"With I May Never See You Again, the Iranian composer, musician and virtuoso of the Kamanche violin Saba Alizadeh will release his first album on the newly founded Hamburg label 30M. As on his debut album Scattered Memories from 2019, the 37-year-old Saba Alizadeh mixes his instrumental virtuosity with spherical electronics, samples of Persian musical instruments and field recordings from his hometown Tehran. Born in Tehran in 1983 to world-renowned tar and setar virtuoso Hossein Alizadeh, Saba studied the Iranian Kamanche violin with Saeed Farajpoury and Keyhan Kalhor, as well as photography and later experimental sound art with Mark Trayle at the California Institute of the Arts, Los Angeles. Influenced by the conceptual approaches taught there, Saba Alizadeh's music is based on Iranian traditions and scales, only to deconstruct and abstract them in the next step. As a result, the nine mostly instrumental tracks on If I Ever See You Again inspire as sonically differentiated meditations on the subject of memory. For example, in the track "Silences Inbetween", Saba proceeds highly conceptually, when he amplifies the breathing pauses of silence in speeches of dictators from past times in historical acoustic reverberation rooms to such an extent that this silence becomes audible as distortion. The silence of the masses, "Silences Inbetween" reports, is thus by no means merely neutral sound or noise, but consists of highly charged vibrations that, amplified beyond recognition, tell of a utopia (that did not occur), a different course of world history. In this sense, it is probably a twist of fate that Saba Alizadeh befriended Andreas Spechtl, the singer of the band Ja, Panik, in Berlin in 2016, shortly before Spechtl moved to Tehran for some months as part of an artist residency. Andreas Spechtl became famous in the German-speaking world primarily thanks to his song lyrics, in which he deconstructs words in a similarly abstract way as Saba Alizadeh does the music. On If I Ever See You Again, Spechtl and Alizadeh collaborate on the two tracks "Phasing Shadows" and "Touch". Saba Alizadeh also collaborated with electroacoustic sound artist Rojin Sharafi, a native of Iran who now lives in Vienna. With her, Saba composed the track "Hybrid". Not least because of the ongoing pandemic, the two collaborated virtually, exchanging sound tracks over the Internet -- hence the title "Hybrid"." - 30M Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.