{"title":"LP","description":"","products":[{"product_id":"wolf-eyes-black-dice-wolf-eyes-black-dice","title":"WOLF EYES \u0026 BLACK DICE - Wolf Eyes \u0026 Black Dice","description":"\u003cp\u003eThe first young shorty that ever made my preteen heart sweat at night was Brandy Salem. So fine. The stage was set for some serious 8-year-old dating action but I got snaked by this lame dude named Shawn Murphy who won Brandys eye by shuffling baseball cards faster \u0026amp; being a little crazier on his four-wheel green machine. It killed me ... all summer I tried to get faster on the cards \u0026amp; upstage everyone on the street big wheel scene, but alas, no Salem. She moved to Iowa, still think of her when that Im in love with the sea\" song comes on. Fucking Shawn....\\r\\nFast forward 21 years ... in the game of pure electronic hard-core insanity, Wolf Eyes hear rumors of this RI band of PCP chair-throwing HC yahoos who hold the crown on violence \u0026amp; sonic terror. Fuck that. We thought we were the end of the well in electronic napalm. This Black Dice band wanted to play in Detroit ... no one will do it. Fear of violence\/death threats\/general horror left them with no gig. \"Why would I wanna book a band who is gonna beat up my friends?\" was the local consensus. So BD get a Monday gig at Club Olson\/my basement in quiet Ferndale, home to a handful of whacked out electronic misfit gigs. Neighbors of the crib being left side= young couple \/ right side = quiet lesbian couple with child. My cell rings nonstop days before the gig with crazed young HC fiends asking if the gig is true. I start to get nervous, then I hear they need like 30,000 watts for their gig. What the?\\r\\nGig day\/come home from my office job \u0026amp; the Dice dudes are waiting for me. These are the horrible terror junkies who stab people when they play? All I see is smiles, loafers, Bjorn playing with a kid, and starry-eyed-vacant-brain Danny. Weird. Then they load in; mounds of amplifiers, mounds. The whole basement looking like Iron Maiden was gonna play. Wolf Eyes jams, we think it is intense, whatever. Then they play ... starting with solo recorder and then \/ WHOA \/the most violent, insane, Hiroshima tidal roar of basement sonic terror EVER. EVER. We never heard or witnessed anything so massive. We have seen the Merzbows, the Skin Crimes, the Gravitars, Youth In Asia, whatever.. This was in a totally different sound universe where the air is filled with concrete. It was louder in the street than it was in the basement black hole of sound. Imagine Black Dice playing in your fucking basement on a Monday night! Jesus. No neighbor complaints. Changed our view on sound\/terror\/attack. This was our challenge; meet this Dice volume unholiness on the same sonic field before Shawn Murphy \u0026amp; his Outlaw band does it better. Dudes were so cool two of them even slept in the basement. Awesome.\\r\\nSo we became best friends. Nate called me at work the next morning \u0026amp; said \"we are gonna do a record together\" I laughed ... that would rule...\\r\\nSo fast forward another two years. Here is it is. Recorded at a subterranean Chinatown studio in two days. Tons of jacked EQ, no space, cases of brew, clouds of smoke, Guinness record for most times \"Dude\" was said. We met on equal ground here. Total respect\/the record really sounds like the shadow of each band. It was a blast. Play it on 16 rpm in a closet and jam along with the bones of an enemy. Me, it would be playing the remains of that rat fucker Shawn Murphy, dude couldnt shake shit at this horrible eerie black pond sound.\" - John Olson, Wolf Eyes, October 2003. Different recordings than the American Tapes CDRs. Recorded Oct 2001.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51849235399,"sku":"16-FUSETRON","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-252467-1107905089_jpg.jpg?v=1571717170"},{"product_id":"carrion-ulises-the-poets-tongue","title":"CARRION, ULISES - The Poets Tongue","description":"\u003cp\u003eUlises Carri_ɬ_ns audio works clearly reflect his passion for language, its structures, sounds and meanings. He greatly enjoyed grammatically dissecting languages and trying to understand and explore their structures. His many initiatives and projects bear witness to his boundless obsessions with communication and circulation of works and ideas as a cultural strategy. This LP includes Hamlet for Two Voices (1977) in which two voices read out the names of the characters in the Shakespearean play as they appear in the script, audibly representing the structure of the roles the characters perform. Poema (1977) orally represents the structure and spatial characteristics of a poem, by listing all its structural elements: words, paragraphs and verses, etc. The LP also includes Aritmetica, Three Spanish Pieces, and First Spanish Lesson, as well as the legendary 45 Revoluciones por Minuto, the grooviest track ever created within the context of conceptual art. All pieces, recorded at the Instituut voor Sonologie in Utrecht between September and October 1977, have in common their refusal of discursiveness. They are not meant to be true or beautiful. Each piece is a series of vocal units that unfolds according to simple rules. Their beginning and end are arbitrary: they could go on infinitely. They should go on. They go on. First LP ever issued by Ulises Carrion who in 1975 created the legendary bookshop-gallery Other Books \u0026amp; So, the first space dedicated exclusively to artists publications such as artists records, books, magazines, postcards. Edition limited to 270 copies. - Alga Marghen\u003c\/p\u003e","brand":"Alga Marghen","offers":[{"title":"LP","offer_id":51849243399,"sku":"13269-ALGA MARGHEN","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3792298-1344604680-7718_png.jpg?v=1571717171"},{"product_id":"mateen-sabir-daniel-carter-david-nuss-tenor-rising-drums-expanding","title":"TENOR RISING DRUMS EXPANDING - Third World War","description":"\u003cp\u003e\"A sequel to an earlier S@1 LP by this trio (A Tenor Rising Drums Expanding one-sided LP, S@1 17). This is a gloriously packaged full color picture disc LP, with artwork by Rita Ackermann. Recorded on Feb. 28, 1997, it starts out with strange \u0026amp; mood setting singing by Graham Stuart and then erupts into full blown trio interplay by Mateen (tenor sax, organ, vocals), Carter (drums, vocals) \u0026amp; Nuss (drums, vocals)\". - FE.\u003c\/p\u003e","brand":"Sound@One","offers":[{"title":"LP","offer_id":51849740423,"sku":"82-SOUND@ONE","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/NC5qcGVn_e295092c-04b0-4240-b6a3-c98c5dec63cc.jpg?v=1684686943"},{"product_id":"mazzacane-loren-kath-bloom-sing-the-children-over","title":"MAZZACANE, LOREN \u0026 KATH BLOOM - Sing The Children Over","description":"\u003cp\u003eWarehouse find of original copies of this Mazzacane\/Kath Bloom LP release from 1982. Liner notes by Nat Hentoff. Following retrospective comments by the LPs producer: \"On first hearing Kath and Loren one is struck by the daring intimacy of their sound. Both on their early Daggett recordings, and live, I was moved by the rigor and bravery of the spiritual explorations they undertook in their music. While mining not unfamiliar tunes in the blues and folk idioms as well as lovely, spare originals, they, both in their own distinct ways, daringly stripped the music to some of its barest and most exquisitely aching elements. Together, they created a sound that while it echoed some of American musics oldest traditions was something resolutely new and original. After hearing Kath and Loren on their own home produced tapes, I wanted to capture some of that sublimity, that quiet intensity with more clarity. Thus inspired, my short lived label put out Sing the Children Over almost 20 years ago. I hope you agree this collection of traditional tunes and originals captures something special about American music and that it deserves a new audience.\" - Andy Breslau. Highly Recommended!!\u003c\/p\u003e","brand":"Ambiguous","offers":[{"title":"LP","offer_id":51849747783,"sku":"85-AMBIGUOUS","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1050604-1188164693_jpeg.jpg?v=1571717171"},{"product_id":"mirror-dash-dan-graham-sweetface-rom-supply-co","title":"MIRROR\/DASH \u0026 DAN GRAHAM - Sweetface\/Rom Supply Co.","description":"\u003cp\u003eArtwork by: Dan Graham: Sweetface \/ Rom Supply Co.\" (featuring Chan Marsall \u0026amp; a cat in a box), Screenprint, 30 x 30 cm, 2003. Edition of 100. Signed, numbered \u0026amp; dated. LP is by Mirror\/Dash (Kim Gordon \u0026amp; Thurston Moore, both guitars). Their first release since the \\r\\nmonumental \"Electric Pen\/Gum\" 7\" over a decade ago. Recorded live in Northhampton, March, 2003. [note: Dan Grahams piece is \\r\\nmis-identified as a \"screenprint\" -- appears to be a digital color laser print or something like that...]\" - FE.\u003c\/p\u003e","brand":"En\/Of","offers":[{"title":"LP\/Art","offer_id":51849765383,"sku":"102-EN\/OF","price":130.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_a1f0d7aa-9920-4424-98b8-033510f52da5.png?v=1571717171"},{"product_id":"modern-art-all-aboard-the-mind-train","title":"MODERN ART - All Aboard The Mind Train","description":"\u003cp\u003eGary Ramons pre-Sun Dial band. 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Originals: $1500+.\"  - Orange Doubledome.\u003c\/p\u003e","brand":"Orange Doubledome","offers":[{"title":"LP","offer_id":51850111175,"sku":"109-ORANGE DOUBLEDOME","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4975346-1409689016-4119_jpeg.jpg?v=1571717172"},{"product_id":"mops-psychedelic-sounds-in-japan","title":"MOPS - Psychedelic Sounds In Japan","description":"\u003cp\u003eFirst LP, from 1968, by hottest Japanese psych band; original LP plus 2 rare bonus; perfect \u0026amp; beautiful sleeve \u0026amp; limited on heavy vinyl LP.\u003c\/p\u003e","brand":"Mops","offers":[{"title":"LP","offer_id":51850115271,"sku":"111-MOPS","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3463825-1384821124-8919_jpeg.jpg?v=1571717172"},{"product_id":"hank-candie-kimouchi","title":"HANK, CANDIE - Kimouchi","description":"\u003cp\u003e\"Patric Catani started to make music very early, in his teenager age he used to program on his C64 Computer and used to rip the old arcade game music out of games. He continued to work on the home computer and made his first Hardcore\/Techno Candie Hank is a grotesque entertainment show with no limit, a collision of Rock_Ǭ¥n Roll, Moog influenced but harsh synthscapes breakcore but Belly Dance Punk and Gabba like Proto Pop. His debut LP Kimouchi just got released on Gagarin Records run by Felix Kubin who couldn't deny to release the Candie Hank stuff and even called it a landmark. Candie Hank calls it Lubricant Sleazecore. Gabba record in the age of 16 in the year 1992 on his Amiga 500 computer.\" - Gagarin\u003c\/p\u003e","brand":"Gagarin","offers":[{"title":"LP","offer_id":51850150471,"sku":"12689-GAGARIN","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/files\/image_90e4c738-f008-4fa4-8904-5516dbf4fe7a.jpg?v=1699974395"},{"product_id":"nyoukis-dylan-the-shield-that-pierces-the-earth","title":"NYOUKIS, DYLAN - The Shield That Pierces the Earth","description":"\u003cp\u003eThe Shield That Pierces the Earth is the first solo LP from Dylan Nyoukis, the Scottish raconteur best known for his work in the prolific and somewhat controversial Prick Decay (a.k.a. Decaer Pinga). Im sure that Prick Decays very name has, in the past, led people to believe that their records contain some sonic equivalent of the contentious name: an abrasive mish-mash of horrendous screams, power electronics, guitars being chainsawed apart, or some similarly aggressive, but ultimately boring and pointless brand of noise. Thats a shame because their work owes much more to the weird and subtle minutiae of sound than any sort of bombast\"-the same goes for The Shield That Pierces the Earth. Dylan has described Shield as his \"folk\" record (theres some sort of pun to be made with Dylan and folk no doubt), probably because he is using more plucked guitar (cf. \"Clays Festering Lungs\") and less tape collage than his past recordings with Prick Decay. But theres very little in terms of structure or melody that might remind the listener of \"folk\" per se. If anything, the music that this bears the most resemblance to is that of Southeast Asia, though more in the way of the experimentation of the Sun City Girls or Climax Golden Twins than anything that might be termed \"authentic.\" As Temp Webber puts it in the sleeve notes, this is more reminiscent of \"folk music for insects\" than anything else: mixed in with the guitar plucking and keyboard tones are alien clicks and squeaks and other audio detritus. At times it sounds like the music was recorded in some antiquated factory or by a mutant colony of ants or under some other set of conditions that might produce the organic weirdness contained in this record.\" - Catsup Plate.\u003c\/p\u003e","brand":"Catsup Plate","offers":[{"title":"LP","offer_id":51850155655,"sku":"135-CATSUP PLATE","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-983717-1243971755_jpeg.jpg?v=1571717172"},{"product_id":"open-city-s-t","title":"OPEN CITY - s\/t","description":"\u003cp\u003e\"Recorded live in Los Angeles during the summer of 97 -- a deep organic group sound, that began in 1986 and has only recently been heard outside of select CA villas, bungalows, and garages. Building\/breaking buzz, drone, layered strings and tones, with staggered abstract rhythms throughout -- entirely free improvised and electric -- no over-dbs, no synths. Using a five stringed mexi-caster and an Epiphone-les guitar recorded live to two-tracks through an LAPD-auctioned 4-trk. Straight to the capitalist head, out of the latent CA free-drone under-ground. Edition of 500 copies with silk-screened gatefold jackets pressed in 1999.\" - Thin Wrist.\u003c\/p\u003e","brand":"Thin Wrist","offers":[{"title":"LP","offer_id":51850165319,"sku":"139-THIN WRIST","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1343522-1211308026_jpeg.jpg?v=1571717172"},{"product_id":"open-city-la-we-revise-your-neglect","title":"OPEN CITY - L.A. We Revise Your Neglect","description":"\u003cp\u003eFrom Los Angeles, Open City chase two electric guitars and one close-miked drumkit through scurrying pointillist sketches, firecracker drones, and explosive smears of colour. Members of Open City have previously played with the likes of Anthony Braxton, Alvin Lucier, and Phill Niblock, and theres no denying their strong grasp of the language of higher minded improvisation. Yet their approach is undercut with a real rock sensibility, made most manifest in the barbed wire tones of the guitars. Indeed, the combination of avant theory and punk rock aethetics drops them in a similar space to Sonic Youths Goodbye 20th Century. Drummer Andrew Maxwell runs the gamut of percussive techniques, from all-out pots and pans attack through the kind of sonorous cymbal work that Eddie Prevost uses to illuminate AMMs darker paths. Twin guitarists Peter Kolovos and Doug Russell veer from Sonic Youths Moore\/Ranaldo tag team wrassling to setting their guitars up as lightning rods for the liquid flow of electricity. Though the music is formless, the group are so aggressively focused that even the slightest of movements feels totally inexorable. - David Keenan; WIRE.\u003c\/p\u003e","brand":"Thin Wrist","offers":[{"title":"LP","offer_id":51850168391,"sku":"140-THIN WRIST","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1343595-1211311272_jpeg.jpg?v=1571717172"},{"product_id":"bosetti-alessandro-giuseppe-ielasi-renato-rinaldi-oreledigneur","title":"BOSETTI, ALESSANDRO\/GIUSEPPE IELASI\/RENATO RINALDI - Oreledigneur","description":"\u003cp\u003eOreledigneur is a new project by Giuseppe Ielasi, Renato Rinaldi and Alessandro Bosetti, focused on improvisation using various sound sources, from home-built small electric devices to found or natural materials\/objects. In this case, the pieces are taken from different, but always very informal, sessions recorded directly to Dat with a stereo condenser microphone. No editing or processing. Side 1 (2 pieces, 19min.) Ielasi\/Rinaldi duo, recorded in Ritas kitchen, July 17th 1999. Contact microphones, little electric devices, modified cd players through tiny car speakers, small objects. Side 2 (4 pieces, 19 min.) The first piece is a Bosetti\/Rinaldi duo, recorded near the Tagliamento river (open air), August 1999. A long metal pipe with a microphone inside, played with stones and wood. The remaining music was recorded by the trio in Alessandros kitchen, October 1999, with piano strings and household objects. In Friuli (in the north-east of Italy) Oreledigneur means hares ears\". This release is co-produced by Fringes (Italy) and Fusetron, and comes in an edition of 300 copies. Direct Metal Mastering, quality pressing, cardboard covers with printed handmade paper\"-Fringes. Last few copies of this 1999 release.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51850169159,"sku":"142-FUSETRON","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1243226-1300365766_jpeg.jpg?v=1571717172"},{"product_id":"paekong-mae-last-year-marions-bladder","title":"PAEKONG MAE - Last Year Marions Bladder","description":"\u003cp\u003e\"1998 release. Neil Campbell (Vibracathedral Orchestra, A Band), John Olson (American Tapes, Universal Indians, Wolf Eyes, etc..), Gretchen Gonzales (Universal Indians, Dr Gretch Musical, Slumber Party), Patrick Marley (Muckraker), Rick Smmrstck (Kanduleeni Nevagritzvi) and others kicking out jams at the HandiCraft Guild Mpls, circa 1997. 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Limited to 500 copies on one-sided clear vinyl, with a silk screened image on the B-Side nestled inside a clear picture disk sleeve with silk screened art. - Dull Knife\u003c\/p\u003e","brand":"Dull Knife","offers":[{"title":"LP","offer_id":51850232519,"sku":"13263-DULL KNIFE","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3614458-1339978198-7475_jpeg.jpg?v=1571717173"},{"product_id":"sheffield-colin-andrew-eck-rippie-variations","title":"SHEFFIELD, COLIN ANDREW \u0026 JAMES ECK RIPPIE - Variations","description":"\u003cp\u003e\"Variations is selection of works from the duo of turntablist\/guitarist James Eck Rippie and sampling minimalist Colin Andrew Sheffield. After a recent cluster of live performances and \\r\\neven a bit of soundtrack work, Sheffield and Rippie have released a debut LP that is intriguing and beautiful. The textured ambience here is rich and subtle, simple and complex. The three pieces comprising this album were recorded live with no additional production or processing and were wholly improvised. Sheffield and Rippie have been performing and recording together for years, though variations is the first document of their ongoing collaboration. pressed on 180-gram vinyl with lovely full-color jackets, in an edition of 400 copies\". - Elevator Bath.\u003c\/p\u003e","brand":"Elevator Bath","offers":[{"title":"LP","offer_id":51851548935,"sku":"185-ELEVATOR BATH","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-440669-1290858463_jpeg.jpg?v=1571717173"},{"product_id":"shepard-jim-picking-through-the-wreckage-with-a-stick","title":"SHEPARD, JIM - Picking Through the Wreckage With a Stick","description":"\u003cp\u003eShepard was of course the longtime DIY writer\/musician behind V-3, Vertical Slit, Iron Press, Ego Summit, etc.. Long out of print LP from the mid-90s. 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Packaged as a parody of the releases from Smithsonian\/Folkways, this document of Prophets dictations offers insight more into the Churchs antagonism toward mainstream society than to her claims to be the messenger for the \"Ascended Masters\": Christ, Buddha, Hercules, Guinevere, Shiva, Pope John XXIII and K-17 (the code name for the head of the Cosmic Secret Service - the spiritual afterlife is in need of policing too). As bizarre as CUTs doctrines are, the dictations as terrifyingly good examples of mind control at work: ultra-conservative politics thinly veiled as prophecy, filled with stereotypical denunciations of rock music. Yet throughout these recordings, Prophet and her acolytes belt forth piercing, glossalaliac vocalizations, coming over like a cross between a Southern auctioneer and La Monte Young. To the battered souls who had hoped for inner peace or transcendence from CUT, these intonations were obviously meant to be received as the spiritualist \"proof\" of Prophets power. But I bet the breakdancer among them didnt reckon with their activity being denounced as a \"perverted movement of the body.\" -Jim Haynes, The Wire. Limited to 300 copies.\u003c\/p\u003e","brand":"Faithways International","offers":[{"title":"LP","offer_id":51851634631,"sku":"200-FAITHWAYS INTERNATIONAL","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/fusetron_default_a38a1c0f-8c1b-427e-a5a1-3f82f98f22fe.png?v=1571717190"},{"product_id":"kleyn-carol-takin-the-time","title":"KLEYN, CAROL - Takin The Time","description":"\u003cp\u003e\"The musical journeys of CAROL KLEYN continue with the reissue of Takin The Time, her eclectic second album, originally released in 1980. Eight years after writing her first songs and dropping out of college to pursue her passion as a street musician, Carol was still following the love, making music and magic as she roamed free up and down the California coastline. The harp that BOBBY BROWN gave her back in 1971 was still her main axe whenever she played, and the primary instrument she used on her debut album Love Has Made Me Stronger. That record had been self-produced, and Carol sold copies wherever she played, but for the production of Takin The Time, Bobby Brown stepped into the producers role. He had already produced two incredible albums for himself (The Enlightening Beam of Axonda and Bobby Brown Live) and in the studio, he succeeded in marrying his sound to Carols, producing a sleek, light vibe that conveyed all the hope and joy that Carols songs held within themselves. Carol played with a band for the first half of the record, while the other half embraced the more familiar solo setting that her audience knew and loved. These were smooth sounds for a new decade that included concerns about the environment and an ever present prayer for peace\". - Drag City\u003c\/p\u003e","brand":"Drag City","offers":[{"title":"LP","offer_id":51851654407,"sku":"13262-DRAG CITY","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4382725-1363431330-6663_jpeg.jpg?v=1571717190"},{"product_id":"sukora-oeo","title":"SUKORA - oeo","description":"\u003cp\u003e\"Chris Sienko made me want this when he described how for a while he played this record every morning at 7AM when he got up for work and read e-mail. If you know what Sukora does -- ultra-quiet sound stuff -- that might make sense to you. Kinda puts you in that meditative early morning zone, yknow? The cool thing about Sukora is that he doesnt sound like he's doing it digitally at all, just like literally rustling paper a few feet away from microphone. You know how he listed his instrumentation in Muckraker #9: I use old cassette recorders, paper, destroyed Macintosh, old records players, and something.\" You can pretty easily miss this LP while it's on. In fact, the first time I put it on in the morning before work, the coffee maker alone was drowning it out. Then the heater kicked on and it was all over. So you might wanna find just the right setting in which to spin it. Try it right after the Screaming Mee-Mees!\" - Blastitude: Issue 12, 2002.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bYwbWveLS7Y\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Ignivomous","offers":[{"title":"LP","offer_id":51851655751,"sku":"205-IGNIVOMOUS","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-687124-1312875517_jpeg.jpg?v=1571717190"},{"product_id":"takahashi-ikuro-anoyo-no-dekigoto","title":"TAKAHASHI, IKURO - Anoyo No Dekigoto","description":"\u003cp\u003eAnoyo No Dekigoto is a duo performance unit, consisting of dance by Yoko Muronoi and music by Ikuro Takahashi. The project has existed for four or five years, but this is their first release with any substantial physical footprint on this corporeal plane.\\r\\n  Takahashi has a lengthy history in the Japanese rock underground, dating back to his involvement with no-wavers Akebonoizu during the late seventies and early eighties. Since then he has been the drummer of choice for virtually everyone whos anyone on the scene. High Rise, Fushitsusha, Tamio Shiraishi, Kosokuya, Ch_֬_-SHIZU, Maher Shalal Hash Baz, and Nagisa Ni Te amongst others have all benefited from his propulsive, dynamic mastery of space. Solo, duo and more expansive projects under a variety of names including Aura Nihilitica, Lamones Young, and Of Dogstarman have revealed a hitherto unsuspected facility for environment-altering improvised drone and electronic drift. Muronoi too has a long CV of experimental dance work behind her, ranging from solo butoh pieces to multi-media collaborations with visual artists, filmmakers and musicians.\\r\\n The name Anoyo no dekigoto means something like Happenings in the Other World, an entirely appropriate moniker for the indeterminate, non-linear and metaphysical nature of the communication between Muronoi and Takahashi during their improvised performances. The music is not simply a background score for the dancers movements. Takahashi even shies away from the description of what they do as communication. Rather, he refers to a complex series of negotiations between dancer, musician, environment, and audience that serve to create a sense of enveloping, trembling communal space. On these recordings, Takahashi takes his interest in electronics to another level. On one track he deploys over thirty tiny oscillators to create a constantly moving, deeply immersive field of higher-function insect chatter. Even without Muronois wraith-like physical presence, the music on this album exerts an eerie and oblique dominance over any room in which it is played. It subtly modifies the listeners perception of time and space, leaving behind a tangible and mournful reminder of its presence, like the luminescent tracks of some passing phantom slowly decaying back into incorporeality. -Alan Cummings.  Edition of 300 in yet another incredible silkscreened  jacket!\u003c\/p\u003e","brand":"Siwa","offers":[{"title":"LP","offer_id":51851740103,"sku":"221-SIWA","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-935723-1174694443_jpeg.jpg?v=1571717191"},{"product_id":"terry-rojvi","title":"TERRY - Rojvi","description":"\u003cp\u003eThe folks behind this LP are same as those on the Jim Collins LP (which is long sold out) but I guess someone involved wasnt completely satisfied with the results so it was released under a different name. Its definitely got the same desolate downer folk\/psych vibe with the ultra-mysterious presentation intact. Heres what I had listed for the Jim Collins a year or two back: \"Easily one of THE best examples of \"loner acid downer psychedelic folk\" I have ever heard. References would likely include touches of Charlie Tweddle, Peter Grudzien, Skip Spence, Simon Finn, Bobb Trimble, etc. NYC psychedelic dealer Paul Major describes it as sounding like what a Jandek album might sound like if any of them were actually any good. Most importantly, unlike other \"acid folk psych\" records where youre left wondering where they might have hidden the \"acid\" and \"psych\" parts, this record is full of distorted and wah-wah electric guitar leads throughout both sides. The catch here is that nobody can tell me when, or exactly where, this is from. I know its US and I am fairly sure its not more than 5 or 6 years old, perhaps only 2 or 3 (but the fact that its on LP and not CD clouds the whole thing); the sleeve is a killer purple psychedelic kind of Halloween painting and the whole thing just has the home made obscure-O vibe to the max. Already offered overseas in near 3 figure range and definitely going to climb when copies disappear. Thus far, nothing but high marks from everyone whos heard it.\" - Stan Denski. Early 90s (?) mystery which, after being unearthed by Denski and Majors, changed hands for $35.00+ right out of the box. Not sure how many were pressed but i do know that it hasnt been offered anywhere other than dealer lists. Got a handful of copies at a non -collector price.\"\u003c\/p\u003e","brand":"Noose","offers":[{"title":"LP","offer_id":51851776327,"sku":"228-NOOSE","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1307051-1208286194_jpeg.jpg?v=1571717191"},{"product_id":"toemass-the-hydrotriad","title":"TOEMASS - The Hydro-Triad","description":"\u003cp\u003eLimited to 200 copies. Silkscreened jackets, from 1997. Really enjoyable outsider antique synth exploration. - BWCD. \u003c\/p\u003e","brand":"Violet Glass Oracle","offers":[{"title":"LP","offer_id":51851849863,"sku":"234-VIOLET GLASS ORACLE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-730460-1308069464_jpeg.jpg?v=1571717191"},{"product_id":"tolerance-divine","title":"TOLERANCE - Divine","description":"\u003cp\u003e2000 version. Limited reissue of this amazing LP of primitive, murky minimal electronics which was originally released in 1981 on the legendary, Osaka based Vanity Records (early Sympathy Nervous, Dada, Sab, BGM, the mindblowing Music Box Set, etc..). The labels stock-in-trade (aside from a few titles such as Aunt Sally) was raw, electronic experimentation which sounds impressively comtemporary when put up against current glitch, minimal techno and laptop artists (this experimentation included toying with ideas of fidelity [or the lack thereof as is evident on first side of this record], recording techniques [hard panning, volume and frequency drop outs], etc..).\u003c\/p\u003e\n\u003cp\u003e\"Tolerance, consisting of Junko Tanage and Masmai Yoshikawa, were the only band that released a second album on Vanity. Their first LP (Anonym, 1979) was supposedly the source for the title of the second Nurse With Wound LP, To The Quiet Men From A Tiny Girl.\\r\\nThe label, founded by Yuzuri Agi, also released flexi discs by artists such as Mario Agata, Kurt Schwitters, B. C. Gilbert \u0026amp; G. Lewis, Furious Pig (!!), Brian Eno and others through ROCK MAGAZINE, for which Agi was the music editor. He was also rumored to have ran VOICE records, which in 75-76 released the ultra-mysterious BRAST BURN and KARUNA KHYAL LPs, both featured on the hallowed Nurse With Wound list and reissued a few years back on Paradigm Disc.\\r\\n\"[Vanity] was founded in Spring 78 and its positioned as the first Japanese minor label. \"MODERN MUSIC\", an extra edition of Rock Magazine in 79 had the following as the operating priniciples of Vanity Records in future. \"We will produce records pursuing 1). Electronics Music, 2). \"Music as Furniture\" series (Modernistic Music), 3). Invation to Kayo-kyoku, 4). Music with experimental new vision (Punk., New Wave, Free Music, Modernistic Music, etc.).\" The point #3 may be surprising, but it makes sense considering that Mr. Agi used to be in the world of Kayo-kyoku (he debuted with \"Kougen No Bojou\" in 67, and had the hit movie theme song \"Ore Niwa Tenshi No Kimi Datta\"). Unfortunately, it has never been realized, but its so exciting to just think about the singer who debuts with Techno Kayo (just my imagination) on Vanity Records.\" - ?\u003c\/p\u003e","brand":"No Label","offers":[{"title":"LP","offer_id":51851851143,"sku":"235-TOLERANCE","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/LTkzMzguanBlZw.jpg?v=1678386952"},{"product_id":"valentine-matt-space-chanteys","title":"VALENTINE, MATT - Space Chanteys","description":"\u003cp\u003e\"Matt Valentine creates, has created, and will continue to create from inside of a continuum that unspools from a source that is also so distant as to be invisible. Mysterious Translucence is not just the name of his shoe. Space Chanteys is really the first honest solo album that Matt Valentine has created. There have been others that are somewhat like it, or are related to it, in shape, or in style, but they are not it. This alone is it. It is Space Chanteys. Recorded live, back in October 100, the ensemble here has run through all of Matts pockets on many occasions. Some were\/are part of the Tower Recordings collective. Others are associated with the MVEE Medicine Show. Each of them has fingered keys and touched lint that has deep and private resonance in the Valentinian flow. They take a deep collective breath here and release it slowly, like a sigh trapped in the highest tower of Greasers Palace. And its a gasser. Those enlightened people who are aware of his recordings, have a tendency to think of Matts music as part of the American volk tradition. And, indeed, a portion of it does reside there. But as with so many of the interesting inventions inside out-culture currency, the soul of this volk music emerged from synchretic collisions between psychedelic rock and avant garde jazz and country blues and trance-drone-minimalism as well as a primitive form of volk-proper. The material on Space Chanteys is beautiful in its fracture. Its fissures phosphoresce in the darkness w\/ an unearthly radiance: glow-in-the-dark teeth set into the gums of eternity\". -Byron Coley. Also includes PG Six, Dean Roberts, Samara Lubelski (Hall Of Fame), Erika Elder and Tim Barnes. Edition of 650 copies on 220 gram vinyl.\u003c\/p\u003e","brand":"Fringes","offers":[{"title":"LP","offer_id":51853772295,"sku":"260-FRINGES","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-919071-1172779732_jpeg.jpg?v=1571717192"},{"product_id":"wolf-eyes-panicsville-stabbed-in-the-face","title":"WOLF EYES\/PANICSVILLE - Stabbed In The Face","description":"\u003cp\u003e\"A diabolical pairing. Wolf Eyes guides your filthy tunnel crawl under the electric dirt stache, Panicsville flings the high voltage tentacle razors. Limited to 666 copies co-released six different labels: Nihilist, Ignivomous, Muet, Veglia, and Up Jumps the Devil.\"\u003c\/p\u003e","brand":"Nihlist","offers":[{"title":"LP","offer_id":51853892039,"sku":"298-NIHLIST","price":13.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-291920-1299308233_jpeg.jpg?v=1571717193"},{"product_id":"wormdoom-last-days-boogie","title":"WORMDOOM - Last Days Boogie","description":"\u003cp\u003eAll but unknown fan club vinyl of the sole album (officially issued on CD only) by this destroyed god-rock offshoot of the Twisted Village. Wayne, Kate, Tom Leonard, Joe Malinowski, Josh Burkett, \u0026amp; unknown others (members of Crystalized Movements, B.O.R.B., Magic Hour, Major Stars, Luxurious Bags, etc.) perform this wasted, Vermonster-like paean to psychedelic wahoos sucked into the vortex of Jesus angry sucker. Pressed on heavy vinyl, in a fold-open cover thats supposed to be a tribute to Ash Ra Temples debut, this thing is beautiful whether shelved, displayed or spinning. Anyone into the more staggering forms of contemporary lunge-psych should own this one. - Byron Coley. 200 copies pressed.\u003c\/p\u003e","brand":"Wormdoom","offers":[{"title":"LP","offer_id":51853895175,"sku":"300-WORMDOOM","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-4385073-1486035945-6707_jpeg.jpg?v=1571717193"},{"product_id":"youngs-richard-new-angloid-sound","title":"YOUNGS, RICHARD - New Angloid Sound","description":"\u003cp\u003eA ltd. split release between FE and Richards label No Fans Records. Records were pressed in the US; Richard block printed the covers by hand. This is breathtakingly intimate all-solo studio recording of classical guitar, voice and kazoo. - FE.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"LP","offer_id":51853925063,"sku":"303-FORCED EXPOSURE","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-325834-1226849745_jpeg.jpg?v=1571717193"},{"product_id":"v-a-electrically-induced-vibrations","title":"V\/A - Electrically  Induced  Vibrations","description":"\u003cp\u003e\"Compilation with Edward Ka-Spel, The Silverman, Omit, Steve Thomsen, Colin Potter, Arkkon, Mistress of Strands, Fibrillation, and Cyclobe. limited edition of 427 copies. 4 color screen printed cover (by Alan Sherry of SIWA) with photography by Arthur S. Aubry of electrical devices built by Dale Travous. multicolor vinyl. This is a collection of music created with electronic means by artists residing in Luxembourg, United Kingdom, United States, New Zealand and The Netherlands. Most of these people have been making music for 20 years or more, and have diverse histories. Their music as collected here is varied, but arranged into a cohesive flow.\" - Anomalous.\u003c\/p\u003e","brand":"Anomalous","offers":[{"title":"LP","offer_id":51853963783,"sku":"314-ANOMALOUS","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/NOM013LP_CU.jpg?v=1676125385"},{"product_id":"v-a-fit-for-kings-a-compilation-of-peripheral-new-zealand-music-series-ii","title":"V\/A - Fit For Kings: A Compilation Of Peripheral New Zealand Music Series II","description":"\u003cp\u003eAn actual vinyl (NOT lathe cut) double LP in a numbered edition of 150 copies. Features tracks from the second series of artist lathe cuts by RST, Pit Viper, Pahjib, Wayne Gordon \u0026amp; Duncan Bruce, Crude, Lapdog, Empirical and the Sandoz Lab Technicians.\u003c\/p\u003e","brand":"Crawlspace","offers":[{"title":"CD","offer_id":51853965127,"sku":"316-CRAWLSPACE","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Double LP","offer_id":51853964999,"sku":"315-CRAWLSPACE","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1737445-1295589550_jpeg.jpg?v=1574513203"},{"product_id":"ascension-lp","title":"ASCENSION - LP","description":"\u003cp\u003e\"Two explosive side-long improvisations by Stefan Jaworzyn (guitar) and Tony Irving (drums), recorded in 94. Hot shit!\"- Eddie Flowers\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51853983623,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-593427-1140611599_jpeg.jpg?v=1571717194"},{"product_id":"dislocation-coyotes-call","title":"DISLOCATION - Coyotes Call","description":"\u003cp\u003e\"Way-above-average improv from Japan. Electric strings (guitars?), saxophones, electronics, and samples move with unexpected ease frommeditative passages to intense blow-outs to free scatter. Sax player Yoshinori Yanagawa plays with the same sort of depth and passion as Albert Ayler--no fakin, no academic rendering. But hes only part of a much larger whole. The wash of precision rumble and sound-tweaking that surrounds everything creates chaos from an intensely ordered technology. Strange (not weird\"), exciting music.\"-Eddie Flowers. \"An intensely intriguing IIIrd album from this Japanese guitar\/sax\/electronics trio, ostensibly in four parts; parts 01. \u0026amp; 04. being short nursery soundscapes, the curtain rise \u0026amp; fall for the mammoth central volcanic continent which is itself shattered into a flies-eye multitude of alternately blasting, then conversational fragments. Yoshinori Yanagawas saxophones veer between Brotzmanesque screams and the deep bowel-rumble of a severe high-colonic impaction (especially when played at 33.3rpm - later, at 45, things resumed a more distinctly saxophonic tone). Electronics dominate most of the tectonic mood swinging going on; Toyohiro Okazaki (\u0026amp; guest sample wrangler Syohei Iwasaki) comes on like some demonic incarnation of Ron Grainers BBC Radiophonic Workshop. Fujio Kimuras \"electric strings\" are so convincingly grafted on to electronics wall that they together describe a single, enclosed chunk of improvised airspace, which houses the fluttering horn. Coyotes Call is at times an intense and demanding listen, exploring a kind of electronoise-jazz (sans drums) landmass only hitherto trod by hardy souls (Borbeto\/Voice Crack collabs being the obvious precedent). Definitely worthy of much further investigation.\" -Tim Cornelius; Opprobrium.  Dislocation also had two CDs on PSF.\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51853991111,"sku":"330-FUSETRON","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-322080-1328120957_jpeg.jpg?v=1571717194"},{"product_id":"doramaar-terra-incognita","title":"DORAMAAR - Terra Incognita","description":"\u003cp\u003e\"Fine free-rock garage-drone from New Zealanders Kim Pieters, Adria Morgan, and Sara Stephenson. Guitars feedback strum clang--drums pound freely--an occasional melody blossoms and quickly wilts--a few other sounds are employed. This music is noisy in its imprecision, but not really noise.\" Its full of focused energy and grace, feels good, a nice play to visit.\"-Eddie Flowers. \u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854008519,"sku":"331-FUSETRON","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-665384-1381775690-4354_jpeg.jpg?v=1571717194"},{"product_id":"espers-espers","title":"ESPERS - Espers","description":"\u003cp\u003estunniningly beautiful debut album by the trio of meg baird, brooke sietinsons, \u0026amp; greg weeks. oscillating effortlessly between lush folk pop \u0026amp; buzzing psyhedelia. lovinlingly layered \u0026amp; perfectly recorded male\/female vocals, acoustic guitars, dulcimer, electric guitar, analog synth, recorder, chimes, violin, and plently of rippling tape delay... all wrapped up in our most luxerius packaging yet... 180 gram vinyl in a double thick chocolate brown art paper uni-pak gatefold, fully screenprinted by brooke sietinson, with a screen printed art paper insert. hand stamped labels. numbered to 300. - Time-Lag.\u003c\/p\u003e","brand":"Time-Lag","offers":[{"title":"LP","offer_id":51854009415,"sku":"992-TIME-LAG","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-991583-1182189361_jpeg.jpg?v=1571717194"},{"product_id":"fine-milo-frequency-etchings-ongoing-celebrations-of-insignificance","title":"FINE, MILO - Frequency Etchings (Ongoing Celebrations of Insignificance)","description":"\u003cp\u003e\"An improvised (and unintentional) rejoinder to such compositions as Rainier Riehns Chants De Maldoror, Cages Cartridge Music and Variations 2 (as realized by David Tudor) and other raw, random electronic music from the late 60s\/early 70s. - Milo Fine. Solo clarinet\/electronics set recorded live Nov 20,1998 at Roadrunner Records in Minneapolis and presented here in its entirety. This is Milos 19th document following the release of the triple CD Surges\/Suspensions Comme Toujours. In the last few years hes been fairly active; a video release on Incus (as the Guttercleaners with partner Susan Sperl), an Ensemble CD on Emanem and participation in 2003s Freedom In The City festival in London where he collaborated with Hugh Davies, Derek Bailey and others. This LP is a numbered edition of 330 with high quality RTI pressing and full color paste-on sleeves.\"\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854010183,"sku":"333-FUSETRON","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-103561-1141125276_jpeg.jpg?v=1571717194"},{"product_id":"fine-milo-free-jazz-ensemble-another-outbreak-of-iconoclasm-two-eggs-slightly-beaten","title":"FINE, MILO FREE JAZZ ENSEMBLE - Another Outbreak Of Iconoclasm (Two Eggs Slightly Beaten)","description":"","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854011335,"sku":"334-FUSETRON","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1614663-1309569486_jpeg.jpg?v=1571717194"},{"product_id":"kgroup-omit-storage","title":"K-GROUP\/OMIT - Storage","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eReduced price due to slightly dinged corners\/storage wear. \"Not a split release by these two New Zealand artists, but a collaboration, carrying on from their 1997 single on Colorful Clouds for Acoustics. The weapons of choice are analogue synthesizers and the approach is slowly unfolding drones and drifting veils of sound that part and close across the listeners third ear like storms on the surface of Jupiter. K-Group is Paul Toohey, previously of noted NZ geological drone ensemble Surface of the Earth, who also has a solo album under this name on Corpus Hermeticum. Omit is Clinton Williams, who has also recorded for that notorious NZ un-easy listening label, as well as extensively on his own Deep Skin imprint. During 2000 and 2001, having failed to bring down the global economy with their now-forgotten Y2K scam [remember Y2K? - I thought not], this pair of Hidden Masters turned their efforts towards late-night kitchen jam sessions during their holiday moments. In these each would fire up an antiquated analogue synth and the resulting aural collisions would be recorded on a handy hard drive, then tweaked, inverted, eqd and edited to produce the immaculate slabs of sound contained within the tiny grooves of this ludicrously out-dated analogue sound-reproducing format.These seven tracks simulate the calm of the newly sedated patient about to undergo a surgical procedure, just as he or she is starting to slip into unconsciousness. You can listen, but just when you think youre hearing something, you realise that 12 hours have gone by and you have a new and inexplicable scar on some unlikely part of your anatomy. Too late you realise that the sound you can hear at the very edge of audition is not this recording, but the sound of forty metal robotic insects starting to eat their way out through your still-sedated navel. Waking with a start in time to flip the album over on your turntable, you notice that subsonic frequencies have begun to rearrange the contents of your mantlepiece into a veritable Morris Dance of inanimate objects, when you thought the audio had not yet begun to play back. A vestigial bass throb starts up in the back of your cranium, as very slow-moving if not actually stationary spacecraft begin to land in the garden. Three days later they are still hovering as the seventh and final track of thr album begins to play, and infinitesimally subtle stereo effects start panning in impossible permutations audible only between your shoulder blades.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eApparent suspension of time, delirious interludes, interference with the basic laws of physics, all of these effects are possible results of listening to the beautifully poised, finely polished and unutterably beautiful sounds contained in this simultaneously forbidding and inviting artifact. If, like me, these are all the things you look for in a sound recording, then look no further. If its merely music you require, then I suggest you meddle not in the affairs of your betters and proceed directly to the nearest chain CD store and stock up big time. -Bruce Russell [Noise Legend], Lyttelton, NZ, May 2002.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"Heres a piece of wax that came out back in 2002, and its a title that we thought was long discontinued by Fusetron. But, luckily, somehow, a handful of copies still exist, and if youre keen on the stun-drone \/ brain-zonk electronics currently blasted by the EMERALDS axis, you NEED to investigate everything that Omit has ever released. Our words from way back when... Both K-Group and Omit have been longtime aQuarius favorites from the New Zealand experimental noise scene; but unfortunately, theyve been pretty quiet in their respective outputs during the past couple of years. K-Group is the solo project for Paul Toohey, who has also worked in the (defunct?) Surface Of The Earth, both of which centered around low-frequency tectonic drones coaxed from abused amplifiers. Clinton Williams has taken up the Omit moniker for his creepy, tape loop compositions loaded with bleak sci-fi \/ psychotic imagery. This collaboration between Williams and Toohey is actually their second, if you count a 7\" which came out ages ago. In running Williams battery of analog synths through Tooheys cabinets, theyve constructed an eerie album of deep rumblings that are on par with anything that Coleclough, Koner, or Troum have managed to release. As the K-Group \/ Omit drones ripple with a gritty amplifier buzz often lacking in the driftwork of those aforementioned artists, \"Storage\" pulses with a subterranean heaviness, pushing this closer towards the Earth \/ SUNNO))) terrain. A really wonderful album!!!\" - Aquarius.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fusetron","offers":[{"title":"LP","offer_id":51854013959,"sku":"335-FUSETRON","price":8.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-344192-1266815951_jpeg.jpg?v=1571717194"},{"product_id":"les-rallizes-denudes-high-or-die","title":"LES RALLIZES DENUDES - High Or Die","description":"\u003cp\u003eSecond and final pressing of 200+ copies (for a total of 370 or so). Features different material than the two double LPs. Spray painted stencil jackets.\u003c\/p\u003e","brand":"Les Rallizes Denudes","offers":[{"title":"LP","offer_id":51854044935,"sku":"354-LES RALLIZES DENUDES","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-812212-1183392787_jpeg.jpg?v=1626124211"},{"product_id":"les-rallizes-denudes-fucked-up-and-naked-vol-2","title":"LES RALLIZES DENUDES - Fucked Up And Naked, Vol. 2","description":"\u003cp\u003eMore scorched live sessions from these Japanese legends. This double LP is culled from various live soundboard tapes spanning 1969 to 1981 (different material than the Live 77 which was the first Fucked Up And Naked release) - not much more info than that. Very worthwhile. Full color paste on jackets. \"mostly live material from 80 and 81, plus one much earlier track (Smokin Cigarette Blues) lifted from the officially released 67-69 Studio et Live disk.\"\u003c\/p\u003e","brand":"Fucked Up And Naked","offers":[{"title":"Double LP","offer_id":51854044999,"sku":"355-FUCKED UP AND NAKED","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1055335-1631611215-3069_jpeg.jpg?v=1636915339"},{"product_id":"hot-guts-edges","title":"HOT GUTS - Edges","description":"\"Edges is the long anticipated debut album from Philli. Hot Guts (founded in 2007 by frontman Wes Russell and drummer Greg Frantz as a sonic reflection of the rotting urban hell hole that surrounded them). Previous releases included a 7_¢‚Ǩ¬ù on Badmaster Records, a cassette, and a split 7_¢‚Ǩ¬ù with NY_¢‚Ǩ‚Ѣs Pop. 1280.\\r\\nEdges is a perfect blend of sullen and morose post-punk, catchy synthwave, and industrial nihilism that is somehow overshadowed by a sense of a youthful optimism. Comparisons could certainly be made to bands like Savage Republic (Tragic Figures era) or Cop Shoot Cop, but they would have to be tapered with the side of things that could fit seamlessly alongside classic early Factory Records bands. Ultimately, these comparisons are useless since Edges is a solid album that really just needs to be listened to start to finish.\\r\\nRussell and Frantz were joined on this recording by Philly musicians Michael Reaser (FNU Ronnies), and Adam Cooper (Tickly Feather). Edges also features contributions from legendary Philly-based experimental musician Charles Cohen (on the Buchla Box), and the lovely Miss Shari Vari (AKA Void Vision).\\r\\nEdges is available as a deluxe gatefold edition and comes with a free digital download. First 100 mailorder copies come on clear vinyl\". -Blind Prophet.","brand":"Blind Prophet","offers":[{"title":"LP","offer_id":51854045383,"sku":"13255-BLIND PROPHET","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-3711714-1341335457-9098_jpeg.jpg?v=1571717195"},{"product_id":"kubisch-christina-fabrizio-plessi-two-and-two","title":"KUBISCH, CHRISTINA \u0026 FABRIZIO PLESSI - Two And Two","description":"\u003cp\u003e\"Warehouse find at Cramps of the last few boxes of this original LP from the late 70s. Kubisch is more recently known for her CDs on the Edition RZ label (Dreaming of a Major Third \u0026amp; Sechs Spiegel). This is her only commonly available LP. Recorded in 1976 as an intermedia collaboration between Kubisch and Plessi, it is performed on alto flute, voice, viola, electric vibrator, whistle, accordion, electronic metronome, steeldrum. Laminated gatefold sleeve, somewhat crackly pressing (in the tradition).\" \u003c\/p\u003e","brand":"Multhipia","offers":[{"title":"LP","offer_id":51854069447,"sku":"366-MULTHIPIA","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-639302-1226683891_jpeg.jpg?v=1571717195"},{"product_id":"ksalvatore-the-counterfeiter","title":"K-SALVATORE - The Counterfeiter","description":"","brand":"SIWA","offers":[{"title":"LP","offer_id":51854075655,"sku":"368-SIWA","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1259587-1327176323_jpeg.jpg?v=1571717195"},{"product_id":"krap-live-at-the-common-ground","title":"KRAP - Live At the Common Ground","description":"\u003cp\u003eLimited release of a one-off collaboration between Mat Brinkman (see Forcefield, Mindflayer and last year's Whitney Biennial) and friends.\u003c\/p\u003e","brand":"Wabana","offers":[{"title":"LP","offer_id":51854085319,"sku":"369-WABANA","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1157525-1196883694_jpeg.jpg?v=1571717195"},{"product_id":"kirchin-basil-quantum","title":"KIRCHIN, BASIL - Quantum","description":"\u003cp\u003eThis is the first ever issue of this recording, and the first Basil Kirchin recording release for thirty years. Its a unique recording in every respect, afterall Basil is possibly the UKs most important composer than no one has heard of. This will soon change. Quantum was spliced together by Basil using jazz, field recordings (animals, insects, trams), his wife and Autistic children. Its all based on Basils theories of sound, and that when you slow down or speed up sound, you open up new doors, and new sound is revealed. Considering this recording was made circa 1973, one cannot underestimate the true genius and musical foresite of the man. Quantum has to be the crowning glory of this mans musical explorations and unique theory. It has remained locked away for thirty years and has been released now for the first time ever. You have been warned. - Trunk. Numbered edition of 500 copies.\u003c\/p\u003e","brand":"Trunk","offers":[{"title":"LP","offer_id":51854105991,"sku":"373-TRUNK","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-267071-1098635983_gif.jpg?v=1571717195"},{"product_id":"kaneko-jutok-takahisa-kikukawa-wedged-night","title":"KANEKO, JUTOK \u0026 TAKAHISA KIKUKAWA - Wedged Night","description":"\u003cp\u003e\"October 2002 recording of improvisations and songs by Jutok Kaneko (guitar) and Takahisa Kikukawa (drums). Kaneko should be familiar to some as the man behind the heavy psychedelia of Kousokuya (whose much sought after debut LP from 1989 has finally resurfaced on PSF). Kikukawas name on the other hand will likely not ring too many bells outside of his home country but he did supply some sublimely spaced drumming to the dreamy Che-Shizu for a while and he plays percussion and piano in UZU. Both in Kousokuya and in Kanekos solo work the line between composition and improvisation is a very blurry one so its only in the loosest of terms that we say side one of this album is an improvisation\" and side two consists of a couple of \"songs\". The LP comes in an appropriately black and black on black silkscreened cover with two screened inserts.\" - Siwa.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Rhrsefnd4mA\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Siwa","offers":[{"title":"LP","offer_id":51854107975,"sku":"376-SIWA","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-679201-1146813843_jpeg.jpg?v=1571717195"},{"product_id":"jones-joe-meditations-182","title":"JONES, JOE - Meditations 18.2","description":"\u003cp\u003e\"The New York artist Joe Jones first studied composition at the Hartnett Music School and started his career as a jazz drummer. Due to his white skin, however, there were few jobs for him in this field in the early sixties, since New York only had two active jazz clubs at that time. Because of this Jones began to study experimental composition under John Cage and Earle Brown in 1960. Through his teachers he got acquainted with Dick Higgins and Alison Knowles. When Higgins and Knowles travelled to Europe in 1962 to participate in several Fluxus Festivals, Jones rent their studios. Here he developed his first music machines, with which he was very successful from the beginning. Since 1963 Jones participated in the Fluxus-movement and took part in a number of performances with his music machines. In 1963 he performed at the Yam festival in New Brunswick for the first time, a year later he performed at the Avantgarde music festival in New York. Many exhibitions and actions in New York and Nice followed until Jones opened his own Music-Store in New York in 1969. In 1972 he produced the album Fly together with John Lennon and Yoko Ono and founded the Fluxus-Airline with George Macunias. At that time he settled down in Europe; he lived in Amsterdam, Asolo (Italy), Berlin and Wiesbaden and exhibited worldwide in galleries and museums. In 1980 Jones was a guest of the DAADs Berlin artist program, before he took up residence in D_ɬºsseldorf and Wiesbaden. Since the mid-eighties Jones produced short films with his computer, the so-called Fluxus-Home-Movies, and he also devised larger orchestra-like installations with his music machines. His busy exhibition schedule remained unchanged: In 1988 his works could be seen at the Museum Ludwig in Cologne, in 1992\/93 there was a big touring exhibition with stops in Helsinki, Nuremberg, Rotterdam and Wuppertal. In addition to that his music machines have been represented in the worldwide exhibition Fluxus in Deutschland since 1995, which could be seen in Gera, Budapest, Istanbul, Br_ɬºnn, Copenhagen, Athens, Tel Aviv and Warsaw so far; further stops are planned for Australia, New Zealand, Japan and South Africa until 2002. - Ketterkunst. Reissue of limited edition cassette release featuring live recordings from 1989. Edition of 150 copies on white vinyl with biographical insert and full color cover.\\r\\n\u003c\/p\u003e","brand":"Slowscan","offers":[{"title":"LP","offer_id":51854118407,"sku":"378-SLOWSCAN","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-888067-1169421057_jpeg.jpg?v=1571717195"},{"product_id":"jones-joe-in-performance","title":"JONES, JOE - In Performance","description":"\u003cp\u003eVery limited repro of Fluxus artist Joe Jones first LP, originally issued by Harlekin Art, Weisbaden, in 1977. Its a cavernous free sound coming in somewhere between Alan Silvas Celestial Communication Orchestra and the A Band. His Tone Deaf Music Company, as he named his arsenal of homemade, self playing instruments, were also featured, musically and visually, on Yoko Onos Fly album. Highly Recommended!\u003c\/p\u003e","brand":"No Label","offers":[{"title":"LP","offer_id":51854123079,"sku":"379-NO LABEL","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2295\/2925\/products\/R-1165463-1295218930_jpeg.jpg?v=1571717196"}],"url":"https:\/\/www.fusetronsound.com\/collections\/lp.oembed?page=347","provider":"fusetron","version":"1.0","type":"link"}