ALL THAT WE SEE OR SEEM - All That We See or Seem

""Is all that we see or seem but a dream within a dream?" This quote from a poem by Edgar Allan Poe sums up the lamenting, primal work that is All That We See or Seem; a project conceived between Finland, England, and Brazil. The self-titled album consists of two long-form pieces of droning mysticism hailing from the trio of Gruth (concept, production, electronics), Ellen Southern (vocals, field recordings, percussion), and Johanna Puuperä (violin, modular synthesizer, additional vocals). The album opens straight into a thousand-yard stare with "Myrskymielellä", adapted from a 1891 poem by the Finnish national poet, Eino Leino, who wrote it at the tender age of 13. Here a blank distant droning of synths and the sounds of flowing water hover underneath like a dark river observed from the air. This is a sound and feeling that will stay constant for the entirety of the piece's thirty-minute duration. It is a trance-inducing composition that slowly unfolds elements of pagan ancestry into its own life. The tranquility of the first half is slowly morphed into a full-blown ceremony as driving ritualistic percussion and a foreboding witch-like presence shifts the piece into a Dead Can Dance-like territory. Here a constant enveloping mixture of violins, modular synths, field recordings and vocal screams creates the feeling of a grand finale. It is an astounding piece of music that develops like a drone symphony for the beginning of time. With the second piece, "A Dream Within A Dream", from Edgar Allan Poe's 1849 poem, you are transported to the shores of an undisclosed island; a place where it´s only you, your thoughts and the endless emptiness. The continual sound of waves is soon brought together with a cloud of synths and mourning violins that will keep a steady dreamlike state during most of the piece's duration. The composition flows like a slow caress of the soul and feels like the spirit twin of Gavin Bryars's "The Sinking of the Titanic" with its lamenting slow movements towards the unknown. Truly a ghost of a record, All That We See or Seem is an experience hard to shake and feels like entering sacred ground. We are in a place surrounded by earth, both ancient and present. Artwork with silver spot color; includes insert; includes download code; edition of 300." - Miasmah .
  • Sale
  • Regular price $34.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out