Edition of 100. "Vitrine is thrilled to announce a new cassette from Pennsylvania-based visual artist and instrument builder, Jim Strong. The Sallow Rakes runs a triathlon down the middle and back again through Strongs varied repertoire, which encompasses broken electronics, free improvisation, crank-based mechanisms and sound poetry. His work marries dance and video with homespun artifacts of painting and hand-built machinery. The Sallow Rakes suggests the most curious reaches of mail art and sound poetry, reminding the listener of under appreciated acts of the Underwhich Audiographics family such as DUCT and Tekst. Vitrine alumni Mel Bentley provides text and voice as counterpoint to Strongs amorphous instrumentation and spoken word. Rubber burns on a pyre of wet oak. Breath bleeds into the more discreet sounds of the body. Jim Strong has made a name for himself privileging the collaborative and intuitive serendipity of performance. That said, The Sallow Rakes is an inclusive marvel which yet speaks of a focused and individual personality. The protein mirror. Bob Cobbings work in Konkrete Canticle is a possible road marker, but that doesnt quite get the adventurous traveler all the way there. This is an invented compass, pointing to a True North beyond the axises. Here, an interior mystery play of device.-¢‚Ǩ¬ù - Vitrine.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.