"Blume Editions announce the long-awaited first-time vinyl pressing of the New York based composer Phill Niblock's seminal Four Full Flutes, restoring the album to the format for which it was originally conceived. Created in collaboration with the flutists Petr Kotik, Susan Stenger, and Eberhard Blum toward the end of the 1970s, the album's four compositions belong to Niblock's radical rethinking of the possibilities and terms of tape music and microtonalism, the effects of which continue to ripple across the field of experimental to this day. Created in full collaboration with the composer with newly commissioned liner notes by Bradford Bailey, David First, few artifacts of minimalism's second wave have proven to have had such an enduring effect. Niblock's third full-length dates from the same era of compositions as its predecessors, but found Niblock's attitude toward the potential activated by home playback moderately changed. Four Full Flutes comprises four works, roughly 20 minutes each, composed for flute by Niblock toward the end of the '70s and early '80s. Each deploys the compositional system within which he has worked for the better part of his career; combining sustained tones of specific durations, rigorously produced at microtonal intervals by the respective musicians, before arriving at their final form through meticulous work with magnetic tape on the part of the composer. Mastered by Giuseppe Ielasi. Deluxe wooden box with velvet lining; red vinyl, audiophile pressing, housed in Nagaoka anti-static record sleeves; includes an original LP-sized extensive booklet and a 60x90cm iconic poster designed by Bruno Stucchi/Dinamomilano; edition of 300." - Blume .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.