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ALBEDO GRAVITAS - Eihwas

"Albedo Gravitas is an extension of Albedo Fantastica (released on An’archives in 2018), the duo of Keiko Higuchi and Sachiko (Kousokuya, Overhang Party, Vava Kitora).
Both of them are well known names to those who are evolving in the Japanese underground waters since each has been involved in many projects and each has a consisting discography on labels as Musik Atlach, Improvising Beings, Utech. Their respective backgrounds are maybe a little bit different but they share a common interest in different genres from jazz and rock to free improvisation and have collaborated with a cast of various musicians in the likes of Cris X, Fukuoka Rinji, Kawaguchi Masami, Shin-Ichiro Kanda…

For Albedo Gravitas, Shizuo Uchida joins on bass. A peripatetic member of the Japanese underground, having played with groups such as Nord, Onna-Kodomo, Hasegawa-Shizuo, Kito Mizukumi Rouber and Keiji Haino’s Nijiumu, he most recently turned up on An’archives as one half of UH, alongside sax player Takayuki Hashimoto (of KMR and .es).
While this is Albedo Gravitas’s first album, they play together with intelligence and sensitivity, but also with a strong capacity for the unexpected; there are many moments here where you’re wrong-footed, caught askance by the way the music comes together, and comes apart.
Higuchi’s and Sachiko’s instrumental armory is multiple : piano, drums, melodica, electronics. Maybe their most remarkable presence, though, comes through voice – the glottal contortions, heart-rending sighs and moans, and chopped’n’screwed real-time vox improvs that soar across the album’s unpredictable musical terrain. Uchida works here with temporal disruption, there with heavyweight bass punctuation; drums plot out the most welcome rudimentary anti-rhythms, as electronics and melodica shoot arcs of white light through the air, lending an avant-chamber charm to the music here.
Most startling are the dynamics of the two side-long pieces, and the way the group use silence and stilted landscapes to suggest all kinds of routes previously unnavigated. In its capacity for disorientation, it feels indeed like a surprising kind of psychedelia, one far from generic constraint, and much closer to the sidereal suspension that that most overused of terms should rend through your head.
" - An'archives.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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