"This soundtrack for William Leavitts sculptural installation Warp Engines (2009) combines cello, played arco and pizzicato, with audio clips from sound effects libraries. As early as 1970, when he created a soundtrack for the installation Forest Sound, Leavitt had the desire to introduce the possibility of mood and atmosphere to the installation with the addition of sound. In the 1980s, he began making electronic music circuits, eventually completing his own analog synthesizer, and more recently hes been making cellos by hand.
Leavitt is an artist, playwright, and musician living in Los Angeles. His artwork was the subject of a recent retrospective titled Theater Objects at the Museum of Contemporary Art, Los Angeles, in 2011. He performs and records music for many of his installations and theater pieces, sometimes collaborating with musicians Joseph Hammer and Rick Potts. As a cellist he has played in several Los Angeles groups including Provisional Riviera, Solid Eye, and the Subtones." - Orion Read.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
