{"title":"july 4, 2018","description":"","products":[{"product_id":"flexibles-cities-of-the-narrow-universe","title":"FLEXIBLES - Cities of the Narrow Universe","description":"-¢‚Ǩ-ìthe flexibles are a repeat-riff power trio of andrew paine, richard youngs and sorley youngs, playing kraut-jams and out-of-step beats over cracked or soaring vocals on oh volcanio, and rumbles and electronic mulch on different kinda face and day mantra. they alternate between grubby low-end riffs and a sparser electronic sound, all imbued with the classic youngs\/youngs\/paine feel.-¢‚Ǩ¬ù - Nyali.\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/139552913\u0026amp;color=ff5500\u0026amp;show-artwork=false\"\u003e\u003c\/iframe\u003e","brand":"Nyali","offers":[{"title":"7\"","offer_id":51950306567,"sku":"15722-NYALI","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5621181-1407906579-7184_jpeg.jpg?v=1571718172"},{"product_id":"harutaka-mochizuki-through-the-glass","title":"HARUTAKA, MOCHIZUKI - Through The Glass","description":"Recorded at Shizuoka Ezaki Hall, June 3, 2016. \"Mochizuki Harutaka is a Tokyo-based \"next-wave\" multi-instrumentalist who combines blasted vocals with solo saxophone, bells, guitar and piano. 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No matter the pieces provenance, though; its simply a sublime example of Abul Mogards gift for illusive, suspenseful ambient music which has seen his previous releases sky-rocket in second hand value since their earliest, sold-out editions. Over 30 minutes of ostensibly contrasting yet subtly, similarly spirited pieces that speak to the mystery and enigma of electronic musics tortured, searching and romantic soul in equal measure. Cut at Dubplates \u0026amp; Mastering; Edition of 500.\" - Ecstatic.\u003c\/p\u003e","brand":"Ecstatic","offers":[{"title":"LP","offer_id":893291692039,"sku":"19482-ECSTATIC","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_ab2fda48-51b0-4fc6-8e27-9a0ebdcb7b6d.png?v=1571718469"},{"product_id":"gruppo-di-improvvisazione-nuova-consonanza-azioni-reazioni-19671969","title":"GRUPPO DI IMPROVVISAZIONE NUOVA CONSONANZA - Azioni\/Reazioni 1967-1969","description":"The year 2007 saw one of the most remarkable findings in the long treasure-hunting history of Die Schachtel: the complete set of recordings of the early manifestation (1967-1969) of one of the most legendary improv group of all time, the Gruppo di Improvvisazione Nuova Consonanza. Rescued by the private archives of Walter Branchi, one of the original founding members -- alongside Franco Evangelisti, Ennio Morricone, Ivan Vandor, Roland Kayn, Egisto Macchi, Mario Bertoncini, and John Heineman -- the tapes were then restored in their entirety. Only a part of them were published in a CD-only boxset in an edition of 500, titled Azioni 1967-1969, which also featured a DVD with the original film Nuova Consonanza shot by Theo Gallher during the rehearsal and concert that the group held on March 19th and 20th, 1967, at the Galleria darte Moderna in Rome. Spanning from free-jazz to total abstract noise to wild electronic sounds, their music was -- and remains -- one of the most dynamic, original, and uncompromising expression of a period defined by intense experimentation and musical bravery, anticipating experiments to come in years following. Or, to put it simple, They were utterly unique,\" as per the words that John Zorn, who expressively wrote for this edition. To mark the ten-year anniversary of its original release, Die Schachtel present Azioni\/Reazioni 1967-1969, the complete cycle of improvisations -- which includes thirteen additional, never before published pieces -- taken from the original tapes. Remastered by Giuseppe Ielasi.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAvailable in three versions. All versions include a 64-page, sewn-bound, LP-size book in English and Italian, complete with essays, memories shared by the group, a new article by Valentina Bertolani exploring in detail the techniques of the group, a chronology, a collection of original reviews by Maurizio Farina, and a set of unpublished black-and-white photos of the group playing in Venices Teatro Della Fenice in 1968, taken from the archives of the Venice Biennale. All versions also include a DVD (PAL 5.1 audio - region free) with the original film Nuova Consonanza shot by Theo Gallher. CD version includes four CDs, DVD, and book -- edition of 300.\" - Die Schachtel.","brand":"Die Schachtel","offers":[{"title":"4CD\/DVD Box Set","offer_id":893293166599,"sku":"19928-DIE SCHACHTEL","price":69.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10548592-1499691926-3830_jpeg.jpg?v=1571718469"},{"product_id":"v-vm-new-beat-brabant-schrobbeler","title":"V\/VM - New Beat: Brabant Schrobbeler","description":"\u003cp\u003eBrabant Shrobbeler is a searing 20 minutes of classic and unreleased new beat productions by James Kirby, aka The Caretaker, aka V\/Vm, comprising material originally produced in 2006. It was selected and sequenced by Jerk van den Boschalottt and mixed and chopped to mucky perfection by Miles of Demdike Stare, marking up a personally important fifth instalment of Boomkats BK12X12 series, while also providing an arguably fitting headstone to one of V\/Vms most cultishly adored projects. New beat has long become the black sheep of Manchesters dance music canon, willfully unacknowledged by successive generations of DJs who continue to suckle at the entrails of the Haçienda, when in fact new beat was a crucial part of the manc dance make-up, most often mixed up with Chicago, Detroit, and New York house, and whatever UK bleeps and boops were bubbling through at that time. James Kirby, aka V\/Vm, is all too aware of the fact, and thanks to the influence and legendary DJ sets of V\/Vm card holder, Acid Alan -- whose new beat collection spilled over the racks at a now defunct NQ record shop -- its memory and place in Manchesters rave folklore has been preserved by only a select few souls who really cannot be fucking chuffed with the constantly regurgitated putative history of the citys club and warehouse culture. Now, 30 years since new beat was syncretized and sonified by the weekending loons of Flanders from the best\/worst bits of synth-pop, EBM, house, and electro -- arguably giving birth to the known and beloved rave techno paradigm -- V\/Vms sincerely dark, sexy, and unforgiving dedications take on a new afterlife, re-sculpted into the oft-maligned but temporally appropriate format of a megamix, as was found on dozens of original new beat and acid house compilations and 12s. Driving from Be-Dashs over-the-limit jackoff, Must Do to the curdled acid gargle of Euro Hit via pure smuts in I Wanna Fuck Miss Nicky Trax, also taking in \"Animal\" Andy McGregors \"Fuck My Pussy And Hear Me Coming\", and previously unknown gold such as Russell Grant and Bajs Grotta, this is the sort of record that deserves its own plinth in the Arndale, preferably somewhere in front of the sweaty gammons and chicken elbows at Gabbotts farm shop. Mastered and cut by Matt Colton.\" - Boomkat Editions.\u003c\/p\u003e","brand":"Boomkat Editions","offers":[{"title":"LP","offer_id":893293789191,"sku":"19951-BOOMKAT EDITIONS","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_b4fd70df-b43e-4ffc-999d-1d3bde04b4ed.png?v=1571718469"},{"product_id":"containers-the-selfcontained","title":"CONTAINERS, THE - Self-Contained","description":"\u003cp\u003eIts difficult to miss James A Smith, hes about 67 for one thing. His music is packed with hooks and one-liners that are hard to forget. Thirty-eight years after the songs on this album were recorded, they are being released into a world that is finally ready to receive them. When he moved to London in 1977, you would often see James at the Marquee club, especially if Wire were playing, or at the Roundhouse for Elvis Costello, Split Enz, or the Buzzcocks. A couple of years later you might have caught him on stage during The Containers brief period of gigging. He was back in 1980, solo mostly, but called The Beach Bullies; maybe you saw him at the Hope \u0026amp; Anchor... or even supporting an early incarnation of the Thompson Twins. Like so many keen young musicians, he really worked at it. He tried longer and harder than many, but the breaks didnt come, apart from one solitary flirtation with vinyl. The 1980 release, We Rule The Universe, by The Beach Bullies, delightfully augmented by singer Jill Fricker, was released thanks to Armageddon Records. His astringent wit-inflected songs were stripped back to their minimal core. A simple drum machine, an electric guitar, no frills -- not even any bass! It picked up a couple of encouraging reviews, found a tiny audience of fans, and then went to sleep for a long, long time. It wasnt always like that. The Containers had played many of the same songs, but their versions had the swagger of a gang instead of pared down charm, along with distinctive dual male\/female lead vocals, a full rhythm section, and the encouragement (and even participation) of Robyn Hitchcock in his full Soft Boys majesty. They had the good fortune to record the demos that make up the bulk of this album at Spaceward Studios, in the center of Cambridge, an innovative sixteen track that hosted Gary Numan, the Raincoats, and the Soft Boys at around the same time. What came out of the sessions was greater than the sum of the parts, on both their visits to the Victoria Street basement. For several decades the tapes either were missing or on unplayable formats, but a couple of years ago copies of the sessions showed up on cassettes carefully preserved by bass player Adrian Hots Foster. A quick scrub up, and one session was on YouTube. The boss of Captured Tracks heard the session, and very soon James A Smiths musical renaissance, and recognition for The Containers and The Beach Bullies was on its way!\" - Manufactured.\u003c\/p\u003e","brand":"Manufactured Recordings","offers":[{"title":"LP","offer_id":893293821959,"sku":"19933-MANUFACTURED","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10748681-1503598008-1032_jpeg.jpg?v=1571718469"},{"product_id":"beach-bullies-the-we-rule-the-universe","title":"BEACH BULLIES, THE - We Rule The Universe","description":"\u003cp\u003eFrom 1975 -1979, things were going well for James A. Smith, musically speaking. He was writing prolifically, getting encouragement from his contemporaries -- namely, his friend Robyn Hitchcock of The Soft Boys -- and his band, The Containers, had recorded some promising demos and were playing regular live gigs. But, by January of 1980, The Containers disbanded suddenly, and James was on his own. Sod it! he thought, and, rather than waste time lamenting the situation, he plotted a new course as a solo artist. Armed only with his guitar, a drum machine and his flatmates girlfriend, Jill Fricker, to sing backup vocals, James forged ahead with his new project: The Beach Bullies. The Beach Bullies somehow manage to sound simultaneously classic and exceptionally ahead of their time. Fans of kindred spirits from the same era, such as The Television Personalities, Young Marble Giants, and yes, The Soft Boys, will find much to admire in The Beach Bullies. On the other hand, their alternating vocals, stripped-down aesthetic and minimal arrangements will also appeal to fans of artists who would emerge much later, such as The Vaselines, The Pastels, Shop Assistants and Small Factory. In their brief time together, The Beach Bullies recorded one full-length LP, We Rule The Universe, on Musclebound Records in 1980, along with a series of demos, and some rough mixes intended for a follow-up release that never came to fruition. These comprehensive additional recordings are all available as digital downloads with purchase of this LP. Original copies of the LP sell for more than $40 on the second-hand market, and the bonus tracks have never been released previously. The LP insert also includes previously unreleased photos of James and Jill from the time of the recordings, along with witty liner notes from James himself, giving the full scoop on how this unique record came to be in the first place. Available again for the first time since 1981 on vinyl. - Manufactured.\u003c\/p\u003e","brand":"Manufactured Recordings","offers":[{"title":"LP","offer_id":893293854727,"sku":"19934-MANUFACTURED","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-802828-1160320559_jpeg.jpg?v=1571718469"},{"product_id":"private-anarchy-s-t","title":"PRIVATE ANARCHY - s\/t","description":"When not capturing the sounds of everyday bric-a-brac for his tape collage duo Maths Balance Volumes or his solo project Termite Acropolis, Clay Kolbinger has been holed up in his Madison bunker for the past couple of years honing his personalized take on the rock idiom. Recording virtually every part on his own, Private Anarchys eponymous debut documents Kolbingers efforts in an 11-track, 25-minute blast of finely crafted, D.I.Y. art-punk precision that connects the dots of virtually every worthwhile sub-underground shakedown from Manchester to Madison of the past five decades. The release brings to mind The Fall in places with its cryptic lyrics and tautly rhythmic playing, and Swell Maps in others with its loose form and primitive experimentation. But, make no mistake; this is entirely Kolbingers contemporary loner vision devised outside of any pseudo social media posturing. Its his Private Anarchy. And we dont feel the least bit hyperbolic dubbing this a future D.I.Y. punk classic. - Round Bale.\u003cbr\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/335899837\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"Round Bale","offers":[{"title":"Cass","offer_id":893293887495,"sku":"19936-ROUND BALE","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_a2aab442-eb31-4d03-8a93-edfab49e536e.png?v=1571718469"},{"product_id":"bomber-jackets-the-kudos-to-the-bomber-jackets","title":"BOMBER JACKETS, THE - Kudos To The Bomber Jackets","description":"Following on from The Lister, The Bomber Jackets debut for Alter (ALT 014LP, 2013), Kudos To The Bomber Jackets has a restlessness that takes broader strokes. It finds and holds a register of meandering hope by setting the perverted detail of domestic minutiae against an acutely self-conscious melancholy that cynically daydreams its way into an awkward middle-ground between profundity and platitude. At times they give it a bit of a desaturated garage bump, other times theres the throb of marching mono-synth wave. Deranged Sauce Mum\" comes off as a chopped and screwed hardcore, though with Russell Walkers vocals, its less gurning glee and more furrowed brow. There are very many disparate elements across Kudos To The Bomber Jackets that come to give the new album a kind of uneasy grace, which is perhaps the groups singular force, the unchaining of an ingenious familiarity thats dizzyingly bizarre and equally bleak. Lyrically and musically the album contains the traces of many surfaces, both interior and exterior. Its dream-like qualities are formed through a kind of musical frottage, always preserving the trace of the hand, arriving at its surreal heights through fidgety non-sequiturs of an aesthetically acerbic persuasion. In this way, it never quite replicates anything that you feel to be present in its parts.\" - Alter. \u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/326943919\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Alter","offers":[{"title":"LP","offer_id":893293920263,"sku":"19939-ALTER","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_a70d6c30-bdb3-4747-9433-6ab3ce172e7a.png?v=1571718469"},{"product_id":"bakla-petr-piano-concerto-classical-blend-weihnachtsoratorium","title":"BAKLA, PETR - Piano Concerto - Classical Blend\/Weihnachtsoratorium","description":"Petr Bakla belongs to generation of composers whose output no longer seems bound to the imperative of the search for sounds\" extended technique. Instead, he builds his music on the unmarked instrumental sound, which he uses to create a flow of interacting layers and explore the means of pure pitch, time and sound volume to the expressive extreme. His first ever solo release presents him at his best - two orchestral pieces as a definite manifesto of monumental monochromatic environments, both in Baklas favorite diptych form. Personnel: Roland Kluttig - conducting, Daan Vandewalle - piano and Ostravska Banda - orchestra on \"Piano Concerto\"; Rolf Gupta - conducting and Janacek Philharmonic Orchestra - orchestra on \"Classical Blend\/Weinachtsoratorium\".\" - God. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/263177195\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"LP","offer_id":893293953031,"sku":"19941-GOD","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8623928-1465372119-1518_jpeg.jpg?v=1571718469"},{"product_id":"niblock-phill-rhymes-with-water","title":"NIBLOCK, PHILL - Rhymes With Water","description":"For his premiere recording on God Records, Phill Niblock confirms his minimalistic musical approach and composes two monumental pieces for flutes and additional voices, respectively. Commissioned by Erik Drescher and Natalia Pschenitschnikova, Niblock again delivers an almost stripped, uncompromising one-way sound monolith. Tremendous, straight, and to the point... Personnel: Phill Niblock - composition; Natalia Pschenitschnikova - bass flute, voice; Erik Drescher - glissando flute. - God. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/324856050\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"LP","offer_id":893294018567,"sku":"19944-GOD","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10488374-1498482182-3856_jpeg.jpg?v=1571718469"},{"product_id":"mcphee-joe-and-bryan-eubanks-my-undocumented-alien-clarinet","title":"MCPHEE, JOE AND BRYAN EUBANKS - My Undocumented Alien Clarinet","description":"What constitutes an unidentified sighting, the rarely heard alien\" clarinet playing of Joe McPhee and the ineffable electronics of Bryan Eubanks? Penultimate Press present My Undocumented Alien Clarinet: a strange sensual addition to the ever inquisitive McPhee canon. My Undocumented Alien Clarinet is a beguiling document of a performance held at Alternative Books, Kingston, New York, Sunday, August 6, 2006 under the auspices of the Pauline Oliveros Foundations New Vanguard Series. My Undocumented Alien Clarinet captures a unique intimate improvisation exploring the outer reaches of the form. Joe McPhee, (b.1939 USA) is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He has collaborated with Pauline Oliveros, Graham Lambkin, Peter Brötzmann, Evan Parker, Raymond Boni, among many others. With a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections and reach for musics outer limits. \"His magical take on avant-garde sax remains one of the wonders of the scene. He still has one of the most beautiful tones on the planet, even when hes reaching for jazzs outer limits\" --Time Out, New York. Bryan Eubanks (b. 1977, USA) is a musician composing electronic and acoustic works for small ensembles, solo instruments, and custom generative software; improvising in collaboration; and working with acoustic holography, a stereophonic recording and diffusion technique. Personnel: Joe McPhee - B-flat and E-flat alto clarinet, Roland MC202 Micro Composer synthesizer; Bryan Eubanks - Open-circuit electronics (sinetones). Artwork by Jerry Starpoli; Liner notes by Joe McPhee; In memory of Jerry Starpoli. Edition of 499.\" - Penutimate Press. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/327984652\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"Penultimate Press","offers":[{"title":"LP","offer_id":893294051335,"sku":"19945-PENULTIMATE PRESS","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_741a6487-2e4e-43ab-8bfb-035b492f761e.png?v=1571718469"},{"product_id":"aragorn-night-is-burning","title":"ARAGORN - Night Is Burning","description":"\u003cp\u003eThere are few bands who can claim to have built their reputation on one single, but such is the situation for Aragorn, formed in Chesire in 1978. They were one of the first acts to sign to Neat Records as the new wave of British heavy metal erupted. But fate conspired to ensure that they only ever released one single, the killer Black Ice\/Noonday (1981), which has definitely become something of a cult 45 among aficionados of the genre. Here it is, along with 12 tracks taken from a then unreleased album from 1982-83. A must for anyone into obscure, 70s styled hard-rock, and early metal. RIYL: New wave of British heavy metal, Angel Witch, Motörhead, Witchfynde, Black Sabbath. Remastered sound; Insert with liner notes and photos. - Sommor.\u003c\/p\u003e","brand":"Sommor","offers":[{"title":"LP","offer_id":893294116871,"sku":"","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10439689-1497466001-9443_jpeg.jpg?v=1571718469"},{"product_id":"lombard-claude-chante","title":"LOMBARD, CLAUDE - Chante","description":"Sommor Records present the first reissue of Claude Lombards Chante, originally released in 1969. Presented in the original French edition gatefold artwork. Produced by Roland Kluger (Chakachas, Free Pop Electronic Concept), arranged by Willy Albymoor and recorded at the legendary Madeleine Studios in Brussels. Insert with liner notes by pop connoisseur Don Sicalíptico. RIYL: Stereolab, Broadcast, White Noise, Delia Derbyshire, Astrud Gilberto, Roger Webb Sound.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIf you know the 1968 Eurovision song, or the TV kids cartoons tunes which Claude Lombard sang, it will be hard to believe whats happening there... Beautiful pop songs sung in French by this Belgian maverick (who worked with Luciano Berio) swirling upon wonderful 60s abstract-expressionism orchestrations: chimes and ondes Martenots among lovely dream basslines and organ drifting, with a dreamy use of echoes, reverbs and sometimes electronics. There are incredibly beautiful songs here, and probably one of the unique examples of French songs with really gorgeous, untypical sound work, closer to some UK and US proto-psychedelic orchestration in pop world. It was by the time a complete commercial flop... A shame of course considering the quality of compositions offered here by Claude Lombard herself, who have no shame to feel if one compares the elegance of her work to an inspired and electronic version of Michel Legrand... Any serious fan of Broadcast or Stereolab will fall in love forever with this true secret gem, to say the least... And no need to mention the kaleidoscopic design of the cover, mesmerizing and perfectly illustrating the content. Masterpiece here? Hell yes! And you can forget about the cartoon tunes of your lazy childhood...\" - Emmanuel Holterbach. \u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_dJvrw4b9Wo\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Sommor","offers":[{"title":"LP","offer_id":893294149639,"sku":"19947-SOMMOR","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3207173-1320504623_jpeg.jpg?v=1571718470"},{"product_id":"zwartjes-tapes-1","title":"ZWARTJES - Tapes 1","description":"\u003cp\u003eTapes 1 represents the first ever sound recordings to be released from the archive of cult Dutch film director Frans Zwartjes. The sound is unlike anything you may have heard -- dream-like, disjointed, disturbing, peculiar, sexy, unexpected, and totally unique. Frans Zwartjes is famous for his art-house films. A Dutch underground auteur, his prolific output dates from 1968. A unique talent, Zwartjes produced, directed, and edited his own films (his last work was in 1991), but more importantly he created and improvised the soundtracks too. Zwartjes is still alive today and his large body of work is only now being recognized by a wider, more international crowd, with screenings at the NFT and other important art-house cinemas across the world. The recordings on Tapes 1 were mixed directly from the Zwartjes soundtrack tape archive. They were assembled directly and in real time by Zwartjes archivist Stanley Schtinter and were originally issued in 2014 on cassette, in an edition of 50. Dont bother trying to find one of them. The music, sound, and speech have been put together as two long, seamless sequences; they are dreamlike, unsettling, peculiar, plugged-in, prescient, and unlike any other soundtrack. All cues mastered and sequenced by Jon Brooks, AKA The Advisory Circle. Includes download; Edition of 500. - Trunk.\u003c\/p\u003e","brand":"Trunk","offers":[{"title":"LP","offer_id":893294182407,"sku":"19948-TRUNK","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10557035-1499850676-4859_jpeg.jpg?v=1571718470"},{"product_id":"pega-monstro-casa-de-cima","title":"PEGA MONSTRO - Casa De Cima","description":"Comes in a reverse board sleeve; Includes lyric insert and download card. Pega Monstro is the Lisbon, Portugal sister duo of Julia Reis (drums) and Maria Reis (guitar). They share the same birthday but are not twins, and they have always lived in Lisbon, Portugal. Maria and Julia resolved became a duo in 2010, focusing on their intuitive sense of harmony and expressionistic dream-punk sound. They return to Upset The Rhythm, following Alfarroba (UTR 072CD\/LP, 2015), with their third album entitled Casa De Cima, which translates as Upper House\". On the first song \"Ó Miguel\", Pega Monstro shown that they have grown in confidence and vision, they sound compelling and assured and let the song unfold in its own leisure. The stunning \"Partir A Loiça\" follows with its stammering rhythms and soaring, swirling vocals. The songs title, literally \"break all the dishes\", is a saying in Portugal meaning to shake things up and exceed expectations. Pega Monstro constantly reach for something beyond plain comprehension, stretching songs to their limits before collapsing them back into new, more interesting forms. The Portuguese poet and writer Fernando Pessoa had a similar mutable approach to his work. Pega Monstro recite one of Pessoas poems called \"O Moinho De Café\" during the third act of their epic, yet romantic track \"Cachupa\". The track is a good example of how natural and spontaneous Pega Monstro can sound. The second half of the album starts over with the enthusiastic track \"Pouca Terra\", all racing chords and clouds of cymbal, building to a beautiful textural density and ecstatic finale. Pega Monstro nurture their songs, letting them follow tangents, take risks, or even fall over. Theres a sense of sisterly oneness and provision apparent in their music allowing Pega Monstro to sound instinctual, yet awash with ideas. \"Fado Da Estrela Do Ouro\" and \"Sensação\" are decidedly delicate in manner, drawing on themes of equal restlessness and wistfulness. \"Sensação\" even concludes with the sisters singing the traditional Portuguese folk air \"At the door of the holy souls, God knocks every hour\". Finally, \"Odemira\" draws Casa De Cima to a close in triumphant style. Drums and guitar chase each other feverishly, galloping ever faster before breaking into calmer clearings of hushed vocal reverie and serene falsetto. Casa De Cima was recorded through September 2016 by Leonardo Bindilatti.\" - Upset the Rhythm. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/318661437\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"Upset the Rhythm","offers":[{"title":"LP","offer_id":893294215175,"sku":"19949-UPSET THE RHYTHM","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10425855-1497185981-4629_jpeg.jpg?v=1571718470"},{"product_id":"ciani-suzanne-seven-waves","title":"CIANI, SUZANNE - Seven Waves","description":"\u003cp\u003e2012 release. \"A reissue of Suzanne Cianis Seven Waves, originally released in 1982. Following Finders Keepers first time compendium of Suzanne Cianis vintage electronic private music, custom made commercials and sound effects with Lixiviation (FKR 053CD\/LP), and providing a brilliant companion piece to the recently deleted limited edition handmade edition of her ultra-rare 1970 art house installation record Voice Of Packaged Souls, released via the Demdike Stare\/Finders Keepers Dead Cert company in 2012, the sonic sisterhood at Bird Records now present a specially packaged 30th anniversary edition of the record that \"The Delia Derbyshire Of The Atari Generation\" regards as her finest hour with this internationally exalted commercial debut Seven Waves from 1982. Ciani on Seven Waves: \"Originally released exactly 30 years ago, Seven Waves was my first commercial album. It took two years to complete and was first released in Japan in 1982. Seven Waves is special for me because it expresses my love for and fascination with early electronic instruments. With this album I blended my classical-romantic sense for melodies with the astounding possibilities offered by electronics. Because most of the instruments on Seven Waves no longer exist, this recording is a historic footprint in the evolution of music, unique to its time yet still valid today.\" With a portfolio that boasts music from the Xenon pinball machine, the sounds for the Meco Star Wars theme, the Atari TV commercials, and the electronic sound effects in the original Stepford Wives film (amongst many others), the mutant electronic-music CV of Suzanne Ciani is proof that in a 1970s commercial world of boys toys, monopolized by male-dominated advertising industry, a womans touch was the essential secret ingredient to successful sonic seduction. Recently, and rapidly, enjoying a new resurgence amongst fans of all streams of electronic, experimental and neo-tantrik music, Suzanne Ciani collaborates with the Finders Keepers\/Bird family to present a new generation with the record, seldom celebrated this side of the Atlantic, that truly turned her career from behind-the-scenes library composer to a leading light in modern American electronica, spearheading the musical new-age movement, and drawing indelible parallels with krautrock, early techno, and electronic soundtracks. Features nine bonus tracks in the form of Voice Of Packaged Souls, the art house project album released on vinyl on Dead Cert in 2012; Available here for the first time ever on CD.\" - Bird.\u003c\/p\u003e","brand":"Bird","offers":[{"title":"CD","offer_id":893294247943,"sku":"19952-BIRD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1863241-1290458101_jpeg.jpg?v=1571718470"},{"product_id":"nitsch-hermann-orgelkonzert-jesuitenkirche-20112013","title":"NITSCH, HERMANN - Orgelkonzert Jesuitenkirche 20.11.2013","description":"\u003cp\u003e\"November 20th, 2013. Four heavy drone pieces, mastered by Martin Siewert. CD version comes with an eight-page booklet with artwork and an essay by Nitsch about music (in German).\" - Trost.\u003c\/p\u003e","brand":"Trost","offers":[{"title":"CD","offer_id":893294313479,"sku":"19954-TROST","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Double LP","offer_id":893294346247,"sku":"19955-TROST","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10500850-1498737298-4383_jpeg.jpg?v=1571718470"},{"product_id":"guy-barry-frogs","title":"GUY, BARRY - Frogs","description":"\u003cp\u003e7\" picture disc for Barry Guys 70th birthday. Interspecies personnel: Laubfrosch (Hyla Arborea) - acoustic sounds; Wasserfrosch (Rana Esculenta) - acoustic sounds; Barry Guy - acoustic sounds. Recorded May 30th, 2011 by Maya Homburger in Oberstammheim, Switzerland; Edited and mastered by Mikael Werliin at Studio Oodion Göteborg; Photos by Maya Homburger; Graphic design by Lasse Marhaug; Produced by Mats Gustafsson. Limited edition of 300 (numbered).\" - Trost.\u003c\/p\u003e","brand":"Trost","offers":[{"title":"7\" Picture DIsc","offer_id":893294379015,"sku":"19956-TROST","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10296939-1498328412-8985_jpeg.jpg?v=1571718470"},{"product_id":"lepenik-postepeno","title":"LEPENIK - Postepeno","description":"\u003cp\u003e2012 release. \"Postepeno is a project that has lasted for a long time already. It began as a fascination with the art of an unknown schizophrenic patient settled at the Vienna psychiatric asylum Oberdöbling, whose name was marked with the first two letters of her name, ST. This piece of \"art\", which is basically a definite collage, was created at the year of 1890, at the time when collage art was actually not even on the horizon. It was called \"music made of paper\". Already known for doing a remix of Kajkyts piece Krst, Austrian guitarist and composer Robert Lepenik was deeply occupied with experimenting with sine waves, either only with them or in a combination with other instruments, particularly piano. At the beginning, the piece here was imagined as a musical setting for the eponymous collage of Frau ST, but later, Lepenik decided to release it as an extra piece of music. Includes an extended version of the piece \"Grete Vor Dem Haus\", available on CDr in 2008. Packaged in hard box; includes fabulous artwork on five posters.\" - God.\u003c\/p\u003e","brand":"God","offers":[{"title":"Double LP","offer_id":893294444551,"sku":"19958-GOD","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3609077-1337238809-9656_jpeg.jpg?v=1571718470"},{"product_id":"duo-ade-freilassing","title":"DUO ADE - Freilassing","description":"2013 release. \"Although their music sounds very serious and complex, Duo Adé dont want to be considered as abstract formation. The Graz-based duo comprised of members of cult band Code Inconnu, Gottfried Krienzer and Christoph Uhlmann, have already established themselves as very specific lo-fi electronic constellation with their first release Hungrige Speisen (2000). This time, avoiding any kind of electronic devices and electronic manipulations, they sat themselves at an out-of-tune piano, each taking a different tempo, and recorded eleven versions of Freilassing, one of which is available here on this single-sided LP. The piece is a half-structured improvisation, combination of micro-tonality, bi-tonality, rhythmically independent counterpoints, integration, and disintegration, and (in)homogeneous repetitions. 25 minutes of extremely challenging piano music, on the run into the unknown known..\" - God.\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/83917502\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"LP","offer_id":893294477319,"sku":"19959-GOD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4392944-1363689046-9691_jpeg.jpg?v=1571718470"},{"product_id":"ablinger-peter-regenstucke-vol-2","title":"ABLINGER, PETER - Regenstucke Vol. 2","description":"2013 release. \"Regenstücke Vol. 1 (2012) deals with a rain aesthetic in pure instrumental form; Vol. 2 shows Peter Ablingers fascination with techniques of field recordings, accompanied by different ensembles and orchestra setups. Ablinger has been exploring different sides and features of nature recordings for a very long time, always achieving new territories and pushing boundaries to a higher level. Regenstücke Vol. 2 represents only a minority of that output. City noise, landscape sounds, rain drops, boosted with powerful instrumentation -- simple and almost manifestly. Not forgetting \"instrumental raining\", Membrane, and Regen, as a part of his cycle Weiss \/ Weisslich (2002), Vol. 2 shows concert version of the piece for eight glass tubes -- just like hearing eight church bells surrounding your brain... Personnel: Edo Mičić -- conducting; Nassir Heidarian - conducting; Isabel Pérez-Requeijo - conducting; Adam Weisman -percussion; Winfried Ritsch - computer controlled pianos; Ensembles: Zeitfluss Graz and Bruckner Orchestra Linz.\" - God. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/249331169\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"LP","offer_id":893294510087,"sku":"19960-GOD","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5085459-1384092505-1928_jpeg.jpg?v=1571718470"},{"product_id":"kuhr-gerd-revue-instrumentale-et-electronique","title":"KUHR, GERD - Revue Instrumentale Et Electronique","description":"2014 release. \"God Records present compositions by a crucial Austrian composer, Gerd Kühr. Gerd Kühr is known for combining complexity and simplicity, modernity and \"tradition\". Revue Instrumentale Et Électronique is a spatial composition for an instrumental ensemble, recorded sound in six movements. Kühr manages to cross and unite a variety of aspects in musical expression, complex, though powerful rhythmical constructions with hard accented percussion boosted through an ensemble spread out in a room, and highly lyrical passages with extreme appreciation of time structured silence. All of this comes with an astounding fluency between different characters of the piece, mirrored through pre-recorded ensemble sounds with slight echoing. An exact, precise, and passionate performance by Klangfoum Wien. Personnel: Emilio Pomárico, Klangforum Wien, IEM Graz.\" - God.\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137845236\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"LP","offer_id":893294542855,"sku":"19961-GOD","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-5463649-1394017877-2198_jpeg.jpg?v=1571718470"},{"product_id":"gander-bernhard-take-death","title":"GANDER, BERNHARD - Take Death!","description":"2014 release. \"...the virgin who was sacrificed in Stravinskys Le Sacre, comes back to earth and takes revenge...\" Le Sacre: Her ghost was waiting, waiting for the moment, to burn the skies, and serve the torment. Evil all around, grabbing our minds, punish mankind! Slaughter our lives... Features a remix by Kajkyt. Personnel: Bernhard Gander - composition; Ensemble Modern; Patrick Pulsinger - electronics.\" - God. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/168827787\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"LP","offer_id":893294575623,"sku":"19962-GOD","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6248894-1414741760-5815_jpeg.jpg?v=1571718470"},{"product_id":"lang-bernhard-dw-16-songbook-i","title":"LANG, BERNHARD - DW 16 \/ Songbook I","description":"2015 release. \"God Records present a series of pieces by Bernhard Lang, Differenz\/Wiederholung -- DW (\"Difference\/Repetition\"). DW is an on-going cycle of Langs pieces, where the composer explores possibilities of loops and repetitions, which would become his compositional trademark. Songbook I is a piece where Lang takes highly-involved patterns from jazz and pop music and transforms them through \"damaged beats\". Lang on the compositions: \"For many years, one of my main influences beside the work of Philip Jeck were the movies of Martin Arnold: they more or less became the trigger for the series of pieces called Difference\/Repetition. For the development of the DW series, four conceptual components were essential: 1. The visual appearance of the repetition in the video\/film; 2. Philosophy of repetition in Deleuze; 3. The use of loops in the improvised music, again by reference to video-couplings; 4. Exploration of musical materials of different origins in electro-acoustic environments.\" Personnel: Jenny Renate Wicke - mezzo-soprano; Trio Accanto: Yukiko Sugawara - piano; Marcus Weiss - saxophone; Christian Dierstein - percussion.\" - God. \u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/291172660\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"LP","offer_id":893294608391,"sku":"19963-GOD","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-7010590-1431616655-7025_jpeg.jpg?v=1571718470"},{"product_id":"gartmayer-susanna-aouie-bass-clarinet-solos","title":"GARTMAYER, SUSANNA - AOUIE - Bass Clarinet Solos","description":"2015 release. \"God Records present the first solo release by Susanna Gartmayer, an important figure in Viennese improv and experimental scene. AOUIE is a series of pieces for bass clarinet as an exploration of polyphonic sound universe. Within interactions of spatial and instrument sound, Gartmayer uses a variety of sounds to produce coherent works, dealing with simultaneous representations of multidimensional acoustic events. Personnel: Susanna Gartmayer - composition, bass clarinet, contra-alto clarinet.\" - God.\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/188931742\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e","brand":"God","offers":[{"title":"10\"","offer_id":893295689735,"sku":"19964-GOD","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-6720479-1425299318-7003_jpeg.jpg?v=1571718470"},{"product_id":"magma-zuhn-wol-unsai-live-1974","title":"MAGMA - Zuhn Wol Unsai - Live 1974","description":"\u003cp\u003eWherever they perform -- whether at the legendary hippie Burg Herzberg Festival or at the Leverkusener Jazztage in Germany at the end of the 90s, the Nancy Jazz Pulsations Festival in 76. Or the renowned Bell Atlantic Jazz Festival in New York -- French cult ensemble Magma has always left their fans as well as the curious uninitiated stunned and in awe. Led by their drummer and master of ceremonies Christian Vander, the band has consistently poured their tonal magic potion, a substance brewed from 20th century classical music (Stravinsky, Orff, Bartok) and radical tendencies in 60s and 70s jazz and rock, over a spellbound audience for over 45 years. Despite their more jazzy leanings, Magma has always been able to attract a more rock-oriented, young audience from the very beginning. The latter due to Vanders fascination by the cathartic nature of rock musics optimistic spirit in the late 60s, similar to many of his famous jazz contemporaries including John Mclaughlin, Chick Corea, and Miles Davis. As a result, he decided to orchestrate his up-to-one-hour-long suites with all the ingredients electric rock music had developed by the turn of the century. This 2LP documents a live performance recorded at Magmas first concert in Germany on February 6th 1974. This official, professional and sonically improved Radio Bremen recording of this rather short-lived line-up contains a slightly shorter than usual version of Mekanïk Destruktïẁ Kommandöh, and with the remaining tracks Sowiloi, Drum Solo and Theusz Hamtaahk representing an indispensable supplement to Magmas other live albums released on their own label, Seventh Records. - Made In Germany.\u003c\/p\u003e","brand":"Made In Germany","offers":[{"title":"Double LP","offer_id":893296902151,"sku":"19965-MADE IN GERMANY","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_b58c1f17-6549-4886-a77f-d012ed9742aa.png?v=1571718470"},{"product_id":"les-freres-megri-mahmoud-hassan-et-younes","title":"LES FRERES MEGRI - Mahmoud, Hassan Et Younes","description":"You could say many things about the Sun City Girls, but one thing you cant dispute is that they had great taste in covers. One of them originates on this LP, which was originally released by Phillips in 1974. The M�gri family included three brothers, all veteran session men in their native Morocco; their sister contributes some backing vocals and doesnt get her photo on the cover with the boys. Leili Twil,\" which the Sun City Girls renamed \"Cruel And Thin,\" is even more stirring in this incarnation than it is on 300,003 Crossdressers From Beyond The Rig Veda, but its not the only thing on this record thatll take you somewhere else. Jalilas ethereal voice and electric sitar accents make \"Galouli Ensaha\" an apt tune to soundtrack some desert road movie; wah-wah guitar and impetuous bass make \"Sebar\" the song youd deploy for the car chase round the cliff sequence. Lightly applied psychedelic production and insistent hooks make this one lost psych classic that youll want to play, not flip.\" - Bill Meyer, Dusted.\u003cbr\u003e\u003cbr\u003e\"A reissue of Les Frères Mégris Mahmoud, Hassan Et Younes, originally released in 1974. Les Frères Mégri was a Moroccan rock band formed in Oujda, Morocco in the late 1960s. The band consisted of four members: the three brothers, Hassan, Mahmoud, and Younès, and their sister Jalila Mégri. Before the creation of the band, the Megri brothers were popular session musicians, composers, and producers in Morocco, starting in the late 50s. In the early 70s, Hassan and Mahmoud released four singles as Les Frères Mégri: El Harib\/Heya Essamra, Galouli Ensaha\/Kellemtini, Sebar\/Ououd Ou Chouk in 1971 and Sabar\/Chaaltiha Nar in 1972. This LP, their second album simply titled Younes Hassan Mahmoud and a collaboration between all three brothers, was released in 1974. They re-recorded some of the singles tracks with Younes and the result is one of the finest examples of the early 70s progressive, psych, folk sounds coming from North Africa and beyond. This is an album that stands as a high point for the genre globally. A baroque folk approach that demonstrates utterly mesmerizing results, psychedelic, electric guitars, sitars, bongos, swirling multi-tracked vocals that sound like prime era Fairport Convention, Pentangle, Trees, and the first two Pink Floyd albums -- It is of that pedigree. A holy grail LP that has been near impossible to locate for over 40 years. Beautifully remastered, its presented here in its first ever reissue. Edition of 500.\" - Sudiphone.","brand":"Sudiphone","offers":[{"title":"LP","offer_id":893297852423,"sku":"19966-SUDIPHONE","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3525312-1333888827_jpeg.jpg?v=1571718470"},{"product_id":"east-bionic-symphonia-improvisation-1976-part-1-and-2","title":"EAST BIONIC SYMPHONIA - Improvisation 1976 (Part 1 and 2)","description":"Part 1 \u0026amp; 2 and the one side Part 3 packaged as two separate albums, each with a silk screened die-cut cover.\u003cbr\u003eLabels are silk screened on one side and handwritten \u0026amp; numbered (200 copies) on reverse. \u003cbr\u003e\"During the mid-1970s, a group of art students at the Bigakko school in Tokyo, working under Takehisa Kosugi, the renowned Fluxus composer, violinist, and member of Group Ongaku and The Taj-Mahal Travellers, came together as the free improvisation collective East Bionic Symphonia. They recorded a single album - their graduation project, released in 1976 under the title Recorded Live, before going their separate ways. While largely overlooked at the time, it now stands as one of the great artifacts of the Japanese sonic avant-garde, in part because of its remarkable sounds and influence, and in part because of the later significance of the voices within. The collective reformed during the 1980s under the moniker Marginal Consort - playing and recording extensively, but until now, it has been widely accepted that Recorded Live was the only existing document of their early efforts. We are thrilled to announce a release of further recordings, made during the months following the creation of their long heralded LP. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe East Bionic Symphonia is a founding cornerstone of the Japanese movements of Noise and improvised music. The seed the ensemble helped plant, cut a path through the years to follow - its influence stretching across the globe. They were singular - seeming to effortlessly break every rule in the book, eradicating signifier and association, blending electronic and acoustic sound, in ways that few had. They demand little need for comparison or cross reference. Had its members done nothing since, their contribution to history would still be significant. Some - Hiroshi Shii, Kaoru Okabe, Masaharu Minegishi, Tatuo Hattori, and Tomonao Koshikawa, are little known beyond their work within the ensemble and Marginal Consort. Others went on to make deep and diverse contributions to the landscape of avant-garde and experimental sound. Chie Mukai and Masami Tada have both become legendary for their solo work, the guitarist Kazuo Imai is widely celebrated for his unparalleled approach as an improviser, as well as for his work with Barre Phillips, Arthur Doyle, Han Bennink, and countless others. Yasushi Ozawa is equally noted for his work as the bassist in Keiji Hainos Fushitsusha project. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe recordings which make up Recorded Live, where made on July 13, 1976. Those featured on this LP where made on September 25th and November 20th of the same year. Despite their close proximity, they display an already rapidly progressing group of improvisors, and an unexpected bridge between the work captured a few short months before, and that which would gain renown under Marginal Consort. Thrilling on every level - a revelatory, clattering and responsive, sea of sound - as percussive as it is arrhythmic, as atonal as resonant, equally intricate and expansive. While freestanding and incredible as Recorded Live, these recording further secure the ensembles historical significance, encountering key figures within the Japanese underground, at a crucial formative moment - offering insights into why and how it was so singular. This is improvised music outside of genre and association - neither jazz, nor a product of indeterminacy - a new creative movement, founded in Japan, its sounds drifting out across the globe, laying influence as it went. A thrilling document of deep historical importance, and a must for any fan of Japanese noise, or improvised music at large.\"\u003cbr\u003e\u003ciframe width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nIizbxoa4t8\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Ciclope","offers":[{"title":"LP","offer_id":893297885191,"sku":"19967-CICLOPE","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10653938-1501760862-6693_jpeg.jpg?v=1571718470"},{"product_id":"east-bionic-symphonia-improvisation-1976-part-3","title":"EAST BIONIC SYMPHONIA - Improvisation 1976 (Part 3)","description":"Part 1 \u0026amp; 2 and the one side Part 3 packaged as two separate albums, each with a silk screened die-cut cover.\u003cbr\u003eLabels are silk screened on one side and handwritten \u0026amp; numbered (200 copies) on reverse. \u003cbr\u003e\"During the mid-1970s, a group of art students at the Bigakko school in Tokyo, working under Takehisa Kosugi, the renowned Fluxus composer, violinist, and member of Group Ongaku and The Taj-Mahal Travellers, came together as the free improvisation collective East Bionic Symphonia. They recorded a single album - their graduation project, released in 1976 under the title Recorded Live, before going their separate ways. While largely overlooked at the time, it now stands as one of the great artifacts of the Japanese sonic avant-garde, in part because of its remarkable sounds and influence, and in part because of the later significance of the voices within. The collective reformed during the 1980s under the moniker Marginal Consort - playing and recording extensively, but until now, it has been widely accepted that Recorded Live was the only existing document of their early efforts. We are thrilled to announce a release of further recordings, made during the months following the creation of their long heralded LP. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe East Bionic Symphonia is a founding cornerstone of the Japanese movements of Noise and improvised music. The seed the ensemble helped plant, cut a path through the years to follow - its influence stretching across the globe. They were singular - seeming to effortlessly break every rule in the book, eradicating signifier and association, blending electronic and acoustic sound, in ways that few had. They demand little need for comparison or cross reference. Had its members done nothing since, their contribution to history would still be significant. Some - Hiroshi Shii, Kaoru Okabe, Masaharu Minegishi, Tatuo Hattori, and Tomonao Koshikawa, are little known beyond their work within the ensemble and Marginal Consort. Others went on to make deep and diverse contributions to the landscape of avant-garde and experimental sound. Chie Mukai and Masami Tada have both become legendary for their solo work, the guitarist Kazuo Imai is widely celebrated for his unparalleled approach as an improviser, as well as for his work with Barre Phillips, Arthur Doyle, Han Bennink, and countless others. Yasushi Ozawa is equally noted for his work as the bassist in Keiji Hainos Fushitsusha project. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe recordings which make up Recorded Live, where made on July 13, 1976. Those featured on this LP where made on September 25th and November 20th of the same year. Despite their close proximity, they display an already rapidly progressing group of improvisors, and an unexpected bridge between the work captured a few short months before, and that which would gain renown under Marginal Consort. Thrilling on every level - a revelatory, clattering and responsive, sea of sound - as percussive as it is arrhythmic, as atonal as resonant, equally intricate and expansive. While freestanding and incredible as Recorded Live, these recording further secure the ensembles historical significance, encountering key figures within the Japanese underground, at a crucial formative moment - offering insights into why and how it was so singular. This is improvised music outside of genre and association - neither jazz, nor a product of indeterminacy - a new creative movement, founded in Japan, its sounds drifting out across the globe, laying influence as it went. A thrilling document of deep historical importance, and a must for any fan of Japanese noise, or improvised music at large.\"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/37046547\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e","brand":"Ciclope","offers":[{"title":"One-Sided LP","offer_id":893297917959,"sku":"19968-CICLOPE","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10653938-1501760862-6693_jpeg_bde5ef5c-e932-4a3c-95e5-531187ed81cc.jpg?v=1571718470"},{"product_id":"cschulz-fruhe-jahre","title":"C-SCHULZ - Fruhe Jahre","description":"\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3452737813\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/unseenworlds.bandcamp.com\/album\/fr-he-jahre\"\u0026gt;FRÜHE JAHRE by C-Schulz\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e Comes in Stoughton Mini-LP CD jacket with metallic printing and includes download code, including digital-only bonus track. \u003cbr\u003e\"FRÜHE JAHRE is the first time reissue of C-Schulzs early work from late 1980s and early ‘90s.  Schulzs first LP, 10. HOSE HORN, was introduced alongside other debut LPs from Jim ORourke and Frank Dommert on Dommerts Entenpfuhl label in 1991.  Combining the cathartic sounds of industrial, early techno, and innovative pop with inspiration from acousmatic, New Music, and Dada, Schulzs music is a prime example of the Cologne experimental music scene of the time.  Rhythmic delights, outlandish juxtapositions and a sustained, unresolved, aurally-fascinating tension evoke dramatic, film-like meditations. Liner notes written by Marcus Schmickler, who also co-produced many of the tracks. Remastering by Rashad Becker.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCarsten Schulz (C-Schulz) was born in Cologne in 1968 and has worked professionally as a musician and filmmaker since 1990.  During his formative years he studied classical oboe, among other instruments, and a diverse array of musical theory.  From 1996-2001, he studied audio-visual arts at the Academy of Media Arts, Cologne. Since 2002 C-Schulz has composed for the renowned Studio Akustische Kunst of the West German broadcasting service (WDR). Schulzs music is influenced by Industrial music, contemporary classical music, krautrock, Musique Concrete, library music, early techno and the underground tape scene of the late 80s.  Schulz has several releases on such labels as Extreme (Australia), Odd Size (France), Entenpfuhl + Sonig (Germany). C-Schulz rarely gives solo concerts and all of them are multichannel (5.1). He currently lives and works in Berlin, Germany.\" - Unseen Worlds.\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3452737813\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1390426424\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u0026amp;lt;a href=\"http:\/\/unseenworlds.bandcamp.com\/album\/fr-he-jahre\"\u0026amp;gt;FRÜHE JAHRE by C-Schulz\u0026amp;lt;\/a\u0026amp;gt;\u003c\/iframe\u003e","brand":"Unseen Worlds","offers":[{"title":"CD","offer_id":893297950727,"sku":"19970-UNSEEN WORLDS","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10733293-1503303641-8796_png.jpg?v=1571718470"},{"product_id":"carl-rudiger-inc-king-alcohol","title":"CARL, RUDIGER INC. - King Alcohol","description":"\u003cp\u003eA reissue of King Alcohol, recorded for the German FMP label in 1972. King Alcohol is one of the landmark recordings of free jazz in Europe, a mind-blowing studio session featuring Rüdiger Carl on tenor saxophone, Günter Christmann on trombone, and the astonishing Detlef Schönenberg on drums. Volatile and precise, anticipating much of the future sound of free music in Europe but also paying homage to American antecedents like Roswell Rudd and Archie Shepp, King Alcohol is truly a lost jewel. First ever release on CD. Features a disc of newly discovered, previously unreleased bonus tracks. Remastered from the original tapes. Cover art features a reproduction of the insanely rare first-pressing cover with its black-and-white line drawing by Carl himself. - Corbett Vs. Dempsey\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"Double CD","offer_id":893297983495,"sku":"19971-CORBETT VS. DEMPSEY","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1448173-1360529452-5915_jpeg.jpg?v=1571718470"},{"product_id":"mcphee-joe-andre-jaume-nuclear-family","title":"MCPHEE, JOE \u0026 ANDRE JAUME - Nuclear Family","description":"\u003cp\u003e2016 release. \"Multi-instrumental master Joe McPhee and his longtime colleague, French saxophonist and clarinetist André Jaume, joined forces for this studio recording in 1979 that was prepared but never released. It is primarily structured around pairs of tunes by Charles Mingus, Thelonious Monk, and Duke Ellington (or Billy Strayhorn), adding Ornette Colemans \"Lonely Woman\" for good measure. The results are stunningly intimate and show the twosomes capacity for creative interplay at a fairly early stage in its unfolding. Minguss \"Pithecanthropus Erectus\", which was performed by a larger group on Topology (1981), gets pared down to its essential walking-bass-ness, while Monks \"Evidence\" is taken apart, and solo spots by both men are as riveting as one would expect. Part of Corbett vs. Dempseys ongoing historical effort to unearth and reissue McPhees important discography, this previously unknown recording will delight existing fans and make new ones.\" - Corbett Vs. Dempsey\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893299163143,"sku":"19972-CORBETT VS. DEMPSEY","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-9258104-1477503598-3434_jpeg.jpg?v=1571718470"},{"product_id":"reichel-hans-wichlinghauser-blues","title":"REICHEL, HANS - Wichlinghauser Blues","description":"\u003cp\u003eA reissue of Wichlinghauser Blues the debut album by legendary German guitar improviser and instrument inventor Hans Reichel (1949-2011), originally released on FMP in 1973. Wichlinghauser Blues is a resonant and hilarious document of the nascent genius recording his peculiar and wondrous music alone in a studio. Acoustic and unfiltered electric guitars turned back into the supremely malleable instruments they were before theyd been firmly encoded as tools for rock or pop or jazz. Reichel uses a homemade 11-string guitar (with three pickups) for all the tunes except the first one. Reichel is like an improvising Harry Partch, investigating the genesis of lute music. First ever release on CD. Remastered from original tapes; Packaged with a gatefold and tip-on sleeve, with a reprinting of the original design. - Corbett Vs. Dempsey\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893299687431,"sku":"19973-CORBETT VS. DEMPSEY","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-779455-1157912722_jpeg.jpg?v=1571718470"},{"product_id":"reichel-hans-bonobo","title":"REICHEL, HANS - Bonobo","description":"\u003cp\u003eA reissue of the second album in the catalog of German guitarist and instrument inventor Hans Reichel (1949-2011), Bonobo, originally released by FMP in 1976. A program of microtonal string investigations that is still beguiling and fresh four decades later. Like Reichels debut, Wichlinghauser Blues (1973), Bonobo is a super-rare slice of musical otherness. Includes the hilarious cover by Reichel himself. First ever release on CD. Remastered from original tapes; Packaged with gatefold and tip-on sleeve, with a reprinting the original design. - Corbett Vs. Dempsey\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893300080647,"sku":"19974-CORBETT VS. DEMPSEY","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-929567-1449010507-5990_jpeg.jpg?v=1571718470"},{"product_id":"bang-billy-distinction-without-a-difference","title":"BANG, BILLY - Distinction Without A Difference","description":"\u003cp\u003eA reissue of the long out-of-print first solo record by American violinist Billy Bang (1947-2011), recorded at Gaku Gallery in New York on August 12, 1979. Originally released on Hat Hut Records in 1980. Distinction Without A Difference features Bangs own compositions, extrapolated at length in an intimate live concert, as well as traditional and improvised material. Remastered from original tapes and augmented by newly discovered recordings from the same concert. Part of the large cache of historical Hat Hut records that Corbett vs. Dempsey continues to release. Classic American creative music on CD for the first time. Features five previously unreleased tracks: Tracks 7-9 and 11 were recorded in Tilberg, Netherlands on October 29, 1978; Track 10 is a recording from the New York concert on August 12, 1979; Subway Ride\" feautures Giuseppi Logan.\" - Corbett Vs. Dempsey\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893300113415,"sku":"19975-CORBETT VS. DEMPSEY","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-2456652-1285087129_jpeg.jpg?v=1571718471"},{"product_id":"gondeln-wendy-projections","title":"GONDELN, WENDY - Projections","description":"\u003cp\u003eProjections is the first CD compilation of recent seven-inch and twelve-inch records by the enigmatic Wendy Gondeln, mixing electronic music, sawed violin, and Martian intelligence into a thoroughly spicy and utterly confounding goulash. Featured collaborations include Tim Berrescheim, Norbert Möslang, J.B. Slik, Wolfgang Voigt, Michael Wertmüller, Magazine (Jens-Uwe Beyer, Crato, Barnt). Projections also includes some of the art installation projects for Albert Oehlen works of recent vintage, such as Alarm\", composed by Wertmüller, well-known among other things as the drummer in Peter Brötzmanns Full Blast Trio. Music taken from Seismographic Pillow by Tim Berresheim (J.B. Slik) (2004), Pondering WTF (2011), Freiland -- Freie Sicht (2013), Fracking (MAGAZINE 010EP, 2014), the soundtrack from the Installation Albert Oehlen\/Wolfgang Voigt -- Baum 3 at Böhm Chapel (2015), and a split 7\" with Norbert Möslang on Meeuw Muzak (2016).\" - Corbett Vs. Dempsey.\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893300146183,"sku":"19976-CORBETT VS. DEMPSEY","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-11690522-1560381606-9055_jpeg.jpg?v=1628007443"},{"product_id":"chadbourne-eugene-therell-be-no-tears-tonight","title":"CHADBOURNE, EUGENE - Therell Be No Tears Tonight","description":"\u003cp\u003e2016 release. \"A reissue of Eugene Chadbournes Therell Be No Tears Tonight, originally released by Parachute in 1980. One of the absolute essentials of Eugene Chadbournes oeuvre, what he described as \"free improvised country and western bebop\", featuring his frantic, skewed interpretations of classic songs such as Merle Haggards \"Swingin Doors\", Roger Millers \"The Last Word In Lonesome Is Me\", and Willie Nelsons \"Mr. Record Man\", Therell Be No Tears Tonight was recorded in Spring of 1980. Its lineup includes Chadbourne on acoustic and electric guitar and voice, Tom Cora on cello, John Zorn on saxophones, clarinet, and birdcalls, David Licht on percussion, with another set of songs featuring Doctor Chad on electric dobro and singing, with Scott Manring on lap steel and lap dobro, Robbie Link on acoustic bass, Dennis Licht on percussion, and David Licht on drum set. For the guitarists solo \"Johnny Paycheck\" medley alone, this would be worth the price of admission, but the whole show is built on lightning fast juxtaposition and hilarious interjection. Though it was reissued on CD, its been out of print for years. Here it is given the royal treatment, with a facsimile cover, new photos from the sessions, remastered from original tapes, and an additional 26-minute track titled \"Richmond Dobro Massacre\". In this deluxe reissue, \"Tears\" remains one of the best free song outings ever made and is an absolute must for every home.\" - Corbett Vs. Dempsey\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893300178951,"sku":"19977-CORBETT VS. DEMPSEY","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1356528-1491787569-7086_jpeg.jpg?v=1571718471"},{"product_id":"picnic-s-t","title":"PICNIC - s\/t","description":"\u003cp\u003e2016 release. \"The first reissue of Picnic, originally released on Data Records in 1985. A little-known gem of Dutch free music, Picnic is the brainchild of cellist Tristan Honsinger, who composed all but one of its 12 compositions. Brilliant and whimsical, the tracks bring to mind Honsingers work with ICP Orchestra, for whom he has also composed extensively. Here hes working in an incredible ensemble, with trumpeter Toshinori Kondo, saxophonist Sean Bergen, Jean Jacques Avenel on bass, Michael Vatcher on drums and percussion, and Tiziana Simona Vigni on voice. Deceptively vicious little songs with hilarious twists and the kind of intense improvising youd expect from a band that incorporates players of this caliber, its a unique album, originally issued on the tiny Data Records, never before reissued. And its worth having alone for the beautiful recording by Datas Dick Lucas, which captures Vatchers incredible high snare on \"Restless\", a minute of pure energy better than Red Bull, and Vignis oblique vocals, which were sung mostly in English by the Italian singer, who didnt speak a word of the language. Remastered by Lucas from the original tapes. Features the original cover.\" - Corbett Vs. Dempsey.\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893300211719,"sku":"19978-CORBETT VS. 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The cover sports a painting by Amy Feldman, perfect visual foil for the boys and their noise. Recorded live at the Burlington in Chicago, during the Neon Marshmallow Festival on November 18, 2012. Engineered by Matt Hannigan; Mastered at Experimental Sound Studio, Chicago.\" - Corbett Vs. Dempsey\u003c\/p\u003e","brand":"Corbett Vs. Dempsey","offers":[{"title":"CD","offer_id":893300244487,"sku":"19979-CORBETT VS. DEMPSEY","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-8377955-1460435824-3833_jpeg.jpg?v=1571718471"},{"product_id":"zaffiri-enore-musica-per-un-anno","title":"ZAFFIRI, ENORE - Musica Per Un Anno","description":"\u003cp\u003eMusica Per Un Anno is a pivotal project by Italian pioneer of electronic music Enore Zaffiri. In 1968, Zaffiri devised a project to create music for each hour of the year, by providing precise instructions to organize various layers of sinusoidal sounds. Working in isolation but ideally sharing the same attitude of La Monte Youngs approach to sound in time and space of those same years, Zaffiri created some tape versions of his masterpiece. The version presented on this album is a radically pure digital implementation of one hour of Musica Per Un Anno, and has been realized by Andrea Valle in strict cooperation with Zaffiri, faithfully respecting the composers original, abstract project. - Magazgran.  Enore Zaffiri on the composition: \"Electronic music for the sonorization of environments. It is music in time, designed for the duration of one year. The sound event changes imperceptibly but continuously in relation to months, days, hours, minutes. Every moment has its own unique music that blends with the light and the surrounding atmosphere. It is a presence. It is a music that should not impose itself, that should not distract or daze, that should not force the user to immobility. Being music in time, without beginning or end, it is always important at any time you want to listen to. It is a music that responds to the needs of the contemporary man that, while visiting an exhibition or a museum, absorbs multiple experiences addressing appropriately and actively the cultural needs of our time.\" - Mazagran.\u003c\/p\u003e","brand":"Mazagran","offers":[{"title":"CD","offer_id":893300277255,"sku":"19980-MAZAGRAN","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-9975828-1489522002-4436_jpeg.jpg?v=1613846009"},{"product_id":"galactic-explorers-epitaph-for-venus","title":"GALACTIC EXPLORERS - Epitaph For Venus","description":"\u003cp\u003eMental Experience present a reissue of Galactic Explorers Epitaph For Venus. Another album from the Pyramid label shrouded in mystery and produced by Toby Robinson in Cologne, circa 1974. Kosmische and head sounds with plenty of Minimoog, analog synths\/keyboards, effects, loops, tape manipulation, treated percussions, etc., courtesy of Galactic Explorers, an electronic, minimal, ambient krautrock trio featuring Reinhard Karwatky (Dzyan). Take a trip to the inner regions of your mind, see ancient solar systems forming, and listen to cosmic winds and vibrations while sine waves of pure bliss will give you total peace of mind. RIYL: Terry Riley, Popol Vuh, Sand, Peter Michael Hamel, Tangerine Dream, Baba Yaga, Cluster, Cozmic Corridors, Brainticket. 24-bit domain remaster from the original tapes; Insert with liner notes by Alan Freeman, head boss at Ultima Thule and author of The Crack In The Cosmic Egg (1996). - Mental Experience.\u003c\/p\u003e","brand":"Mental Experience","offers":[{"title":"CD","offer_id":893300310023,"sku":"19981-MENTAL EXPERIENCE","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-939158-1336054215_jpeg.jpg?v=1571718471"},{"product_id":"noyes-rob-the-fedual-spirit","title":"NOYES, ROB - The Feudal Spirit","description":"\u003cp\u003eRepress w\/ different jacket design. \"Rob Noyes has been on the Eastern Massachusetts scene for a while, but what weve heard him play is music from within the context of electric bands, most of whom are loud as hell and exist somewhere along the rim of the post-core continuum. More recently, Rob has taken to displaying his solo acoustic guitar chops and they are massive. The Feudal Spirit is the first vinyl evidence of their shoulders. Like Western Masss Tony Pasquarosa, who mines the same widely-variant style-pits, Robs approach to acoustic playing resembles his electric work only through shared-belief-in-a-strong-downstroke. On the way to developing his own compositional\/performance approach, Noyes sometimes seems to have absorbed an almost infinite reservoir of influences. Apart from some superb Basho-like 12-string tunneling, most momentary fragments tend to recall legendary Limeys like John Renbourn (and through him, Davey Graham), because Robs overt melodic structures tend towards the non-bluesoid. But then youll maybe hear a note-sequence spiced like something dropped from the hot strings of Michael Chapman or even a powerful throng that makes you think of Wizz Jones. When that happens, you realize theres more of a blues base to some of the songs than youd been able to untangle. Mr. Noyes hits a vast array of sub-genres on this album, and he hits them all pretty damn hard. Robs playing carries the weight of many possibly-imaginary forebears, but the way he smears them all together shows a holistic mastery of touch and imagination that defies a lot of todays players, who tend to shine in short bursts, then allow their dreams to outrun their technique. Rob Noyes has no such apparent limitations. Like Raymond Pettibon, whose artwork graces The Feudal Spirits cover, Robs able to create a true form-gobble, making some real beautiful noise in the process. Around the world, licensed Hodologists whisper, Make mine Noyes. Why dont you join them?\" --Byron Coley, October 23rd, 2016, South Deerfield, MA. Screenprinted jackets -- new EZ-open jacket for the OCD\/record collector set! Cover art by Raymond Pettibon. 180 gram vinyl pressed at RTI; Lacquers cut by Bob Weston at Chicago Mastering Service.\" - Poon Village.\u003c\/p\u003e","brand":"Poon Village","offers":[{"title":"LP","offer_id":893300342791,"sku":"19982-POON VILLAGE","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10651631-1501703131-7862_jpeg.jpg?v=1571718471"},{"product_id":"spacemen-3-for-all-the-fuckedup-children-of-this-world","title":"SPACEMEN 3 - For All The Fucked-Up Children Of This World","description":"\u003cp\u003eFirst official CD release Spacemen 3s For All The Fucked-Up Children Of This World, first released as a bootleg record in 1995. The record consists of Spacemen 3s first ever recording session from 1984. The music itself sounds like a primitive version of what the group was to become; the dominating sound of the record is a slow, droning psychedelic blues performed with sparse instrumentation. A drum set is matched with a pair of distorted electric guitars, all of which provide a swirling foundation for Jason Pierces vocals. The albums liner notes replicated here are actually an early review of the band by Gary Boldie, where he contemplates the city of Rugby and finds it an odd source for this new sound, and he declares Spacemen 3 as the all singing, all dancing answer to the problems of a grey 1985.\" Comes in six-panel fold-out card wallet.\" - Space Age.\u003c\/p\u003e","brand":"Space Age","offers":[{"title":"CD","offer_id":893300375559,"sku":"19983-SPACE AGE","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-542014-1210328156_jpeg.jpg?v=1571718471"},{"product_id":"die-radierer-punk-pest-pop-sammelband-19781984","title":"DIE RADIERER - Punk! Pest! Pop! Sammelband 1978-1984","description":"\u003cp\u003eThree guiding principles of Die Radierer: 1. A band may originate from a provincial German town such as Limburg, but may still sound as great as DEVO; 2. Things become really interesting when one cannot tell when serious conceptual art starts and a childish wish to provoke ends; 3. Its always worth aiming to destroy the myth of serious\" rock music, or at least to die trying. Die Radierer (\"The Erasers\") were founded in 1978. This was a time when the domestic German new wave\/post punk and \"Schlager\" music scenes collided and generated the German phenomenon of the so called Neue Deutsche Welle (\"New German Wave\"). Mostly relevant for the German-speaking countries, artists from that era that had their brief moment of fame internationally ranged from Trios \"DaDaDa\" to Nenas \"99 Red Balloons\". Die Radierer released their first single in 1980, in an era when many new opportunities opened up for young and enterprising musicians, or in case of Die Radierer, even for people strictly referring to themselves as serious \"non-musicians\"; Art school drop-outs with an attitude. The Radierers debut single, \"Angriff Aufs Schlaraffenland\", also proved to remain their most successful release. A heavy, yet thin beat, a childish melody, and a cheapo keyboard sound, accompanied by Dada-influenced lyrics, became to blueprint for the groups sound to come. The Punk! Pest! Pop! four-CD boxset contains the original three long players Eisbären \u0026amp; Zitronen (1981), In Hollywood (1983), and Gott Und Die Welt (1984), all originally released on the legendary ZickZack label, plus a fourth CD with 21 tracks ranging from singles, demos, plus some rarities. And, yes, there is a nice, detailed booklet included, but its only available in German.\" - Tapete.\u003c\/p\u003e","brand":"Tapete","offers":[{"title":"4 CD Box Set","offer_id":893300408327,"sku":"19984-TAPETE","price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-10305797-1495022035-2902_jpeg.jpg?v=1571718471"}],"url":"https:\/\/www.fusetronsound.com\/collections\/last-import-nov-2017.oembed?page=4","provider":"fusetron","version":"1.0","type":"link"}