"A quintessentially sinister masterpiece reissued for the first time in an edition limited to 365 copies. A mysterious 1982 cassette masterpiece by Amos & Crew from the Its War Boys catalogue remastered from the original tapes by Amos himself. Sailored, Dutchwifed, and highly-refinedly laid-out by Studio Shitless. Art by Err o. Large four-page full-color insert with an essay by Ed Baxter and a text translated by Derek Bentley from the original Japanese (1982). "Recorded in Tokyo, Japan on Mr Shiotas old four track cassette in Mr Kitamuras kitchen in sporadic three day binge," according to the original insert. Recorded by Amos while on tour with The Work in Japan. Not on the Nurse With Wound list! Existing exactly mid-way between the dropping of the atomic bomb and the time a moment ago when you opened this insensibly incendiary package, the throwaway aesthetic of True Tears now glows like a malevolent object in an ever-expanding universe. Its an emetic emissary from the senseless empire of the incredible shrinking man, an attack of a fifty-foot pylon into which The Three Stooges recklessly bang nails in the hope of a hereafter. Its above all an invocation of a truly plastic world. Nails are forced into each others heads. Heels clatter on new vinyl steps, the apartment rents out at only slightly more than average, and this is a good neighborhood. We watch the traffic as if alert to the nuances of a symphony, the choreography at midnight might as well be some modernist masterpiece, and the descent of the planes in the darkness, tubes of incandescent cells, strikes terror into all the denizens of the deep. So when I say plastic, Douglas, I mean consider the landmarks that emerge from the fog in the landscape of the last two centuries. Ruin. Cot. Window. Corpse. Airplane. Aerial Photograph. Fossil. Groove. Pine grove. Hoover. Hoe. And so on. And then consider too the tools that allow for the forensic examination of all that matters in the last 100 years or so, the age of relativity that has thrown up parallel universes, murder mysteries, musique concr_ɬ®te, detail, childhood, The Other, and a dismissal even by savants of consensus reality." - War Extension.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.