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Drag City

ISHIBASHI, EIKO - The Dream My Bones Dream

"2022 repress. "Eiko Ishibashi's sixth solo album, The Dream My Bones Dream, rides the rails into a partly envisioned, partly imagined past. Eiko's previous songs-with-singing records explored the ambitions and intoxications of pop music -- but never so dramatically as with The Dream My Bones Dream. Here, her songs open up into reflections upon the vast spaces that exist between people as close as family members -- in other words, reflections on the things we spend our whole lives drinking and cursing about! When we're not trying to forget what we were told about god, that is . . . It's been four years since Car and Freezer, a time during which Eiko has been steadily working, writing for stage and cinema, playing live and recording (and hanging out with her no-goodnik boyfriend!). In 2016, she toured Europe and released Kouen Kyoudai (Editions Mego), a collaboration with Masami Akita. At Sinnerfama Lisbon later that year, she won the Best New Music Award for her soundtrack to The Albino's Trees. In 2018, Black Truffle released Ichida, her collaboration with Darin Gray. Amongst all this abject jet-setting and debauched gadding about, the music of The Dream My Bones Dream started to gather. It began with the death of Eiko's father. Going through family effects in the aftermath, she found photos from a time she knew nothing about: her father's childhood. A taciturn man, he had never discussed this period of his life. Classic dad! As it transpired, it took place in an infamous setting of recent Japanese history, the occupation of China's Manchurian region in the 1940s. In the light of this, questions about Eiko's lost family history took on a larger resonance. No, not war crimes! Please try and keep your head out of the gutter. We're talking about lyrical things here -- the ever-changing relationships between people and places in our lives, okay? The music is richly conceived in cinematic arrangements with details referencing Eiko's grandfather, who worked as a railroad man in occupied territory. The few images Eiko had to base her exploration on are set in shifting landscapes colored by the unreliable narrators of history. For Eiko, the train that ran through this rough terrain is now headed for her future, and only by accepting its past will she able to direct it through what is to come. Something to think about, yeah? We at Drag City are hopeful that this musical message will be blared down the main streets of Fascist Everytown, USA -- at least until they come to get us! On The Dream My Bones Dream, as with Eiko's previous albums, the diverse sounds within the musical arrangement and the qualities of Jim O'Rourke's mix (off the couch and mixing again!) are crucial to the achievement. The Dream My Bones Dream is a record of exquisite musicality and deep emotions, a travelogue pointed towards a time hopefully better than the future we see coming down the line! Any eventuality where we can listen to The Dreams My Bones Dream would be preferable to that one."" - Drag City.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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