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Play Loud! Productions

FUCHS, LIMPE, PAUL FUCHS & FRIEDRICH GULDA - It's Up To You

"Reissue, originally released in 1974 on Preiser Records. Gatefold sleeve. Free music is free. It is the opposite of traditional, conventional music bound by various rules or by any kind of metric, tonal, harmonic, melodic, rhythmic, social or other system, as well as music that is beholden, restricted, schooled or unfree. In short, it's the opposite of any music we've known before. In free music, every rule that's ever existed in unfree music is rejected. Likewise, all existing notions about how music should or should not be, what its purpose must or cannot be and so on. Free music comes from the unconscious, an original source from within the self. It is by placing trust in players and listeners that we liberate them. The individual's pride, fears, inhibitions and aggression resist this act of liberation. But if they yield to it, whether as a player or listener, they discover something shockingly new and unheard. They feel like they've suddenly been transported from their familiar, oppressive surroundings into a glorious flower meadow. What's happened? They've simply returned home, to the realm of ordinary wonder, and to their own soul. With happiness and gratitude, they rediscover how to connect with their soul to move, live and laugh. They also learn that they can communicate musically with anyone, perhaps even with any creature. It transpires the styles, traditions, conventions and languages which were developed to enable communication are actually great impediments to it. Having decided to discard them, communication immediately becomes freer. Until now, there have been very few players who comprehend free music in a profound sense and who are able to create it. But it's likely that their numbers will quickly grow, and free music will soon become widespread. There's a clear need for it. Artists include: Limpe Fuchs, Paul Fuchs, Friedrich Gulda featuring Albert Mangelsdorff, Barre Phillips, Munir Bashir, Gerhard Herrmann, Leszek Zadlo, Ursula Anders." - Play Loud! Productions.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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