""At this point, it's pretty fair to assume that the USA's most famous 'Punk hotspot' has been pretty well-mined for its obscure fringe rock n' roll nuggets for some time now. And with further investigation within the deep confines of David Peel's Orange Records catalog in recent years since his passing, we've found a couple of tragically-overlooked rippers. Behold: the Undertaker LP from the elusive Eddie Criss Group, released to minimal fanfare in 1980. Little to no information really exists on the band, who were a short-lived studio-only project that employed the MC5's legendary Wayne Kramer on blistering lead guitar on every track. What comes out of the speakers cooks up a vibe that feels right at home with the first GG Allin LP (most notably the MC-2 with Wayne & Dennis Thompson on the EP recordings), caked with NYC scum-punk gold! But don't leave your first impressions there, as the Undertaker LP has quite a few stylistic flourishes that border on the psychedelic glam that Mr. Criss grew up around, and the flanged-out rhythm guitars and dramatic vocals criss-cross with Wayne Kramer's scorching leads, creating a real "outsider" feel on a few of the less-intense tracks. Combined with an eerie organ accompaniment that seems to lead down an ominous path to certain death, the Undertaker LP covers a lot of ground, and reveals another still unknown NYC punk-era figure that history left out. While working on the King of Punk LP, David had regaled us with stories about Wayne Kramer during this period running ads 'offering to play on local band's recordings for a few hundred bucks,' which in lots of cases, he would remain uncredited. Which makes this LP one of only a small handful of confirmed recordings from the period in the late 1970s, when Kramer was in NYC playing in Gang War with Johnny Thunders, and trying to drum up studio recording work to help offset legal fees after his drug bust. RIYL: GG Allin & The Jabbers, The Fingers, Killer Kane Band, The Nothing, Breakouts, Corpse Grinders, Sinatras, MC5."" - Hozac Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.