as Deux Filles. But through all this, Simon was developing a deep and abiding interest in the stuff of sound, accumulating a vast library of collected sounds from daily life. It is this interest which now forms the basis of his improvisatory, eclectic approach to music-making, and is manifest on his solo albums on Mute (his discography comprises some 30 solo albums to date). From trite pop to extreme sound-freakery, the mature SFT (as he now styles himself) has arrived at a mesmeric originality. Simons life as a film composer stems from his association with Derek Jarman in the 1980s and 1990s. His scoring credits for Jarman include Caravaggio, The Last Of England, The Garden and Edward II. His final film for Jarman was the powerful, poignant Blue, where a soundscape recorded by Simon at Enos country house, together with Jarmans spoken words, stood in for visuals -- only a blue screen was projected. His work with films has continued unabated since Jarmans death, recent credits including the Anna Campion-directed Inertia and Bipolar, Don Boyds My Kingdom (on which he collaborated with Deirdre Gribbin), Paul McGuigans Ganster No. 1 and Mike Hodges Croupier and Ill Sleep When Im Dead. On this release, "Carboneras Saints Day, 16 July 2002" captures the sounds of the procession of the Virgen del Carmen, recorded at Carboneras in the provence of Almeröa, Spain. "Solo Piano Improvisation #54" is one of two improvisations recorded at Eastcote Studios, London in 2003, for the film Ill Sleep When Im Dead." -The Tapeworm

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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