Tension develops at the points where modernity and the ageless meet. That tension has a rhythm that has incarnated itself in various forms of contemporary music, and sometimes the sound it makes stands out more than others. ROSENKOPF channels that deep, relentless sound that feels at once like urban ruin and primordial nature, as if the unyielding cycles of ritual and decay are echoing through each instrument. As the latest addition to the Wierd Records roster they embody one of those standout moment.\r\nMelding electronics, guitars, bass and live drums, samples, and confrontational vocals together in a seamless, non-hybridized way, ROSENKOPF has found a motley group of admirers, from those those attracted to the experimental end of black metal to those that gravitate toward the recent mutation of codeine-slowed hip-hop and demonic drone. But looking closer at the bands unmistakable spiritual bond to monolithic giants of the deathrock and crustpunk past, the gravity of their preoccupations and the singularity of their sound anchors them in a specific and unique place. While the band members have roots that reach far into the punk underground (Detestation, Question, Thriller, Dawn of Humans etc.), that serves only as the soil out of which ROSENKOPF has grown its poisonous flora.\r\nBurning Spirits" opens the LP with bassist Saira Huffs hypnotic bassline. Groove-oriented drum machines are gradually washed over with vocalist Soren Rois urgently abrasive vocals and live metal percussion reminiscent of primitive industrialists Einsterzende Neubaten or Crash Worship. "Heed," with its charging drums and crushing guitars sounds appropriately like the fearless summoning of an as-yet-unnamed menacing force while still managing to sound anthemic. By the time "Troth" kicks in with its psychedelic overtones, the ever-increasing tempos evoke the ecstatic qualities of religious ceremony and carnal sexuality. Throughout the closing track, delicate synthesizers float atop more impatient rhythms and unwelcoming textures as moments of sonic violence are severely punctuated by pressure-inducing, almost ruthlessly patient restraint. Taken as a whole, ROENKOPF is a debut remarkable for its ability to conjure atmospheres that might have provocative names like "apocalyptic optimism" or "brooding grace." Its a darkly focused pandemonium of resistance that names no enemy. Instead, they paint its face and rally around its effigy." -Wierd.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.