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Feeding Tube

DOOZER, THE - Figurines

Brilliant sixth album by The Doozer demonstrates that while you can take the boy out of Cambridge, it aint easy to do the obverse. The results are twelve inches of splendidly psych-soaked pop readymades laced with tendrils of Syd Barrett, Chris Knox, Pip Proud and early Nick Nicely. Because he has been crafting just this sort of thing for over a decade now, it shouldnt take so much name-checking to place The Doozer inside his aesthetic continuum. But even after wonderful LPs on labels like Pickled Egg, Siltbreeze, Golden Lab, Woodsist and elsewhere, too damn many people still havent grasped this music the way it deserves. Why this is the case is perplexing. On his own records (and also as a frequent UK participant in the MVEE caravan), The Doozer has always shown himself to be a dab hand with both melodic construction, as well as with sound generation using keys and strings of all sorts. For his live sets, just as on his records, Mr. The Doozer creates an enveloping blanket of sound and image that is as comforting as it is weird and artful. Like those legends I mentioned earlier, The Doozer has a wonderfully original way of creating sunny sounds, smeared at the edge of their event horizons so that they seem more like aural hallucinations. Like the aforementioned he also has the ability to craft pop hooks in a manner that makes them feel simultaneously new and deeply familiar. Figurines is an album that sounds great the first time you play it, and loses none of its pleasure on its fiftieth spin. Truly a record for the ages, and a classic late night spin if ever there was one. - Byron Coley.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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