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Ultramarine

AMOLVACY - A La Lu La

Amolvacy is_Ç Aaron Moore_Ç from_Ç Volcano the Bear,_Ç Dave Nuss_Ç from_Ç No-Neck Blues Band, and_Ç Sheila 16_Ç of the Laboratory Theater Group, NYC. The band_Ç creates compositions from its improvisations centered around strong elemental percussion, radical theatrical vocals, and classical acoustic instruments, reminding of Holy Modal Rounders, Moondog, The Fugs. Recurring themes in Amolvacys texts are the pain of relationships, the affirmation of the feminine in myth, the heros journey, and continuous need to flame the passions of the heart. _¢??A La Lu La_¢?¬ù specifically addresses the gap of language in facilitating accurate communication, a gap that only music at its most primal can fill. The back of the album features text by Jose da Fonseca & Pedro Carolino, two Portugese who in 1855 created an English phrasebook titled _¢??English As She is Spoke,_¢?¬ù but who faced just one problem: they didnt know any English. The linguistic train wreck that ensues mirrors the play of language, sound, and unintentional humor on _¢??A La Lu La._¢?¬ù - Ultramarine. Edition 500, die-cut sleeve.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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