"Before forming outer limits jazz-rock outfit Badge Époque Ensemble, Max Turnbull masterminded the oddball pop persona Slim Twig, wrote and performed with U.S. Girls, and moonlighted in varyingly experimental groups across his native Toronto. While this was going on, the devout cratedigger had his third eye trained on another project -- one that would span the breadth of his mercurial creativity. This 'journal album,' as he puts it, is titled Scroll, and it collages together the pearls of Turnbull's eight-year dive into his songwriting imagination. Sprawling across 90 audacious minutes, Scroll -- released simply as Badge Epoch, a tidy distinction from the collective Époque Ensemble -- sounds unearthed from a lost musical Atlantis. Turnbull calls it 'a cosmic hodge podge of funk, jazz, ambient techno, aggressive guitarmonized rawk, musique concrète, and hip-hop.' The aesthetic breadth is woven playfully together in a form evoking classic album collage-works: J Dilla's Donuts, Uncle Meat-era Mothers of Invention, Broadcast & the Focus Group Investigate Witch Cults of the Radio Age, and Actress's 'sui generis masterpiece' Ghettoville. In their spirit, the record is peppered with musique concrète interludes and has a dream-sequence feel, as if somebody else's memories had been scattered around your head. Turnbull began assembling the nuggets in 2017, when he enlisted the Toronto sound artist Andrew Zukerman, aka Fleshtone Aura, to collage his works-in-progress into sequences before adding undercurrents of Zoom-recorder-snatched sounds and Buchla synthesizer. 'My instruction was to cut things up, open windows, slice, dice, what have you,' says Turnbull. 'Eventually this turned into 4 discrete cycles of music,' each taking up one side of vinyl." - Telephone Explosion .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.