of post-tongue instrumental gesticulation and invention. Augured by their eponymous 7” from 2019, Off Motion is a full-length exploration of the previously unknown aural destinations these two guys continually discover as they move beyond the borders of music-as-it-is-played. Often, when writing about music, it's possible to draw comparisons to players' stylistic relationships to what has gone before. But the music on Off Motion (to quote a William Burroughs chestnut), “buggers comparison.” Nace's style on electric guitar may have its roots somewhere in the playing of Keith Rowe, but the sonic scapes he conjures are so nimbly freaked, I can rarely figure out what the hell he is doing (if anything) to generate what I'm hearing. And White's avant garde approach to the jaw harp (as well, I think, nose flute and maybe even bird call) has so few precedents apart from random Fluxus events, it's impossible to make any inferences as to possible influences. This duo lives up to the promise of ESP-Disk's motto as much as anyone I can think of. You have never heard such sounds in your life. The seven pieces on Off Motion are hard to unravel. Chik sent recordings to Bill. Nace added his own bits. Then he and Emily Robb screwed around with everything until it pulsed with sheer mystery. I took a lot of notes on the tracks, but the best ones are hard for even me to decode. For “Pathways” -- starts with pixie twinkle guitar, then evolves into a duet for Taishōgoto and nose flute that sounds as though it was designed to drive dogs nuts while they search for phantom, mocking squirrels. For “Erasing” -- like a troubled pigeon visiting a guy who uses an electric razor while bouncing around on Slinky-shoes, before switching into carillon-based boots and breaking into a human pinball routine he's been practicing since he was a boy. I repeat these descriptions only to show how entirely Bill & Chik's music resists easy categorization. There is a sense at times the studio/mixing board itself is being used as an instrument, which is very cool. But I am still jonesing to see these guys do some live shows. Both Bill and Chik have the ability to mix jocularity and seriousness into a strangely compelling whole. Their music is bizarre as hell without being off-putting or sterile, and anyone who has a taste for weird thrills is gonna love Off Motion to death. Tell Alice Cooper the news." - Byron Coley.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
