MITCHELL WITH OSTRAVASKA BANDA, ROSCOE - Distant Radio Transmission
""Roscoe Mitchell With Ostravaska Banda Performing Distant Radio Transmission Also Nonaah Trio, Cutouts For Woodwind Quintet, And 8.8.88 The first Piece 'Distant Radio Transmission' was first recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013 and released as the third composition on Roscoe Mitchell Conversations I (Wide Hive Records WH-0317). It was then transcribed by Stephen P. Harvey in 2016 with further Transcription and Orchestration of air sounds for Strings by John Ivers in 2017 and finally then fully Orchestrated by Roscoe Mitchell in 2017. Here it is performed in 2019 by Mr Mitchell on soprano saxophone and the influential Czech Orchestra Ostravaska Banda. 'Nonaah Trio' was recorded in Oregon with Roscoe Mitchell on soprano saxophone, Dana Reason on piano, John C Savage on flute, and Catherine Lee D. Mus on oboe. 'Cutouts for Woodwind Quintet' was rewritten for five instruments by Mr. Mitchell in 2019 and recorded in New York before his Park Avenue Armory performance in March of 2019. August 8, 1988 Roscoe wrote three compositions for piano intended for the great concert pianist Mr. Joseph Kubera. Since this work was not subject to the constraints associated with commissioned work Roscoe spent ten years finalizing the first movement. In 1998 The Mutable Music Foundation commissioned the composition's remaining movements. 8/8/88 consists of three sections. The first movement is 35 measures long, divided asymmetrically into uncommon time signatures such as 15/8, 11/8, 17/8 etc. The second movement has 17 measures and the third movement 44 measures. Here it is performed on a disklavier by Seth Horvitz."" - Wide Hive Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.