"If string theory is correct, this is approximately the thirteenth album MATT VALENTINE has released that definitely shouldnt be filed under a group name (TOWER RECORDINGS, BUMMER ROAD, GOLDEN ROAD, etc.). On the other hand, if string theory is correct, this might also be his 11,000th album. The truth, one suspects, is somewhere in between. Since bedding down in southern Vermont at the dawn of the century, MV has been as cussedly prolific as anyone. The gout of LPs, cassettes, CDRs, singles and 10-inches emerging from Maximum Arousal Farm has dwarfed the output of everyone cept maybe Sunburned or Thurston. Regardless, there can never be enough MV LPs in the world, and What I Became is a beaut. Most of it is as solo as Satan, apart from percussionist JEREMY EARL (of WOODS fame), whose presence is sometimes felt more than heard. ERIKA EE" ELDER and MIKE "MUSKOX" SMITH also pop up on a track, but the general approach here is as naked-and-loaded as the soul of Icepick Slim. As usual, MVs tunes and procedures beggar easy generification. Elements of deep forest psychedelia brush against Crazy Horse guitar / vocal flourishes that explode to reveal volk-based form mayhem at its hickiest."- Byron Coley. Limited to 500 copies with full-color jackets and inserts.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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