"Joshua Abrams' second album from 2012. With the release of Natural Information in 2010, Joshua Abrams entered into a new phase of his creative life, making music with a deep involving groove that communicates the pulsating energies of the human body and the incessant kaleidoscopic interplay of sensory perceptions. Represencing, recorded in Chicago in the summer of 2011 and originally released the following year by Eremite, was the next stride along this exhilarating path. Once again Abrams gives a key role to the guimbri, a North African bass lute, which he had started to play during the late '90s following a trip to Morocco. Its sound when plucked is percussive, emphatic from moment to moment, yet also bouncy and rhythmically propulsive, as if naturally springing forward. A time-honored instrument, used traditionally in healing ceremonies, the guimbri in Abrams' hands offers an invitation to the trance, an expanded present where time intersects with timelessness. As the title Represencing suggests, this is uplifting music with a serious mission -- to express that ongoing present and to give voice to our presence, here and now, within time's continuous flow. Once again, a fine selection of sympathetic friends help Abrams to craft this antidote to the current century's compulsion to accelerate and its ever-diminishing attention span. They include saxophonist David Boykin, drummer Chad Taylor, and guitarists Jeff Parker and Emmett Kelly. Lisa Alvarado plays harmonium on two tracks. She also provides a painting for the cover art which matches the music beautifully, vivid and vibrant, its interlocking geometry binding fragmentary perceptions into a coherent pattern, self-sufficient yet also clearly part of a far larger picture. By 2012 this fascinating music was taking on a group identity, performed by Abrams with the Natural Information Society. That development was subsequently consolidated with the recording of Magnetoception, released in 2015. Represencing, however, conveys the excited air of an adventure unfolding. Reminiscent in passing of a variety of other musics -- of tightly poised jazz, motoric rock and minimalism plus echoes from other cultural traditions -- it remains nonetheless a singular statement by an artist rapidly finding his own distinctive voice. The music offered by Represencing is intricate yet direct, hypnotically repetitive yet constantly changing, built to last yet intimately present. Newly remastered at Dubplates & Mastering. 180 gram vinyl." - Aguirre.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.