"Originally developed as a film score, Takt Der Arbeit is inspired by a handful of industrial and instructional films from the early 1960s until the early 1990s that portray different forms of work. Felix Kubin translates these historic documents into a musical poem of conceptual depth. Takt Der Arbeit - "the beat of work" - is not only serving as a title but also as constructive element in this endeavor. Being hunted down by the ever-accelerated pulse of our reality is an omnipresent issue in capitalist societies of the Western world. Living in times of constant exhaustion, it's not only our bodies that have been disciplined by and synchronized to the rhythms of working processes, but also our minds that rage in the tempo of our surroundings. Following an almost analytical effort, Kubin and an ensemble of three percussionists investigate the different qualities and intensities of time that are catalyzed in working processes. While picking up precise temporal and motoric motives of the films, condensing paces and excavating rhythmic patterns, the ensemble maps out an animist choreography, shifting from a time when labor was still relying on bodily efforts to a time when machines and ticking clocks seem to reign and model human perception. While side A is dedicated to procedures that are still based on manual and mechanical movement, side B is inspired by the digital age, marked by invisible processes and subcutaneous pulses that humans internalize. The result is a critical and poetic reflection on the rhythms of our daily life and yet another example of Felix Kubin's skills as a composer, placing him in the field of orchestral music. Works commissioned by NDR das neue werk (North German Radio). Personnel: Felix Kubin - organ, electronics, sampler; Miłosz Pękala - vibraphone, xylophone, sampler, percussion, effects; Magdalena Kordylasińska - marimba, percussion, effects; Hubert Zemler - glockenspiel, drums, percussion. Artwork by Stephen O'Malley; Engineered by Robert Migas; Mixed by Tobias Levin; Mastered by Rashad Becker at Dubplates & Mastering, Berlin." - Editions Mego .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.