"Virtuosity isn't always bad. In the hands of most, it leads to complete schlock. Don't believe me? Just walk into any guitar shop. But in the case of Eric Arn, it provides all the tools he needs to create compelling and in-depth guitar music. This release, his third solo effort, consists of 8 tracks of both improvised and composed acoustic guitar work, and finishes with a lush, perfectly titled (Greets the Dawn) electric guitar drone-space.
At times, Eric sounds like a cross between Django Reinhardt and Derek Bailey, and at other times, he's forging his own brand of Americana (via Austria), with Eastern, psych, and experimental influences, echoing the sounds of John Fahey, John Martyn, and Popol Vuh. Ranking right up there with releases by contemporaries such as Richard Bishop, Jack Rose (RIP), David Grubbs, Daniel Bachman, and Rob Noyes, High Order is an amazing mix of frenetic fingering and strumming, along with pieces that use space, tempo shifts, and melody to build super-descriptive narratives and landscapes; notes cascading like ice water running down a mountainside; dragging your ears thru a thorny thicket of sharp sonics; exploring ancient wooden churches with rotting floorboards.
Eric Arn has mined the nether regions of avant-rock, free improv, drone and psychedelia beginning with the Crystalized Movements in the 1980s, and continuing with Primordial Undermind for over three decades." - Carbon.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.