"Wewantsounds present the first vinyl reissue Omar Khorshid's cult instrumental album from 1978 originally released in Lebanon. The album features Khorshid's trademark twangy electric guitar sound over Arabic melodies enhanced by fascinating fuzzed-up arrangements and early synthesizer sounds. Wewantsounds' series of Arabic music reissues are curated by Lebanese-born Arabic music expert Mario Choueiry from Institut du Monde Arabe in Paris. The album has been newly remastered and comes with the original Voice of Lebanon LP artwork. One of the greatest guitar players of the Arab world accompanying such stars as Oum Kalthoum, Abdel Halim Hafez, and Farid El Atrache, Omar Khorshid was born in Cairo in 1945. After studying music from an early age, he joined the Egyptian pop group Les Petits Chats in 1966 and played with them for a couple of years. After seeing the group playing, Abdel Halim Hafez then recruited Khorshid for his band which led him to subsequently play for Egyptian diva Oum Khalthoum and a few other Egyptian pop stars. Following the political troubles faced by Egypt in the early '70s, Khorshid decided to move to Lebanon in 1973 and started recording under his own name for a few Beirut-based labels. In 1977, he was invited by Egyptian President Anwar El-Sadat to perform at the White House for the celebration of the Camp David Egypt-Israel Peace Treaty. In 1978, Khorshid moved out again -- to Syria this time -- for a about a year before returning to his homeland of Egypt to concentrate on live performances and on his nascent film career. Unfortunately, Khorshid efforts were cut short and he didn't have time to fulfil his ambitions tragically dying in a motorbike crash in May 1981, aged just 36. With Love released by the Beirut-based Voice of Lebanon label in 1978 is a testament to Omar Khorshid's greatness and encapsulate the unique sound of his guitar playing over modern arrangements establishing him as one of Arabic music's true innovator. Featuring reworkings of such favorites as Mohamed Abdel Wahab's "Ahwak", Farid El-Atrache's "Hebbina Hebbina" (a Brian Eno favorite), and the Rahbani Brothers' "Rahbaniyat", the album is a fascinating example of modern Arabic music that aimed at fusing traditional influences with the more contemporary ones, and has become highly sought-after by lovers of this Middle Eastern sounds around the world." - Wewantsounds
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.